Christmas is coming

Hey everybody! I can’t believe Christmas is only a week away! The year has lent itself to many awesome experiences and many interesting days, but that’s still to come!

In case any of you have forgotten, my second book club review will be posted in just under two weeks. This month’s book is none other than the age-old classic “A Christmas Carol” by the legendary Charles Dickens. This is a book that I wanted to read for years before I finally got my hands on it. Whether you’ve read the book or not, you definitely most likely know the story, even if you don’t celebrate Christmas. I hope that you’ll all take the time to read the book, regardless of whether or not you celebrate the namesake holiday. It does hold messages that can we could all use in everyday life, not the least of which (spoiler alert) is that we should cherish every moment we have and enjoy our lives.

I look very forward to having a discussion about this book with everyone who is willing, so grab your copy and read through it! The book is fairly  short, and (even though it’s Dickens) is a quick read, so two weeks is plenty of time!

Anyway, I just wanted to remind everyone of our book of the month and wish you all a very Merry Christmas. For those of you that don’t celebrate Christmas, Happy Holidays. I hope the last two weeks of this year go great for each and every one of you. Keep your heads up and enjoy the holiday season as we look forward to what 2017 can bring!

Share the book club posts with anyone and everyone who may be interested, and make sure to read and post your own comments as well!

Plans

Unfortunately plans don’t always work out. That’s something we learn from a young age, if we’re lucky (and find out the hard way once life gets its claws in us if we’re not). It’s basically just a fact of life. Just as people say rules are made to be broken, plans are, unfortunately, made to be unkept.

I’ve had some first hand experience with that, lately. I had some big plans for the first week of October, if you may remember. I was determined that I would get a novel sent to a publisher by no later than the tenth. Well, it’s the tenth and no publisher has seen my novel. Granted, the reasoning behind this change isn’t necessarily bad. I spent the week researching as much as preparing my novel, as I went through my new copy of the 2017 Writer’s Market looking for the best place to send my work.

So far, I have found dozens of agents and publishers that could be helpful to me and my potential future in the literary world. That being said, I have developed a new plan; Pinpoint the best of the ones I have found that would work for me and begin making contact. With this plan in motion I hope/”plan” to have at least one novel out for consideration by the end of October.

Which brings me to the ultimate point of this blog post. It is always a great idea for an artist to set goals, make plans, have a set idea about where you want things to go and when. But it does not have be set in stone. In fact, most of the time, you’ll find that, no matter what plans you make, something is almost always going to change. I’ve often heard something to this regard that I think makes more sense than anything; “If you want to hear God laugh tell Him your plans.” To me it describes life perfectly. We can try to make our lives happen exactly how we want, but there’s no guarantee it will go our way.

Our end goal may come out the same, but the journey almost never is what we expect. The point is that you can’t give up. No matter how you come to the final stage, no matter what you have to go through to get there, it doesn’t matter as long as you keep trying.  Whenever the plan you make doesn’t work out then you make another one. Keep your end goal. Keep your passion. Life can throw anything at you at any time and will almost certainly always try to keep you on your toes. Sometimes it may seem like life doesn’t want you to succeed, but I’m not sure I fully believe that. I like to think that, for the most part, the world doesn’t care whether or not you succeed, but it want to make damn sure that you give it your all either way.

Success is not always a matter of luck, just as it is not always an impossibility, but more often than not it only comes after very hard work and dedication. So, no matter what it is you  are after, you have to be willing to make it an act of passion and determination if you truly have hopes or expectations of success. What goals do you have for your craft? How do you plan to make sure they are fulfilled? Furthermore, have you  had any experience with plans falling through like I have described here, and if so, how did you come back from it?  Comment, contact me, interact and enjoy, everyone. If you have anything you’d like me to discuss, feel free to chip in and make a suggestion. Best of luck with all of your plans, and I hope you’ll all take this message to heart!

The Inspiration of Life

Last week the world suffered one of the worst tragedies the year has seen – which is saying a lot considering the vast amount of talent 2016 has cost us. Dr. Ralph Stanley, one of the greatest artists in the world, a man who contributed even more than he ever understood to my region, went to his Heavenly home on Thursday. I can honestly say this loss cut me very deeply. As a lover of music (and a player of it when time allows, although I would say even at my best I’m on the very bottom of mediocrity) and an artist who strives to bring my region a strong voice, Ralph Stanley meant a lot to me.

Growing up in Southwest Virginia, the culture and roots of bluegrass and folk music always struck something deep within me (even if I often prefer the power of a good hard rock song) but the voice of Ralph Stanley was one of the ones that always stuck with me. The wailing vibrato that brought to life some of the greatest hymns and folk tunes to ever be written was and is one of the most powerful and recognizable and meaningful voices I’ve ever heard and I will never forget the power it brings to the table. And honestly, as an artist, that is all we can ever really hope for, is it not? To know that at least one person out there who encounters our work finds something so powerful and meaningful within it that it even inspires them to create something of their own is, to me, one of the most rewarding experiences imaginable.

So how do we make this happen? How do we rise above the masses of other individuals who have interests similar to our own in order to be at the top of our game? Passion. Knowledge. Individuality. These things can have so much more impact than we realize sometimes. I’ve said it before, and I’ll say it countless more times in my life I’m sure, but passion is something that completely alters everything. You may not have to be passionate about everything you do, but you definitely need to make a real effort to do the things that you are passionate about. That is one thing that made Ralph Stanley so monumental. He had an extreme passion for music and he had an incredible passion for the region he called home. So often in his music he called out to his home, his family, his history and his savior. These are what were important to Ralph. These are the things he knew and loved, and these are the things that brought people to his music and made them want to come back again and again.

When it comes to individuality, there are a number of ways to make yourself different from others. The way Ralph did it was often by using his natural gift, which was the voice God gave him. He was quoted as saying that it was his voice that set him apart from others. It was something no one else had. God had given it to him. The same goes for the ideas in our head. Some say that there isn’t a story out there that hasn’t been told, and that may be true. But I would put money on the fact that, similar idea or not, no one has ever told the story in quite the same way you would. So why wait? Why hesitate? Your ideas, your talents, your strength are all unique to you, and you owe it to the world to set those things free, whether it be through writing, music, painting or anything else.

I’ll leave you something that has always given me a little motivation, no matter what mood I’m in when I think of it, but I read a quote some time ago that had a similar message to this post, but it ended with words that truly gave me chills and inspired me immensely; someone out there needs your book. So get up, go paint, go write, go play your music. Whatever it is, get out there and do it, because someone out there NEEDS your work.

Thank you all for coming back and checking out this post. If you haven’t yet, please check out the rest of the new site and go read my last blog post which includes a free and exclusive story that I wanted my subscribers to have first crack at. Leave me comments and let me know what you think of my posts, my stories, the site, or just whatever you’d like to say!

Trying Harder

Hey there friends and fans!! I hope life has treated each and every one of you absolutely wonderfully of late.  Personally my adjustment to a new city, new job and new home has finally lead to a fairly adjusted schedule, at least for now. Hopefully things will continue to work out well.

As many of you may remember from earlier in the year, last weekend was the Appalachian Heritage Writers Symposium.  It was an amazing experience,  as always, and it inspired me even more to make a dedicated effort to my writing. With any luck this will work out well, since it seems that life may be calming down a bit and I will hopefully be able to set a schedule that will allow me to dedicate time each day, or at least each week,  to attempting to get something out there!

In addition to this general hope, I have decided that I am going to try a few new ways of advertising my work to anyone who may be interested, one if which I am hoping you’ll all participate in. I am starting a newsletter! I’ll be setting it up this week, and hopefully have the first one out by the weekend. I plan to make a post on here and on my Facebook author page giving the details on how to sign up for it. I plan to use it to give people an idea of what I am working on, where my works in progress are in the development and editing process and will even be giving some exclusive excerpts to those who subscribe!

My goal, in case I haven’t run it into the ground yet, is to have something in the process of publication by the end of this year. With the help of my friends and fans, as well as dedication and effort on my part, I know I can make that happen.  So I thank you all for your support and well wishes. You have no idea how much it means to me. I sincerely hope to have some new work to share with you all very soon!! Feel free to contact me and leave any and all comments you wish! I’m glad to be back!

Cutting the Red Tape

As you all know last week I made a post announcing my new job opportunity. I have received immense support and congratulations from you all and I couldn’t be more appreciative. One thing that is always a part of taking a step to better yourself and your family is the red tape associated with changing locations and jobs. I currently live around 45 minutes or an hour away from the office I’ll be working from, so I’m looking to relocate to make my commute a little shorter and I am definitely seeing the red tape show up with that process. Between trying to get our student loans on a solid repayment plan to getting pre-approved for a mortage, the obstacles are everywhere. When discussing what to blog about today, I decided to discuss a bit about that red tape in a way that is relevant to all of you as well (since it’s pretty much all we can focus on this week due to the mind-numbing stress of it all).

Red tape can come in many forms for an artist, and can be as simple as checking the format on a submission, or it can be as hard as nailing down the best time and place to have a meeting with someone interested in your work. Sometimes the red tape can be easily avoided, and other times it will wrap you up until you’re almost certain you’ll never get free of it. One such instance of this comes in the form of getting your piece ready for a certain venue. For instance, you may have a piece that you have written entirely in Arial Bold, your favorite font, only to find out that the publisher you are looking into will only accept pieces submitted in Times New Roman. This isn’t that big of a deal and is really a simple fix (control + A and change the font, for those of us who don’t do computers). In this case you’ve gotten through the red tape quite simply.

Other cases may find you scrambling a bit to get your work ready. The submission process can be one of these things. Less than a decade ago most journals and publications still worked in hard copy submissions, email submissions unheard of for some of them. Unfortunately  that is no longer the case. Most large publications now only accept online submissions either via email, through Submittable or some other platform. This in itself may not be all that difficult since most of us, even if we don’t write our pieces completely on the computer, will still have a back-up electronic copy ready to go whenever it may be needed. But what can be a problem is when the journal doesn’t specify how best to submit. Most do, granted, but there are those that don’t, and this can be a big issue. If we submit via email they may not get it, or may trash it as many journals who use other platforms tell you they will do with email submissions, or they may just not get it.

One of the worst cases of pre-publishing red tape that I’ve come across recently comes into play when you are using the tactic of simultaneous submissions, which can be both helpful and maddening at the same time. Simultaneous submissions means that you send the same piece with its respective cover letter to multiple venues in order to broaden your possibilities for publication. This isn’t a secret, of course, as most journals will flat out tell you that they accept simultaneous submissions as long as you tell them if the piece has been accepted elsewhere before they get to it. Of course, there are those who say that they don’t accept them, but honestly I don’t think that is going to really stop many of us in the long run, if you’re determined to get the work out there. The complication comes in when you look at the submission guidelines for the venues in question. I occasionally go on submitting sprees where I will look at a dozen or so venues and get pieces ready to send in, and sometimes that process can take hours, even if your work fits the basics of their specifications.

What I mean in this instance is the way you have to submit. The minor, but potentially devastating red tape. In my experience, most journals have their own way they prefer to get submissions. Most of the time this, in some way or another, involves having your piece attached to an email, often with no name or labels other than the title in the piece itself in order to maintain anonymity until chosen, while the body of your email gives you a chance to tell them your name and perhaps give a summary of the piece and why you think it fits, and a small bio. But there are the exceptions. I’ve come across editors who tell those interested in submitting to put their name and submission title in the subject of the email and copy and paste their piece in the body of the email, saying any messages received with attachments will be discarded without being viewed. Now, in the era of the ever hungry computer virus, I can understand that to a point, but when preparing multiple submissions, one little slip-up can result in a rejection or even having your submission overlooked by default.

The same goes with the red tape in life. If we forget to dot an ‘i’ or cross a ‘t’ our whole process could come crashing back down just for us to have to start all over again. Granted, the margin of error in things like a mortage application varies quite a bit than, say, a short story submission to The New Yorker, it’s all relative in its own way. In this day and age we definitely have to make absolutely certain that we have an eye for detail, because the red tape can sometimes be a bit confusing, but with the proper determination and the right amount of preparation you’ll be through it before you know it, sitting in a new house or opening your sample copy of the journal with your story as the center piece. Obviously I haven’t covered all of the possibilities here, so what other forms of red tape have you all encountered in your journeys, and how did you cut through it to make it where you are now?

In the meantime, if any of you have a topic suggestion, I ask that you definitely get it to me. Leave your comments below and happy writing!

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The Road to Greatness

Last week I made a post talking about what I would like to be remembered for. I asked for feedback from my readers and got some great responses as well, and it made me think about something that I’ve often had on my mind in regards to writing and the future. The simplest way to say it is this; I want to be great. Not just at writing, mind you, but that is the task at hand here. I want to be great, I want to wow people, and I want to create something that is not just going to be remembered, but something that is worthy of remembering.

One of my favorite movies (developed from an amazing book that I am just now getting my hands on) that addresses this best is Eddie and The Cruisers. Eddie Wilson was a man with a passion that few people could understand. It burned inside of him so hot and so strong that he literally couldn’t be happy unless he was letting it out in his music. He struck it big with an album and his band toured the East Coast for a while before things got a little hairy. The movie, obviously straying a bit, portrayed this by having The Cruisers cut an album with a different style of music than most people were used to in the 50’s, which the execs of their label flat out condemned. Eddie, driven mad by rage, left the studio and wasn’t seen again (spoiler alert), at least not until the second movie. Eddie left in a rage because his passion, the thing that he felt he was created to do, was being stomped on, his ideas being viewed as poor quality. Eddie felt immensely betrayed at being told his ideas weren’t good enough and he uttered a statement which always sends chills through me.

“If I can’t be great then there’s no sense in ever playing music again.”

Since I first put pen to paper I have felt this way about my writing. But during that time; during the writing, the stress, the feeling that I’ll never make it to the top of anyone’s slush pile long enough for my work to be considered, I’ve never taken the time to define exactly what ‘great’ is. To Eddie Wilson it was creating a sound unlike anyone has ever heard before. But what is it to me? After some deliberating and thinking, I think I have one potential tentative definition to strive for.

To me great is; having someone read my work and be inspired or moved by it. Having someone read one of my books and rethink what they thought they knew of the topic before finding my work. Having someone who considers one of my book to be one of their favorites. Maybe even someone who can’t stop thinking about words that I wrote, something that I created. To me that’s great. Of course a million dollar book deal, book signings in at least 5 major U.S. cities and a book tour where I get to read from and discuss my work after riding the top of the best seller list would also be great, I think the others hold a similar impact. At least for the person affected by the work.

That leads me to another instance of asking for all of you to tell me your own opinions on the matter. We all want to be great at our respective crafts, to have the satisfaction of knowing that we did our best and that our best is pretty darn good, but what exactly puts us over that line? So tell me, when you all think about what constitutes greatness in regards to your work, what exactly do you see? Are you presenting your art work to a group of a few dozen at a private show, playing music for a state leader, or are you sitting around the campfire telling scary stories to your children and knowing that the story will then be passed down to your grandchildren because the words were so powerful they stuck and became a solid foundation in your child’s memory? Leave a comment or, if that’s too open, send me a message and tell me what you think of when you think of greatness. What level do you think your work must reach before you will finally consider yourself having achieved greatness? And, furthermore, why?

As always, I hope you’ve enjoyed this post and I welcome all comments and questions. If any of you have a topic suggestion, I ask that you definitely get it to me. I would love to know that I’m talking about the things that you all want to hear more about. Leave your comments below and happy writing!

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Awesome Opportunity

I know I have spoken to you all before about the Appalachian Heritage Writers Symposium, and I think it’s about time to mention it for this year, too. The event takes place on June 10 and 11 this year, and it promises great content and a great experience to all those interested in attending.

The keynote speaker this year is Sharyn McCrumb, an Appalachian writer who has tackled many topics during her career and has made quite a name for herself. The topics being discussed range from graphic novel design and fantasy writing, to the ever practical and useful topics of marketing and nonfiction writing and many things in between. This symposium, now in it’s seventh year, is one of the best writing events in my region and often has visiting writers from all over the country in attendance. We do, of course, typically hold the theme of Appalachian Heritage writing, but that isn’t all we focus on, either.

I have found that this symposium can be very useful and it has actually helped me develop my platform since my first year of attendance in 2012. I have seen a number of people leave the symposium with a lot of knowledge that they didn’t have before attending and have actually felt more encouraged with my own writing after speaking to the writers that attend. One of the most rewarding things about this particular event, in my opinion is that you are given multiple opportunities throughout the two days to have face-to-face and one-on-one interaction with these authors. Unfortunately with symposiums and events like this that isn’t always the case.

Another benefit of this experience is that, rather than being full of themselves and unkind, as some individuals in the spotlight tend to be, these authors are some of the friendliest people you will ever meet, often striking up a conversation with you before you even get the chance to start one with them. I have gotten to know most all of the Appalachian Heritage Writers Guild and most of the regular attendees of the symposium itself and I have to say that one of the reasons I find it so beneficial to keep attending is the level of camaraderie I feel whenever I go. This is a very important thing for an artist, especially one just starting out.

One thing that I also find very interesting about the event is that there is a writing contest (prizes included) that is all inclusive. As a matter of fact, you don’t even have to be in attendance to win! So if you find yourself unable to attend the conference, but would like to enter the contest, follow the link at the bottom of this post for more information.

So I want to invite you all to try and attend. I know some of you are quite far from Southwest Virginia, but I assure you it is worth the trip. I will attach a link to the symposium website at the bottom of this post for any interested in learning more about it. Of course, as this is an event with a set schedule and meals included (Ha! I left that part for those of you that stuck it out until the end! The food is very amazing every year, so that is always another benefit), so registration is required so they have a head count and know how much to purchase in terms of supplies, etc. Also, there is normally a gift bag upon entering that includes a folder for the event, at least one notebook and pen, and a copy of SWCC’s Clinch Mountain Review.  There is a book signing event at the end of the first day and more festivities that you’ll just have to attend in order to know about! If there is anyone who has any interest in attending but feels unable to pay for the experience, please contact me. I really hope to meet some of you at this awesome symposium!

https://appheritagewritersym.wordpress.com/

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Unicorns are Real

Yes, I know this statement brings a number of things to mind, and it may be one that some of you are already familiar with, but I wanted to make this title and write  few words on this seemingly silly topic because the message many of will get can be applied to a number of things, including potential success in virtually anything we really set our minds to.

Of course, I could turn this into a rant about how a great many creatures thought to be mythological have since been proven real and use that as an argument for the possibility of the existence of most other cryptids out there, but that’s another topic entirely.

My point for today is this; so many people throughout history have used the legend and the image of the unicorn to be silly and stand for something that is impossible, but the truth of the matter is that nothing is impossible. Granted, the creature being referred to as a unicorn by science was much more akin to a cross between a rhino and a woolly mammoth, as it stood around 6 feet tall and weighed in at approximately 8, 000 pounds. Personally I don’t think that guy is going to be flying through any clouds or running across any rainbows.

But I digress. The reason this information is important is simple; anything is possible. I usually try to coach you guys through a specific issue that can have a crippling effect on some artists, but today I’m just addressing the real basics. You need to have faith. There are so many people who have risen through the adversity that met them to be some of the most treasured and celebrated authors in history. Critics and agents alike have torn some of our favorite authors apart countless times, and they still get right back up and keep putting pen to paper because that’s just what you do. I’ll keep this short and sweet today, guys and just leave you with a simple reminder that I think we could all use sometimes.

Your ideas came to you, so no matter what anybody says you owe it to yourself and to the world to keep at it. People who never thought they would see success are changing the world every day. Keep writing that book and don’t ever give up on your self. Remember, unicorns are real and anything is possible

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Is It Still Mine?

Sometimes as artists we have a piece that resonates with us so deeply and becomes so precious to us that it takes a very long time to go from start to finish. Now, that’s not to say that this particular piece is going to be any better or worse than any other thing that we produce, but it is just more uniquely “us”, I think. One such instance of this comes from (of course) Stephen King and his work on the Dark Tower series. King got this idea decades ago and just recently published the final piece (at least for now) of the Dark Tower puzzle. The books, a series of 7 with a stand alone follow-up, tell the tale of Roland Deschain and his urgent attempt to right what is wrong with the world by find and fixing the Dark Tower. Each book is deeper and more dense than the last and, with the exception of the stand alone (which I own but haven’t yet read), each one is larger than the last. King has called this series his magnum opus and has actually found a way to weave most of his other pieces into the world of Roland and his Ka-Tet. At the beginning of each book there is a foreword, at the end an afterword, and in almost each one King explains that the world of Roland grows a little more every time he attempts to visit it, the story becoming more complex every time he begins to work on it.

This is what I’m talking about. Speaking from experience, my own magnum opus (Maverip and its prequel/sequels) have gone through more phases than I ever imagined when the idea hit me some 9 years ago. That’s almost a decade of work. Each novel has taken me more or less three years to complete so far (yes, that means I only have two of them fully ready for beta readers), and the ideas keep coming. I can look at the notes I made when the idea first hit me, can actually still remember the experience of the idea flowing through my brain while listening to music in the car riding through the mountains on a warm summer night, and I can see how much the piece has grown and changed without effort.

But what does that mean? Has my idea gone from one thing to another? Have I butchered my own work by adding to it and allowing it to change? As an author, when that big piece comes to you and rides the years in your brain, letting every single day of your life affect the outcome and progression, I can promise you that you will end up asking that question at least once. I have asked it of myself and my work more times than I care to admit. But it’s nonsense. As I’ve talked about countless times before, when a piece that is really alive comes to you, begging to be written, it will often times end up writing itself and using you as a tool. Your ideas will put themselves on paper with little or no effort from you, with the exception of punching the keys or holding the pen and flipping the page. This is when you know that you are meant for the work and that the work is meant for you.

So why should it scare us when the work guides itself in a different direction than we originally saw? The answers may differ from person to person, but in my experience they often come back to one simple and brutal concept; Failure. We are afraid that if we can’t guide the work along exactly as we thought when we first humored the idea then we will never be able to convince someone else to read it. This is crazy. Why should we be afraid of our own abilities? The ideas that come to us in such depth that they allow us to build an entirely new world based on our own concepts are not ones that will fail us. We need to have faith in ourselves, our talents, our abilities and our ideas. Basically, we have to give ourselves artistic freedom if we ever hope to have real and true success in whatever craft we have chosen. Personally I would love to discuss this more in depth with anyone who is willing, so I would like for anyone who has felt this fear or questioned their work in this way to leave a comment or send me an email regarding what inspired the feeling and how you handled it. I hope you’ve all found this useful!

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Preparing for Advancement

In addition to trying to always write helpful and inspiring blog posts for all of the budding artists out there, I occasionally like to let those of you who are fans of my work know a little about what’s going on in that part of my life. 2016 has treated me fairly well so far, allowing me to submit pieces to a number of different venues, some of which I am still eagerly waiting to hear back from. In addition to this, I have begun taking the first steps in preparing Moonlight, my latest novel, to send to an agent.

To be brutally honest that process somewhat terrifies me. In the past it has always made my heart stop when I sent works out, but this feels even more serious. Obviously it is, but I think many of you will know what I mean. I put blood, sweat and tears into this novel, and stayed up much later than I should for I don’t even know how many nights trying to write it, only to have to sort through the last few paragraphs in front of me the next morning to make sure I hadn’t jotted down some inexplicable jumble of nonsense. So far in this process I have been trying to work with beta readers, some of which have been much less helpful than I’d hoped, and have gone through three previous edits. I tell myself that I would love to have a few more opinions, but at the same time I wonder if that’s just me trying to put off the rest of the process.

Either way I really want to make an active attempt to get myself published and get my work out to a larger audience and use the gift that I feel God has given me. I have a feeling this process may be a long and arduous one, but I am more than ready to get it started. I have worked with small journals and publications for almost six years now, taking the route of self publishing when I felt the smaller venues weren’t getting me where I wanted to be. I think I chose this route, for one, out of curiosity, but also largely because there is a part of me that is terrified of allowing someone else the opportunity of breaking my work down and tearing it to shreds. But that’s the whole point isn’t it? Centuries later and we are still tearing Shakespeare apart and trying to find his meaning, his purpose, utilizing every tool we have to analyze his voice and his work.

Isn’t that what writing is all about; letting others read it? In addition to trying to get this novel figured out, I am still tweaking on my Maverip series and trying to make sure that it is getting completed and trying to make sure that I haven’t strayed away from my original plan and purpose for the works, which is something that I seriously worry about after having worked on the pieces for 9 years. Again, I know a lot of you will probably know what I mean when I say that. The longer you work on a piece, the longer it takes to get it finished, the more you will worry that the work has altered from what you originally intended and has instead become something very different. This isn’t always a bad thing, of course, but that is a topic for another time.

I will wrap this informative piece up by letting you all in on one of my more exciting accomplishments of recent weeks. I entered a writing competition around the end of December with high hopes. At the time of entry the reveal was set for January 16th. The 16th came, with a notification from the contest runners (the contest was Neoverse, for anyone interested) that the reveal was actually pushed back to February 29th due to the fact that they had actually received several thousand entries, a fact which blew me away. So i waited for another month, as patiently as I could, until February 29th came and went. I checked my email almost hourly that entire day, finally going to bed a little before midnight only to wake up the next morning with some exciting news. Out of several thousand entries the judges had narrowed their possibilities down to 5% of the entries- and I was on that list! I know that might not seem like a big deal to some, but it made my heart absolutely SOAR. So now I am waiting to see if my piece will be picked for a spot in the winner’s circle (which consists of 20 pieces) and will get published online and in print via Neoverse. I’m not sure when that particular announcement will be made, but rest assured, when I know so will all of you!

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