Every Day

Happy Friday! I hope this week went by swimmingly for you all. This is rather unexpected, as it came to me on a whim, but here is a surprise, mid-month book review! Recently I’ve been seeing the movie trailer for the upcoming release “Every Day,” and it has intrigued me in a major way. The concept as laid out in the trailer, of a person who wakes up every morning in a new body, a new person, with no solid life and no link to the rest of the world beyond that of their current host, called to me like crazy. I immediately knew I had to go see it. Needless to say, when I realized it was based on a book , I obviously had to read it.

As I’m on a strict reading schedule for the year I wasn’t sure when the opportunity would arise. Yesterday afternoon I saw the trailer again and was once more convinced I had to read the book, preferably before the movie’s February 23 release. On a whim I decided to check the OverDrive app, a free app that allows you to check out ebooks from hundreds of participating libraries (an app that I’ve obviously fallen in love with) for the book. When I saw it was available the choice was made before I even realized it.

I was immersed in the story from the first word. David Levithan’s story of this person, this genderless, identityless, familyless, homeless person bouncing from consciousness to consciousness every single day, never able to control the transition, the destination, is incredible. Obviously, if you haven’t read it, you may want to put a pin in this post and do that. As you can tell, it’s pretty easy to read the book quickly, since I completed it in probably a combined reading time of 6 or 8 hours. So, go read. I’ll wait.

Now, I’m assuming you completed the book and are ready for discussion? Good, let’s!

The first thing I have to say about this book is that it is incredible. I do like my YA novels as well as most other forms of literature, and this book is a YA novel that reads like both classic and modern fiction. It is something that feels so natural that you sometimes find it easy to forget you’re reading a book and not just directly connecting with the thoughts of the main character, a loving but mysterious soul whose only identifier is the self-prescribed moniker of “A,” set up early in A’s 16-year life to give them (the most suiting pronoun) something to hang on to, something to anchor to to prevent themselves from going mad while bouncing from life to life with no control.

As I said, the concept is great. I was immediately drawn to feel sympathy for this character. As someone that puts a lot of stock in the protective and loving character of family, reading this tale of someone who has never been able to feel that solidity really made me invested in the book. A’s story is something that holds incredible strength, purpose, possibility, and much sadness. I loved the absolute unpredictability of the story as the reader is brought along with A to enter the lives of numerous individuals from all races, genders, levels of health, and family situations.

I enjoyed that we are brought in after A has lived this way for 16 years, no explanation of how or why they are living this life, and no certain answers of whether it is possible to stop or slow it down. We come into the story on day 5,994 in the body of Justin, who the reader is quickly ready to dislike. Before long we are introduced to shy, timid Rhiannon, who is the reason for everything that happens in the book. One thing I was drawn to throughout this novel is the undeniable feeling of love that A feels for Rhiannon almost instantly. As someone who has never spent more than 24 hours with any one person or group of people, the idea that such a powerful connection can be made almost instantly with Rhiannon is incredibly intense. Levithan throws A and the reader into this tale head first and keeps at it through the entire text, presenting a love story so complete, so without boundaries, so without restriction and full of possibility that it can literally leave you reeling.

I was enamored with A’s immediate connection with Rhiannon, their undeniable infatuation that even transcended Rhiannon’s connection with A’s host of the day, Justin. The description of A’s life being turned completely upside down by something as common as love is a concept that really put the world into incredible perspective. Knowing that this character, who has never had the time to experience something the rest of us take for granted and consider normal, is thrown completely through a loop by this one thing is extremely powerful. A running theme through this book that is lying just below the surface is that something as unbelievably thrilling as being able to bounce from life to life consistently, never having to worry about tomorrow, never having to face responsibility and knowing that no matter how good or bad your situation is, a change is literally less than 24 hours away is nothing compared to the unpredictability of falling in love. It’s something that you can get lost in.

I love the repeated mentions A makes of the experience they have had. Multiple times while speaking with Rhiannon as well as just reflecting on their own A talks about how they may not have had many consistent and average life experiences that a 16-year-old  would normally get, but that they have had countless experiences that are typically lost on individuals. The concept of getting to experience life from more than 6,000 sets of eyes in more than 6,000 settings and more than 6,000 family situations is both liberating and exhausting to me. I like to live my life thinking that every day brings us something new, but this expands on that concept to a point that I feel like I have trouble wrapping my head around it. It is just another of the many reminders of how small we all truly are.

Levithan touches many times on the concept of homosexuality and love, repeatedly speaking through A’s point of view while living in the bodies of males, females, transgender individuals all of varying sexuality. Here he touches heavily on the concept of humanity versus gender and identity. A feels just as much love for Rhiannon while in the body of a female as they do a male, just as much passion for this one girl while in the body of someone she’s never met as they do while in the body of her boyfriend of over a year. This speaks volumes to me. Many people in the world today have very differing ideas when it comes to sexuality and ‘normality’, right and wrong, and average and ‘weird.’ But A knew none of that. They knew just as much as they felt from day to day, minute to minute, and what they knew above all else was a love so intense that it literally transcended all else.

In my opinion anyone who reads this book can learn invaluable lessons from it. As a straight, white male born into a middle class Christian family I admittedly haven’t had to face much adversity on the forefront of my love life. But that doesn’t mean I can’t recognize it. Having friends of different sexual preferences, different identities, from different backgrounds, I do my best to be understanding of every situation that can present itself to my peers, but nothing could have prepared me for the raw description in this book. Levithan doesn’t stand up and turn this book into an in-your-face statement about love and life and acceptance, but I feel like it can definitely serve as one. A repeatedly tells Rhiannon that they have never felt like a boy or a girl themselves, they’ve only taken on the identity of the body they inhabited that day. Even with that explanation we see Rhiannon’s hesitation to consider anything beyond the standard she understands, reminding us all of the classic view of the world’s typical attitude toward anything that doesn’t seem “cookie cutter” and average.

With this book so fresh on my mind and so high on my list of must-reads, I’m hard pressed to find much about it that I wasn’t impressed with. I would have liked a lot more explanation, or at least possibility about who or what A is, and how their life is possible. Of course, that could well be coming in the follow-up text this October. Throughout the book there are hints of possibility that A is not the only person with this gift/curse of freedom and experience. I would love more of an explanation about that. I would also love a first-hand account of someone who wakes up the day after A has lived in them. We get Nathan and Rhiannon’s explanations, as different as they are, but I feel like I need more. I would also be interested in a first hand POV of the experience the person has while A is running the show. I imagine we may get something of this during the follow up text “Another Day” that is out now. But since it’s not on OverDrive, I’ll have to make a trip to the library to find out.

I feel like I could ramble on if I wanted to, but I’d love to have more discussion with you all about your thoughts. Leave your comments about this book below and be sure to tell me what you think about the ideas in the text. Have you read the follow up from Rhiannon’s point of view? If so, how does it hold up? Did this book open your eyes in any way or make you think about the world? I hope so. A book that can make us think can change the world, right? I think that’s one of the most special things about this book. It reveals the importance of true, raw love. It shows us that nothing but love matters. Of course, if the world focused more on love than the anger and prejudice we are faced with daily, we wouldn’t have to have books expressing its importance, would we? Leave your comments, share your thoughts and tell me what other books you’d like me to review. Look for the series review of the Harry Potter books in April, and keep reading along with me!

November Announcement

Happy November, everyone!! I apologize for this post being a bit later than normal, but such is the strife associated with NaNoWriMo! I hope you all enjoyed last month’s read, as well as the short break you’ve gotten here. 

This month, I’m going to return to one of my tried and true authors, with a twist! I will be reviewing Stephen King’s newest work, “Sleeping Beauties.” This book is a collaboration King wrote with his son, Owen,  which makes it even better. The novel explores what happens in a small West Virginia town when women all over the world fall into a strange sleep that sees them wrapped in a strange cocoon. When waking the women proves deadly, men are given few options, while the women who have not yet fallen asleep will try nearly anything to stay awake and keep from knitting cocoons of their own. Can men find a way to come together and put an end to the Aurora sickness before it’s too late?

Admittedly I’ve already started the novel and I have to say I’m hooked. The book is set in the Appalachian Mountains, in a fictional county that would be around an hour from where I grew up. The idea of that setting had me quite excited when I realized exactly where fictional Dooling County was positioned on the map. 

I won’t say much more, because thisnisnt the review yet! Since it is so late in the month I think I will plan to post my reveal on December 4th, to give everyone a few extra days. This book falls in at 700 pages, so it’s not a rapid read, but it’s not grueling either.  I look very forward to discussing it with you all! 

For a quick update on my NaNoWriMo progress; my plans were changed a bit. I had hoped to finally bring Maverip to a close in October, but unforseen circumstances put a damper on that. Some of you may have noticed my originally planned work entitled “Last Christmas was replaced on my NaNo profiled by Maverip. I have decided that the time has come to really place the challenge on myself wholeheartedly. Part of me is terrified to finish this novel, as it is one book on my queue right now that I feel most compelled to push forward, and it is one that I have put a lot of pressure on. But this month will see it completed. I won’t let myself or you guys down any more! I look forward to sharing the completed work with you all ASAP, and as always, if anyone is interested in being a beta reader, just let me know! 

We’ll talk all things “Sleeping Beauties” in a few weeks, and from there we’ll examine a Christmas-themed work, so get some suggestions ready!!! 

October book announcement

Good Monday, everyone. I know life is too much like a horror story these days, but it’s time to make that October book announcement. This month I wanted to focus on something terrifying, yet fictional. Something we can feel afraid of, but understand that, when we close the book, the terror ends there.

To do this, I chose the novel that inspired the movie that has long been called the more terrifying movie in history (not to mention the subsequent television series, which just began its second season); William Peter Blatty’s “The Exorcist.” The novel tells the story a young girl who is possessed by the demon Pazuzu who threatens not only her immortal soul, but those of her mother and the priests who attempt to save her. It is certainly not for the faint of heart.

This novel and its franchise has been scaring audiences for more than four decades and has inspired multiple sequels/retellings, as well as the sequel series and some of the most iconic cult horror scenes and references in pop culture history.

If demonic possession and terrifying scenes of religious desecration are too much for you, you may not want to sit this one out. As a Christian man, I understand if anyone wants to sit out. Fortunately the novel is fiction so, as a horror author, I’ll be checking it out for posterity and research.

As always, feel free to comment and message me your suggestions for future reviews. I look forward to speaking with everyone who participates! Expect this review to go up on Halloween, naturally, for fright’s sake. I hope you’ll join me in reading this scary novel, and I hope you enjoy!

Bridge to Terabithia

Happy Banned Books Week! I’ve always been a huge fan of celebrating banned books, partly to stick it to the ridiculous censorship-loving administration, but mostly because I find that the books that people don’t want you to read can often offer you the most. This book is definitely a part of that list. I absolutely LOVE it. My first experience came from the movie, but I was immediately enthralled. For the last ten years I have adored the movie and the book. It is actually one of the inspirations behind my own decision to move forward with my desire to be an author.

One of the greatest things about this novel, for me, is the fact that it points to the total liberation of mankind via the imagination. Being written in the 70’s, it was kind of published in that time when kids were first being encouraged to let their imaginations guide them through portions of their lives, and this book captures the cusp of that idea. Jess’s family and fellow students represent those who feel imagination is not something to be given in to. Jess’s parents, consistently burdened with the challenge of feeding the children and running the farm in the fragile economy they live in, can be seen as the old style of shunning imagination and things that aren’t ‘real,’ where others – Leslie in particular – represent the new and liberating views of allowing imagination its place in life.

Leslie’s introduction into Jess’s life really allows him to open up and be who he is meant to be. She doesn’t act or think like the rest of the kids, or even the adults (with the exception of Ms. Edmunds) that he is used to, and that makes him feel more free than he ever imagined. When Jess and Leslie create Terabithia I truly resonated with his description of the mythical magic of the place. He allows Leslie to bring him into this magical realm, but he still has his doubts. Many times he says that he can’t do it without Leslie, or can’t think of it the same as her. His love for Leslie and Ms. Edmunds is what allows him to embrace the creative side of his own life. After Leslie’s death Jess is obviously devastated, particularly considering the fact that his day had been spent further embracing his own love of art and imagination.

I love the way Paterson brings Jess to reality while allowing him to avoid everything involving Leslie’s death. He adamantly denies that she is gone, so much so that after he runs away and is brought home he wakes up almost completely convinced that it was all a guilt-ridden nightmare because he didn’t invite her to the museum. When he is forced to confront the fact of her death he reacts in much the way a child would, destroying memories of her in anger. Once he calms down he begins to instantly doubt himself again. The inspiration and freedom that Leslie brought him threatens to leave. When considering Terabithia he is terrified that he won’t be able to make the magic happen without Leslie, even worries that the make-believe kingdom won’t be there if he goes without her.

The fact that he is able to make the magic happen is, to me, a testament to the amazing power of love and imagination and creativity. Jess is able to keep the magic he and Leslie created, is even able to be in touch with her memory as he reflects on his friendship with her. I love that. I feel like it is a huge representation of the strength we all possess, even in the midst of a tragedy that threatens everything we hold dear.

Another thing I loved about this book is the way Paterson makes Leslie and Ms. Edmunds strong female figures who refuse to fall into the social norms. The feminist themes that offer these two strong female characters a whole other kind of freedom were both embraced and feared when this book was published (and still are today). I find it very important that there is so much emphasis on Leslie and Ms. Edmunds breaking the norms and being their own women, without holding to social construct or listening to “girls can’t do that.” It is a huge testament to the nature of the piece and its deep running themes of freedom and exceptional behavior.

Of course, this is one of the things that has lead to the book being challenged. The language and the obviously difficult ending are two others. The fact that Paterson wrote such a strong and impactful book 40 years ago, that still stands the test of time today, says a lot about the topics and her own prowess as a writer. Putting my own hatred of literary censorship aside, I find these reasons to be abhorrent for shunning such an awesome work of literature. When children can pick up a book and see that their creativity and imagination should be embraced, find out that it is OK to be different, even see someone their own age faced with and learning how to handle death, that book is a treasure. To push it out of libraries, schools and off of reading lists is a real travesty and I shudder to think there are parents out there who think otherwise.

But I’ll get off my soapbox. I don’t have many faults with this book. I would like a little more explanation of why Jess’s father doesn’t show affection to him the way he does the girls. Granted, this was 40 years ago and many people, particularly in rural America, were still under the impression that showing too much love to boys made them ‘soft,’ I think that knowledge is lost on a lot of youth and they may come away with the impression that the father is just a jerk. Which is harmful to an overall interpretation of the text, I think.

Overall, this book will always have a huge place in my heart. Aside from being a piece of YA literature that truly has the means to empower kids, it is an easy-to-read work that is educational about real-life issues. I love it. I hope you all enjoyed it as well. But what are your thoughts? Do you agree with its challenged/banned status? Tell me your thoughts! And be sure to give me your ideas for the best horror novel we can cover in October!!

Today’s the day!

I hope you’ve all gotten plenty of rest after that long-haul read last month. I wanted to give you all a few extra days to recover before I made this month’s announcement, but today is the day! In more ways than one, you’ll see soon enough.

For this month, I thought we would read a classic banned book, since Banned Book Week is at the end of September. I chose “Bridge to Terabithia” as the book for this month. This is a great YA novella that has been adapted into a good-quality film as well. I have a soft spot for this work, because it’s on the list of books that helped inspired me to really tackle my own desire to write. It’s relatively short and a really good read, so I’m sure you’ll all enjoy the break after August’s marathon with “IT.”

Speaking of “IT,” today is the official unofficial movie release in my region! I’ll be seeing the new film tonight and I couldn’t be more excited! I may even be inspired to do a movie review post as a companion to the book review, depending on how inspired I am after seeing the movie. I hope you’ll all be able to hit some early premieres and let us know what your thoughts are as well.

Anyway, this month’s book will hopefully impress everyone and help bring you to a heightened and effective state of mind and spirit! Have you ever  read this book before? Did you see the movie? Do you like them? Let me know what you think in the comments below. And, as always, if you have any suggestions of what you’d like me to review in the future, leave me a comment or shoot me a message! Have a great weekend, everyone!

IT

Good Thursday to all of you! As fall approaches with heavy, dried and dying hands, so comes the release of the new “IT” movie adaptation. King has actually released his review of the film, in which he says he was “unprepared for how good it was.” This gives me immense hope for the film and its impending sequel. Being a diehard fan of all things King (I even stuck it out through most of the final season of the atrocious “Under the Dome” adaptation) I had to make sure we all had a chance to re-read the masterpiece that started the truly terrifying clown trend. I hope you all covered your boats in paraffin and remembered to thrust your fists against the post, because by the end of this, we’ll all be seeing the ghost!

First and foremost, this book is awesome. The length of the novel is something that often intimidates nearly everyone who looks at it, but once you dive in the pages seem to turn with a mind of their own. As always, I was instantly drawn in by King’s almost nonchalant description of the terrible goings on in Derry. I feel like he fills the pages with all of the tragedy and evil, but it isn’t forced and it doesn’t seem out of place like the villains in some horror works. From the first time we get a mention of Pennywise a sense of almost manic dread falls over the text. From the very beginning we see the clown as a symbol of everything evil which, when it has a mind to, can utterly destroy anyone and everyone it sees. Of course, it typically goes after children who tend to fear more, believe more and harder, and have a much higher energy force (as described in countless other King works).

The first hard murder we learn of, Georgie’s, brings us face to face with the leader of the Losers Club and throws us in the thick of childhood problems, love, and a sense of complete isolation from those who should be protecting the kids. This is one element I absolutely adore. King does an immense job of bringing these kids into the center of their own fears and making them face it all with only each other to turn to. No adult in this novel, save Officer Nell, can be remotely helpful when the kids are in need. In my mind, this is indicative of the sense of helplessness and isolation most kids feel even today as they go through puberty and coming-of-age, which is why so many of them slip into depression and begin to go to drastic measures both to gain attention of their elders and to feel like something they do matters.

Watching the devastation that rips through each of them, bringing them closer together and pitting them against this ageless, formless relic of a demon is something that never gets old for me. The idea that the extravagant minds and wills of seven fearful and angry children are enough to tear this ancient being from the fabric of the universe is something I find incredible. To me it’s a testament to what our minds are able to accomplish in reality. We can survive so much trauma, fear, and heartache and still come back with a vengeance. This is something King never has trouble describing.

The sense of companionship in this novel is one of my favorite elements, as well. Knowing that these children have bared their very souls to one another, and are consistently putting their lives in each other’s and Bill’s hands is amazing. King does a great job giving each of the children a reason to want personal revenge against It and he does it without making any of them seem petty. Some would argue that Bill’s initial motivation, to get revenge for Georgie’s death, is a bit immature – but they are 12. Come on, people! But seriously, it is such an awesome concept to get inside each of their heads and see what truly terrifies them. And the idea of a creature that can take the form of whatever you are most afraid of is something that has been around for millennia, but never becomes less terrifying.

I think the writing style in this novel is incredible as well. The various sections of the book go from a third-person omniscient point of view where we can see everything everyone is thinking based on what the narrator wants us to know to seeing Mike’s first-hand account of his own end of the tale in his journals. I think this is the first book I read where I got such varying and alternating points of view. Granted, I first read it in the third grade, so I’m sure that had something to do with that.  It has definitely inspired my own work and how I approach a novel. To see an author use this sort of method is very liberating after watching so many novels pass by in the third person. Of course, that doesn’t make them of any lesser quality, it is always a breath of fresh air to get a fresh take every now and then.

The thing that really makes this novel exquisite for me is the absolute terror the monster brings. Nothing is safe. From the man next door, to an abandoned refrigerator, from your kitchen sink to the 30 foot tall plastic statue in the center of town – anything can and will be a vessel for It to terrify and/or devour you. I love that. I love the absolute helplessness that fills this novel to the brim. No matter where you go or what you do, the only people you can be sure aren’t doing It’s work for for It are your six 12 year old friends. Nothing could bring our young heroes and heroin to a more exalted state while simultaneously dropping them into the deepest, darkest pit of despair than knowing that they have no one else to turn to to save themselves and their town. They are completely and utterly on their own – except for The Turtle.

This tie in to classic world mythos and King’s own other worlds is impeccable. The icing on the proverbial cake. The fact that The Turtle, this celestial force that vomited out the universe is not only exceedingly familiar with the ancient evil that lives under Derry, but that it is also doing as much as it is able (however little that may be) to help the kids defeat It is awesome.

Finally, the description in this novel, as with other King works, is perfect. I always feel like I can see everything he is writing about as if it’s playing out in my mind like the coolest 35mm projector in the world. And I LOVE it. When the end of the book rolls around I can seriously see the huge spider being torn apart from the inside out by this mental and existential Ritual of CHUD the Losers are forcing it into. I feel like I’m in the cavern with them while the acidic web (another King trope) is falling down around them. I am one with them as they collectively lose their memories and are released from the curse It laid on them. I love the conclusion, with Ben and Bev finally together, Audra getting her soul back (that’s how I think of it) and Mike finally able to move on as well. It is a truly novel resolution to the 30 years of pain and suspense these heroic individuals have been trapped in.

All of that being said, I do have some questions. First and foremost, of course is one that has eluded even my own overly critical mind for more than a decade. If It only awakens once every 25-30 years, how can the guise of Pennywise, or Bob Gray, be seen and photographed numerous times in these periods of hibernation? Many of the photos and incidents that are described in the book take place while It should be asleep in its lair, including, if I remember correctly, the infamous shootout and the axe murder in the bar. Both times multiple people saw Pennywise in various locations. Granted, I don’t think King ever explicitly says “yeah, he’s always sleeping in these periods,” I feel it’s sort of implied.

The other main issue I had with the book was how fast the ending happened. I know some of you are probably groaning that I said a 1,000+ page novel was over too fast, but I feel like some of the lesser involved portions of the book could have been removed in order to give us that much more of a struggle in the end. Obviously a lot is happening, between changing perspectives and different characters and a universal voyage of consciousness with the ‘eater of worlds’ ( you didn’t think I’d make this without a Tim Curry nod, did you?), I would still like to see the final battle drawn out a little more. There was a bit of a race, which again I know was intentional, to get the battle over and find a victor in this decades long battle, but I would love a little more actual banter between the characters. I really want to see into the mind and heart of It, get more of an answer of what It is, where It came from, whether more of them exist, what It wants, etc… But, alas, I guess the remainder of that information will remain in King’s own head! Unless, of course, he can offer us a sequel… but that may be too hopeful even for me.

Anyway, what did you think? Are you a fan of “IT?” Did “IT” give you nightmares, or make you despise clowns in the worst way? What was favorite, or least favorite, part? Comment below, send me an email, whatever works best for you. Let me know your thoughts. And let’s share this far and wide in anticipation of the movie!!

August Book Announcement

Hey there friends and fans! I hope August has treated you all fairly so far. It’s been a bit of a roller coaster month already for me, but hopefully things will climb to the top and stay there! As you all know, I am a HUGE Stephen King fan, so the fact that two King movies are hitting theaters in the next month is just making me absolutely giddy.

In light of that, I have decided that August’s book is going to be the absolute classic “IT”. This has been one of my favorite books since I first started reading it in third grade – which I have come to accept is very nearly 20 years ago, no matter how much it sucks to admit it. I love the weight within the book and the struggle these individuals go through, so I am immensely excited to do this book for my review. Hopefully this will give everyone a refresher course on the novel before the Sept. 8 release date of the first part of the movie, too!

Now, I’m aware this is a BEAST of a book, coming in at over 1,000 pages, so don’t hate me for doing this. It’s such a good book, and a very fast read, and it is more than worth taking the time to check it out, either the first time or as a refresher course. I hope you all enjoy the novel as much as I do, and I absolutely can’t wait to have the discussion!!

On other notes, I have been really enjoying my return to Wattpad. In not quite two weeks you guys have helped me get so many reads that I’ve placed as high as #626 in Wattpad’s horror category. Of the amount of authors on the site, that’s pretty cool! I appreciate all of the reads and all of the votes and I hope you’ll all check out both “The Dollhouse,” my new horror story or “Rain,” my detective-style noir piece. If you’re interested, you can find my Wattpad profile here; https://www.wattpad.com/user/DameanMathews.

There you go, folks! Look for the review to go up on or around the 31st, so there’s plenty of time to read! Let’s dive into “IT,” read some Wattpad and remember – we all float!

Gwendy’s Button Box

This story is a perfect example of the amazing nature of King. He and Chizmar created a tale that is just phenomenal. The possibilities are endless with the concept they presented here, and I would LOVE to see it come back in a more lengthy work from either or both of them. I was excited to pick the novella up and I tore through it in a matter of hours. It was a very smooth and lively read that kept me guessing and kept me captivated.

Gwendy Peterson recieves this strange box from a strange man who seems to be something a little more than human – classic King characterization. I love that she just followed through with the situation, even though she questioned everything that was happening, she literally did the exact opposite of what she should have done when approached by a strange man who says he’s had his eye on her – right down to literally taking chocolate from a stranger. I loved seeing her questioning her actions and what is going on around her, but, like Pandora’s own secret-filled box, she can’t resist.

I liked the idea that this box, like many inanimate objects in King’s works, has a greater power over her life and over reality itself. Gwendy’s whole life is changed one small bit at a time. She starts to lose weight, she grows up to be a knockout, her parents stop drinking and those people who disrespect her seem to quickly get theirs. She pulls her levers and gets her silver dollars and her candy, and she avoids the buttons at all costs – until she doesn’t. The concept of a random strange box out there that contains the power to cause some sort of devastating natural disaster to any part of the world – or the whole thing – with just the push of a button is mesmerizing and terrifying. Gwendy handles that with a similar grain of disbelief, which leads to her pushing the red button for the first time.

I really loved the way the authors made the Jim Jones massacre a direct result of this curiosity. King is great at including actual historical events in his works, especially in the last ten years or so. She pushes the button after careful consideration, choosing a part of the world that was very sparsely populated just to see if it really did blow everything up. The next day she sees the story of Jones’ cult and its mass murder/suicide. The fact that King and Chizmar used this tragedy as a way to explain the power of the box was awesome to me, suggesting almost that the box itself had the power to make people go completely insane and do the most asinine things imaginable (an idea later supported by green teeth killing her boyfriend). I was interested in reading of Gwendy’s life after she accepted the true nature of the box. She continued to be affected by whatever power the box had, and she respected and feared it more than ever, not pushing the buttons again until she had to and even weaning herself off of the candy and trying to let the box be just a thing she rarely thought about.

I was a bit surprised at the way the book wrapped up after the box got its way, by causing the murder of the boy Gwendy loved. In regards to that event; I felt almost like it was like the box was telling her that she belonged to it as much as it to her, and it would not tolerate her indifference anymore. The boy who  had started making fun of her – whom the box sent on a terrible course in life – broke into her home and waited on her to come back. When she did Gwendy’s boyfriend fought to keep her safe until the box presented itself to the attacker. Gwendy gets to see the box that has sent her on this course be the very tool that takes her happiness from her. It definitely breaks something inside of her. I loved the fact that she used the red button to both kill the boy and make his body disappear. It was an insanely creative way to bring home the literal “this button will get you whatever you want” element. From this point on, though, I felt like the end was a bit rushed. We got some vague descriptions of Gwendy’s life and pursuits after those events, and then the man in black was there to take the box and be on his way.

I really enjoyed the story. I felt a lot of familiar vibes, with the nature of it reminding me a lot of King works like “From a Buick 8,” “11/22/63″and things in that vein. I love the idea that there are beings out there, sometimes with devices, sometimes without, who are charged with watching over the world and being the door between dimensions or timelines. That element has always fascinated me, so this story is definitely one of my new favorites.

That being said, the only real complaint I had was, as I mentioned, it was a bit short and the end came a bit quickly. I think it could have been fleshed out and become more novel-length, but at the same time it would really be a lot of the same thing if that were the case. Gwendy loves the box, it loves her, she forgets the box, it tortures her, etc… I would have liked to se what would have happened if she actually tried to get rid of it or destroy it. Would it have retaliated against her personally, killing or hurting her, or would it have gone after someone she loved because she was its designated protector? So many questions… I do think I would have gone a little more in depth in her life post box-murder, but that’s just me. I would like a few more words about what happened to her after, too. And, for that matter, how was she chosen? Who is the man who gave and took the box? Did he make the box or is he likewise charged with its protection? If it’s the latter, why does he give it to others to protect? I can ask questions all day, but the bottom line is this; the book was great, and I will remain somewhat hopeful for a related tale.

What did you guys think? Did you, like me, find yourself enthralled with the mysteries of the box and what it can do? What do you think of stories like this in general? If you have any suggestions of works in a similar vein, please share them. It’s right up my alley.

As always, make your comments on what you’d like to see and discuss next. I look forward to hearing what everyone likes to read, so it’s always fun for me! Also, in case you  haven’t been keeping up or need a reminder; I’ve returned to Wattpad! I’ve been using the free service to present a horror story that I’ve wanted to write for a while and to experiment with a noir detective fiction tale that I’ve gotten a lot of good feedback from. I’d love it if you guys would check any of my Wattpad works out. Don’t forget to comment and vote on the stories so they can be exposed to more readers. Check it all out here (https://www.wattpad.com/user/DameanMathews)

I hope you enjoyed the book, and I hope you’re enjoying the book club. If you have any other ideas for what sort of content you’d like to see on the blog, let me know about that, too! I’m here for you guys and I want to make sure you get what you need and want! have a great rest of July and look for my August announcement in the general vicinity of the 2nd or 3rd!

The Powers of Darkness: The Lost Version of Dracula

I loved diving into this lost piece of history. Dracula has long been one of my favorite works and one of my favorite literary characters. Reading this work and watching some of the more than 200 film adaptations of the character further inspired my love of vampires and helped me decide to be a vampirologist and Dracula scholar. From the first time I read Stoker’s novel I was pulled to Dracula with a vigor I’ve never been able to (or desired to) escape from. That fascination was renewed when I got my hands on a copy of Dacre Stoker’s co-written sequel that said the count hadn’t actually died after all. When I first heard this new retwlling had been discovered by Hans de Roos and others and was being translated and released I couldn’t believe it. For years I had dreamed of  even more workings of the menacing and misunderstood figure that has become synonymous with all things blood-sucker. After reading the book I have to say that I am both very pleased and still left wanting more.

Getting straight to the point I have to say that Valdimar Asmundsson wrote an incredible alternate version of the book that has become literary staple in the past century. Heading right out of the gate I was both shocked and intrigued to see that the book took a much more conversational tone than the original (granted, I’m sure at least some of that had to do with the translation from Icelandic to English). Originally Harker was strict, speaking … er, writing…. with professionalism and personalism. Here Harker, Thomas rather than Johnathon in this case, feels a bit looser to me, as if he’s less stiff than the original.

The blatant changes in Harker’s journey were fascinating to me, too. In the original novel it feels like Harker’s trip is swift and the people he encounters very stiff and cold. This version gave us a trip that felt almost casual rather than business in my opinion. Harker was hit hardest by superstition at the last leg of his journey in both cases, however. The people in the last village he stopped at all but begged him not to go to the castle they believed to house something wrong.

Harker’s stay at the castle dominates this particular version of the novel, taking up about three quarters of the piece. He is subjected to the same strange behavior from the count, right down to the destruction of his shaving glass and the often absent host that never eats. He explores the castle on his own, as before, but now he finds only one beautiful woman, rather than three illustrious vampiric wives. He is almost haunted by this woman, her power over his mind and spirit mentioned multiple times as he spends weeks in the castle with no escape. His only saving grace is the cross around his neck. Both the woman and the count are visibly turned away by this the cross, and he mentions multiple times that he believes the cross to be what saves him from an unknown, but surely terrible, fate.

The layout of the castle is another new piece of work, as are a number of new characters. Here Dracula and his “cousin” are in the castle with a deaf, mute (and once-blind) maid and a number of strange “ape-like” men who are only mentioned once outside of the demonic cathedral beneath the castle. I loved the scene where Harker first truly sees the evil inside his host. Young women are sacrificed by the count and his ape-men in this underground altar room and Harker finally stops denying that something is wrong.

I enjoyed the way the book picked up from this point. When Harker comes to the full realization that he has to get out, I kind of felt like I was on a roller coaster. I loved the way he continued to try to be impartial to Dracula and the way Dracula became even more fiendish to him. I was a bit disappointed by the big reveal of Dracula laying in the coffin, because even here there was no mention of what exactly Harker thought might be happening.

I liked the way the second part of the book is told in a standard novel format, as opposed to the journal/letter format of the original. It made the story flow a little smoother, in my opinion. I was really thrown off by how quickly and how entirely differently the story wraps up, however. It seemed to me like Asmundsson either just didn’t like the latter half of the original, or he got bored with his own retelling. Perhaps he was unable to finish filling in his own details and decided to publish the piece as is. I don’t know. The second part of the short novel felt more like a detailed outline than an actual part of a novel. We hear of the Demeter’s crash, we hear of Lucy (here Lucia) and her sleepwalking, but we are also given the representation of a drastically younger-looking count becoming a very social figure. Mina (here Wilma) and Lucia meet the character on multiple occasions, putting me in mind of the classic Bela Lugosi Universal flick, or one of the many others that borrow from a similar story line. Is it possible someone down the line might have had this version to look at and base one of the many cinematic versions on it? The ending of the book came very quickly. There was no great chase through the European countryside, no large final battle, no real threat to the main characters. They opened his coffin and killed him. It was simple, easy and clean. In a way I felt a little robbed of what could have been done with this new version of the classic monster.

Overall, I did like the book. I thought it was a very interesting retelling of a novel most of us know (whether we know we know it or not), and I think there is a lot of opportunity to work with this altered story line (Dacre, if you read this I’d love to be in on anything that could be in the future!) and character. I enjoyed the addition of more characters in the castle, and I do think I preferred the single mysterious woman to the three. It added a  heightened sense of fear in my opinion. One woman can hide much easier than three, vampires or not. I enjoyed this more cunning and commanding version of the count. I say more commanding because we actually get to see him command a large group of his “ape-men” through a very dark ritual and that in itself added another layer to the inert fear the character can inspire.

Of the things I was less than impressed with… There is a bit of a list, but I’ll only hit the high points. Before I do, however, there was one thing that I can’t decide if I liked or disliked. That is Harker’s seeming lack of ability to understand or unwillingness to admit what is going on. Where the word vampire is mentioned in the original, this version never suggests that his host may be a vampire. He does mention the idea that he fears they (Dracula and the mysterious woman) may want to suck his blood, but he doesn’t come right out and say the word. Even after watching this blood ritual in the altar room, seeing the ape-like men drink someone’s blood, he doesn’t make this connection. I’m torn about this because, on the one hand I think it almost makes Harker out to be a fool, that he either doesn’t get it or doesn’t believe what he is seeing. On the other, it reminds me of  one of my favorite vampire movies, “Near Dark.” This movie is one of the most under-rated I’ve ever had the pleasure of enjoying. It tells the story of a roaming group of vampires that have run-ins with the law, etc… It discusses their need to drink blood, the fact they never age and heavily showcases the damaging effects of the sun’s rays, but never once in the film is the word ‘vampire’ ever used. Clever tool, if you ask me.

I think the biggest thing I didn’t like with this book was how fast paced it moved after a certain point. The beginning was well thought out, well planned, and perfectly executed, but the latter half seemed to stumble over itself. Particularly the second part of the book, after Dracula leaves his castle. I feel like the author went through Stoker’s notes and novel with a marker and highlighted what he liked and made up some of his own work, but never took the time to put the real detail into it. I was very disappointed with the absence of the Renfield character. I feel he gave interesting insight into the effect Dracula can have on the brain. Personally, I also wonder just how much of Renfield’s tendencies Harker might have taken on while in the nunnery (or if Dracula sought Renfield because he wanted a similar servant to what he expected of Harker). The possibilities with that character are endless. Finally, I was disappointed in the fact that Dracula’s death was just there.  You’re reading the book, noticing it going faster and faster, and suddenly Dracula’s dead and the book is over. As much as I hate to say it, it did leave something to be desired.

I do have to say that the foreword, footnotes and all accompanying text was very helpful, very interesting and helped make the book that much more enjoyable. It does also help pose the question of whether or not there are other alternate versions of this age-old classic out there just waiting to be discovered (aside from the Swedish version which is being translated as we speak)….

Make sure to share your thoughts on this unique piece of literary history and share this with anyone you think might be interested. Make your suggestions for future books and let’s keep the book club going! Summer is here, the kids are out of school, and it’s time for those summer reading lists, so let’s say this month’s book is going to be your favorite summer reading list pick! Leave them in the comments or message me directly via email or social media. I look forward to hearing from everyone. Keep reading!

 

 

Sink Your Teeth Into This!

Hey guys! I hope everyone has been having an awesome Spring. So far it’s been pretty great for me. I have to admit that I’ve been having an amazing time at my new job. I get to see in depth, behind the scenes things that make the theatre run smoothly, and I’m very impressed. I feel very fulfilled with my job, and the fact that it gives me a solid schedule – which means I don’t have to scrounge for time to read at night! Isn’t that exciting? Anyway, I wanted to give everybody our May book club read, and I promise it’s awesome.

For this book, I chose another new (yet pretty old) release; “Powers of Darkness: The Lost Version of Dracula.” Of course I chose this! It’s a book that was originally written by Valdemar Asmundsson in the early 1900’s (it was translated and released by Hans de Roos). It was first thought to be just a translation of the original text from English to Icelandic, but after it was examined researchers realized it is actually a complete retelling of “Dracula” that features an altered story, changed names, new characters and bits of text that coincide with Bram Stoker’s original ideas and notes for his classic novel. I know this book might not be the type of thing some of you look for, but I assure you it promises plenty of amazing scenes. Unlike “Dracula”, this book isn’t just told in the form of letters and such, but is written in a slightly more standard style, with the majority being told through Harker’s (Thomas rather than Johnathon in this text) journal entries.

Unfortunately, some book stores view this book as slightly more scholarly that what they typically carry, so you may have to specifically request it if you want to buy it. Since it is such an interesting topic it can be a little hard to track down in libraries as well. I had to have my copy shipped from a library in New York so I could dive in. But it’s definitely worth it to a vampirologist and “Dracula” scholar in the 21st Century.

Either way, I look very forward to diving into this book and I hope you’ll all join me in this awesome experience! Feel free to follow me on social media (https://www.facebook.com/DMathewsBooks ) if you haven’t. Now that I have more time at night I have been writing a lot more, and I think I’ll start making more regular posts and discussion on my various pages. With luck there may also be some discussion from a special guest once this review goes up! I’m thinking it will go up around May 25. I know that doesn’t give a lot of time, but this book isn’t as long as “Dracula” and, based on what I’ve read so far, will likely be consumed pretty quick by most people. There are also some interesting forewords and commentary, including a great one from Bram’s great-grandnephew Dacre Stoker, throughout the novel that I find fascinating.

I hope you guys will be able to track the novel down and enjoy it! If you do have any trouble finding it, feel free to let me know. As a former librarian, I know some tricks of the trade that might be able to help. Ok guys, let’s dive in to a retelling of one of the greatest Gothic novels of all time!