Erosion of Free Speech

Good morning, all. Of course, in the states, one of the most talked about issues right now is the ban of Tik Tok. While I’m the first to admit I was slow to the game, and I definitely didn’t utilize to the full potential I could have for my writing and business ventures, I did enjoy the app. Fortunately, I was not one of the thousands, if not millions, who used the app so successfully they were able to start making their living as content creators and no longer need a day job. I will say that I know some of my posting drove people to my books and my events – because they told me so.

Since I started using the app to promote my writing and my travels, I have had numerous encounters with people who found me and my work through the app. At one of my events I had a young man who left his job early one day, telling his boss he was sick, just so he could come to the book store I was at and meet me and buy some of my books. Another time I was out in a local store and met someone who frequently interacted with my videos and we were able to make a face to face connection. These are just a couple of examples in my own personal life that came about because of the freedom this app allowed.

Of course, I would be remiss if I didn’t also mention the hours of laughing and simple entertainment I have gotten from the hilarious content there, as well as the bands I have discovered (one of whom, Definitely Maybe, has even graciously allowed me to use their work and their name in a book of mine) because of the platform. This is all a drop in the hat to international connections made because of a simple video platform.

I mention because I want to emphasize that the app was more than just a silly place people could go learn dances or recipes. It allowed homebound individuals to catch glimpses of faraway places they might not ever be able to go. It allowed readers to connect with their favorite authors, genres, or other readers to discuss books in an easy to use way that offered real time discussion rather than short messages back and forth. It gave truly free speech to a number of people who might otherwise be too timid or worried to speak to people outside their home. Introverts thrived on Tik Tok.

In order to truly understand s to have this platform taken down, you have to be able to look beyond the surface and the lies that politicians and nay-sayers have been spreading. There little to no “data breaching” happening on this platform. As long as this country still orders mass amounts of goods from Shein and Temu, those will always be a much bigger threat than Tik Tok. No, the threat was not to data or citizens. The threat was to the lies we are told every day. The threat was to the control the U.S government wants to maintain over its citizens and the information they receive.

Therein lies the true issue. As long as people across the world have the chance to speak their mind to others without interference from the Powers That Be, we will always be a threat to them. Of course, Agent Orange is pretending that he is going to save the day, despite being the one who started the whole issue 5 years ago, but is he? Will anyone offer the same brand of freedom and connection without limitations? Sure there were issues with the app. There are always issues with new things. But even I witnessed the growth it experienced. Growth that now doesn’t stand for much. 

The point I’m making is that, with this ban, goes the first in what could be a long line of changes toward information sharing and free voices in this country. What will be next in the list of things that keeps us from connecting with like-minded people both in and outside this country. If you want to see some possibilities, you can always grab a copy of “1984” or even “The Handmaid’s Tale.” Oh, wait… those are banned books. Books that the local and federal governments have deemed in some ways dangerous or damaging to the minds of learning individuals. Coincidence? I think not….

A Nefarious Encounter

I recently got to sit down and watch the movie “Nefarious” for the first time. I’ve had it on my radar for a while and, as a fan of Sean Patrick Flanery, I knew I had to watch it. Now, like I’ve said approximately 8.2 million times before, I am traditionally not a fan of possession films, so I was a little wary of that going in. I knew, of course, the basic premise – that one of the main characters of the film claims to be a demon possessing a host body – but I risked it. And, boy am I glad I did. Talk about a thinker. In order for me to really discuss this movie the way I want to, I’m going to have to go ahead and say there may well be spoilers here, so if you haven’t watched the movie, go ahead and consider giving it a watch before reading on!

From the start, I was invested in the film and the subtle psychological tweaks the demon Nefariamus is able to make to the everyday life of those he uses. Just seeing that soft opening of the doctor adjusting his license before leaving his office and then seeing him go past the window… It honestly took me a second to make sure I saw what I thought I did. That really kind of set me up for the rest of the film. I had to know what was going on from there.

The basic premise of the movie, before I go on, is that a psychiatrist is called in to assess the mental status of a man awaiting the death penalty. The doctor has a handful of hours to talk with accused serial killer Edward Brady and determine if he is sane enough to be executed by the state. Simple enough, right? Well sure, until the inmate in question begins the conversation by saying he is actually a demon possessing Brady’s body (and the kicker from there is that he WANTS to be executed). From there the film takes several twists and turns and pushes the audience through countless instances of turmoil while we see Brady being mentally and emotionally put through the ringer – but is it really because of a demon, or is it a severe case of Dissociative Identity Disorder? That’s the thing to figure out.

Flanery’s acting skills are among the top in my opinion, and this role was one of the best of his I’ve seen. The facial tics and the manner of speaking he gives to both Nefarious and to Brady are awesome. I’m sure it’s not exactly easy to play multiple characters in the same frame, to literally code switch to a completely different personality and mannerism within the span of a few seconds, but he did it flawlessly.

The very nature of the movie was so back and forth and uncertain at times I felt like I was not only watching an amazing performance on film, but that Brady himself may well have been casting that charm over the good doctor as well. To say Brady/Nefarious was the best case of an unreliable narrator I’ve seen in a long time is an understatement. Returning to Flanery’s acting for a moment, though, I have rarely felt legitimately bad for a character like this before. The sometimes subtle, sometimes egregious things Brady goes through lend a lot of credibility to the idea that he is actually possessed – but also that the alternate identity within him could just show such an extreme hatred for the original identity that it would torture itself just to make him feel that same pain. Flanery’s portrayal of a man on the literal verge of mental and emotional break is something everyone needs to see, though. I would honestly put this movie on a list of films aspiring actors should watch in order to learn the craft and hone their emotions on camera/stage.

While a bit spoiler heavy, I won’t completely divulge the ending here. You’ll have to tune in for that (the movie is currently on Tubi and Peacock) and make your own conclusions. I do have to say, though, I came through the movie viewing from the perspective of a believer and a religious mindset and came to one conclusion. After speaking with a friend of mine who is of a different mindset I realized the multitude of interpretations one can come to here. Like I have said before, I am not one for possession films, but part of the genius of this movie is that you really have to pay attention and decide for yourself if that is even what’s happening here.

Because I am a completist at heart, once I realized the book that is mentioned in the movie is actually where the idea came from, I had to read it. The book, A Nefarious Plot, is a fairly fast read, and it can be fairly eye opening. The point of the book is to expose the horrible things humans, particularly Americans, do to one another and to humanity in general, especially from a religious point of view. It is written as though being a manuscript from the demon Nefarious and portends to explain basically how screwed up humans are and how far from God America has fallen. It is, for lack of a better term, religious propaganda, but I can also see the benefit of someone with a non-religious or alternately religious mindset reading it as well. It really does make you think about how crappy people can be to one another, regardless of politics or religion as a whole.

Anyway, if you can’t tell, I highly recommend at least watching the movie Nefarious. It will seriously put you through a mental ringer. Sean Patrick Flanery – you are amazing. No other way to put it. If you have watched the movie or if you decide to watch it based on my recommendation I would LOVE to know what you think. Be sure to comment and let me know!

Face of Horror

Happy Spooky Season, everyone!! I am super pumped to announce that I have been selected to be in the running for this year’s Face of Horror competition! Now, I know competition is pretty fierce for this one, but how stinking cool would it be for an indie horror author to win this!? The prize this year is a meet-up/ghost hunt with Kane Hodder, a photo shoot for Rue Morgue magazine and $13,000. Think how many books I can fund with that!!! Like I said, I know competition is fierce, but any and every vote helps, guys, so please make your vote count! Follow my link below and help push me to the top of this year’s contest! Round one of votes opened yesterday and I’m sitting pretty at number 2, so keep pushing and let’s see if we can’t make the impossible happen!! Please help a horror lover out!!

https://faceofhorror.org/2024/damean-mathews

The art of Art the Clown

Greetings, everyone! Hopefully November and the holiday season are treating everyone well. I have been immersing myself in some awesome nerdy celebrations, and horror films and the like. It has been quite a time. Most recently I have delved into the bloody tales of Art the Clown and his murderous antics, i.e. the Terrifier franchise.

I watched the first (technically second/third) Art film, Terrifier, a few years ago and enjoyed the character and his story. The silent antics of the killer clown, a horror trope that may honestly be slightly overdone, have been riding in the annals of my mind. Of course, Art’s complete silence, even in the face of pain and violence, set him apart from the other clowns in popular cinema. Art, to me, is more a mime turned rogue than a joke-loving clown, but either way his violent streak makes for quite an on screen tale. Once the sequel was announced, Art began to circulate more in the realms of nerddome that I frequent, so I knew I had to see it. I fulfilled that goal a few nights ago and have spent the days since ruminating on Art and the incredible, if lacking, story that he weaves.

We know nothing about Art’s history, his motives, his mindset, or his goals. In a similar motivation to the shark in Jaws, Art simply sees and kills. Throughout the two movies dedicated solely to Art and his mysterious journey through the night of All Hallows Eve we see him lock onto a female who is surrounded by friends and family, then he proceeds to destroy the entire group in increasingly creative, brutal and (let’s face it) moderately hilarious ways.

With Terrifier 2 the supernatural element comes into play in awesome ways, with an added dichotomy of good vs. evil, Heaven vs. Hell – if you’ve watched the movie you know what scenes I’m talking about. They were some of my favorites, honestly. I feel like this film truly captured the essence of deliciously evil and demented heartsick that is Art himself.

Needless to say, with my near obsession with Stephen King, my natural love of IT, and my own terrifying experience with a porcelain clown (check out this episode of my podcast to learn about that: https://anchor.fm/damean-mathews/episodes/Paranormal-Experiences-Part-2-e1pbdbp ) I am very drawn to the character of Art as a crazed horror output. Acting as a sort of anti-Pennywise, the mostly colorless and completely silent Art the clown paints a bland face on the idea of murder, but his creativity in acts of torture and slaughter bring about an interesting new spin on the clown story.

Art’s added Freddy Krueger-esque concept in this film brings about some new dimensions to his depravity, as do his new friend. Frankly, this film is an around B-movie delight, with an added element of modern gore. Personally, I don’t find the gore to be much higher the 80’s slashers like Hellraiser, but some people have apparently found it brutally harmful to their own wellbeing. Reports of people fainting and vomiting during screenings have circulated widely since the cinematic release. Granted, the same reports are released about most new horror films studios are trying to put good traction on, not to mention films like The Exorcist, which have been implanted in our minds as being truly horrifying since their release.

All that being said, I can definitely say if you are a fan of modern horror with something of an 80’s slasher twist, this movie may well be right up your alley. Art the clown is a villain that I truly enjoy and look forward to seeing more from. With the recent success of the film, Art will almost certainly be returning for another horrifying Halloween night. Writer/director Damien Leone has said he is interested in creating a trilogy, or even four solid movies filled with Art’s deliciously sadistic antics, so I’ll be keeping my eyes open for plenty more from the silent killer. Before I forget to mention it, I also want to make sure everyone watches through the credits. There is a long, intense, star-studded mid-credits scene that I absolutely loved.

Regardless of your preference on clowns, body horror, grossout cinema, or slashers in general, I say you might as well give Art a shot. Check out the films in the Terrifier franchise and see what this weird, deformed, angry villain is all about. After all, what’s life without a little fear? Let me know what you think about the films and the character, and keep your eyes open for more reviews!!

Photo credit obviously goes to the creators of the film. Art the Clown and the Terrifier franchise are in no way my own, and I hold no rights to the image used for the over photo.

Returning Home

Greetings and Salutations, everyone! We are growing ever closer to the spookiest time of year, quickly chased by the merriest time of year. In other words, I am absolutely in my element! I have been immersing myself in all things horror for the last few weeks, as opposed to the rest of the year when I immerse myself in all things horror. It’s very exclusive. As I near another busy time of year, filled with events and signings and all manner of awesome opportunities to meet you all, I have to tell you about the most recent one.

On October 9th I was honored to do a discussion and reading in my beloved hometown of Tazewell, Va. Being from said small town, the Appalachian tradition of ‘coming home’ took on a new meaning for this event. The Tazewell Historical Society asked me to do the event, which was held in the recently revamped and reopened Tazewell Train Station, formerly known as ‘the old depot.’

The old depot had been abandoned, just sitting in its historic spot, going back to the earth for years, decades even. Fading, dirty bricks, boarded windows and doors, vines crawling up the sides with reckless abandon, the building was exactly something that would inspire this little horror lover’s heart (and there may or may not be something in the works based on this). The coolest thing about this is the fact that I lived less than a quarter mile away from the building. I passed it every time I was going home, every time I left to go anywhere. It was always a figure of history that loomed on the edge of my vision, and instilled curiosity consistently. I may or may not have tried various times to take a peek inside the building, with never a spark of luck, so this was an even more interesting opportunity.

Needless to say when I was asked if I would be interested in doing a presentation on Appalachian Myth and Legend, along with a reading of some of my work, I leapt on the chance. The fact that it was going to be held in the depot building was just icing on the cake.

To prepare for the event I examined much of what I already knew of myth and wives’ tales that exist in Tazewell. There are a fair number of those, but one that has always interested me is that of Devil’s Slide Cave, otherwise known as Higginbotham #1. Supposedly farmers that live and work near this cave, which rests just off the road at the foot of a mountain, have heard moans and cries of unknown origin coming from within. Animals that get too near the cave are said to die soon after or simply disappear. A group of spelunkers and cave mappers went into the cave and reported a sinkhole not far from the entrance. Once they made their way down they went several miles in (I’ve heard they may have spent as much as two days within, but I’m not sure of that part). Eventually they found another dropoff and began hearing the sounds they had been told about. They lowered themselves down to the full extent of their equipment and reported that they couldn’t quite reach the bottom, although they could see it. The group claimed to have seen a set of heavy iron doors at the bottom of the hole, through which the sounds of Hell itself could be heard and a great heat could be felt. I’ve heard the tale several times throughout my life, but I have never gotten to explore the cave, as it is on private land.

Being a lover of all things lore and myth, I made the connection here with the Devil’s Looking Glass in Erwin, Tn. and several other evil seeming legends, of which there are no shortage. The group of people that showed up to listen and converse with me were fantastic, and it was honestly an amazing event. Looking back on it, I can’t imagine how I could be so blessed to be able to experience that thing of wonder, the Appalachian Homecoming. Getting to present some of my work and my research, an object of my passion, that close to where I spent some of my most formative years – in a home that was and is still passed down through my family I might add – is nothing short of a blessing that I am ever so thankful for.

That, I think, is something we all sort of hope for. To be able to return to our origin with our story strapped to our back, not in an act of desperation, but an act of triumph. To be able to return home and say “look at what I’ve done. I’m here because I WANT to be here, not because I have to be.” It is a feeling of success and achievement that I hope I can always keep with me. Having a passion for the arts is by no means an easy journey, and it does not often come with the sort of instant gratification the world is growing more and more used to, but this truly makes me feel like I am on the right path. I have had my ups and downs lately with my work, especially while striving to revamp my website, up my market presence, and make myself more widely known. Sometimes it seems like I’m just pounding my fists against a brick wall, hoping against all odds to bring it down. On the bad days, it seems this is a futile attempt, but on the good days, every now and then, one or two of those bricks come tumbling down. These last few weeks, those bricks are tumbling, and I can’t be more thankful for that.

I know, of course, that every journey is one of ups and downs. As happy and successful as I feel this week, I may end up feeling just as unsuccesseful next week, but the key and point of this post, is that sense of failure, that ever-present nag that is imposter syndrome, is false. Your journey is always successful as long as you don’t give up on yourself. You have to push through the bad days, the low times, the negative commentary, and realize that these are merely speedbumps. Tests. They are nothing more than life’s way of making sure you don’t get moving too fast or flying too high before you slow down and take a tumble. Your time of ultimate achievement, your moment in the spotlight, will absolutely come. But no amount hemming and hawing, whining and crying, forcing and threatening will make it happen. It will happen when you have overcome those obstacles and truly have everything you need to embrace the big finish.

So, my advice, as always, is to keep going. Push through the pain, the bad days, the sadness. Never let a road block cause you to come to a full stop. Turn the wheel and seek out a different path. Have faith in yourself and your journey. Fight your way through the hard days and enjoy every moment of the good ones. Most importantly, remember those good feelings and use them to keep you motivated through the bad. One day, you too may have that storybook ‘homecoming’ and it will be a moment you can definitely be proud of.

If you need anyone to talk to or motivate you through those hard times, I am always available as well. You can find me on social media, use the contact page on the site, comment on a post, or use any other method you can to reach out to me and I’ll be happy to help any way I can. Also, my amazing wife filmed my presentation at the depot and I have since uploaded it to Youtube. You can watch it here, if you’re interested. Have a great rest of the week, everyone. I look forward to hearing from you!

Celebrating Spooky Month with Mountain Song & Story

Happy October, everyone!! I have been leaping into this spooky season with plenty of awesome projects and events so far. My most recent short story collection, “When These Mountains Talk: Tales of Horror From the Heart of Appalachia” was released on October 1st, and it has gotten great attention so far. In addition to that, I had a huge and awesome experience I wanted to share with you all.

Last night I was a part of a local radio show, originating from Bristol Va’s Birthplace of Country Music Musuem called Mountain Song and Story. The weekly show, hosted by Toni Doman, features and explores different aspects of Appalachian culture by discussing various arts and crafts, cultural elements, and even some phenomena and myths. I had the chance to sit down with Toni and have a candid discussion that covered a range of topics including my work, the importance of Appalachian culture, and some of our amazing Appalachian legends.

To say I was, and am, honored is an understatement. I can’t thank Toni and everyone at Radio Bristol enough for having me on the show and allowing me to talk about my writing on such a cool platform. The episode was an hour long, and it was filled with classic regional music, and genuinely fun content. I think you would all truly enjoy hearing it. Fortunately, the episode now lives in the show’s online archives at https://birthplaceofcountrymusic.org/event/mountain-songs-and-stories-with-toni-doman/2022-10-06/ and can be checked out at any time. My episode is the one that aired on October 6th, if you are interested. I have to once again say thank you to Toni, my friends Wendy and Myrissa for recommending me for the show, and to everyone who helped make it possible. These opportuniites make me feel very connected with the community and help me remember how blessed I am to be able to create my art and use my voice to draw attention to our culture.

In addition to last night’s opportunity, I am ecstatic to announce that I am getting another chance to embrace our local culture this Sunday (October 9th) in my hometown of Tazewell, Va. I have been invited to present and read some of my work to a group of community members at the Tazewell Train Station – which is literally just yards away from where I spent a good number of my formative teen years and essentially grew to be the man I am today. This is a huge honor for me, as I love being able to bring my work back to my hometown and see the old stomping grounds. The event will begin at 2 pm, and I hope to see plenty of familiar and even new faces there. I truly can’t thank God enough that I have the talent and skill I do. I was truly made to write and celebrate the written word and the culture that helps make these mountains what they are, and I am ecstatic to embrace those purposes. If you are able to attend the event this weekend, that would be fantastic. If not, I completely understand, and I welcome you to check out my events page to see when and where you can see me next!

As always, feel free to reach out with any questions or comments you’ve got for me, and I look forward to speaking with everyone. Keep reading and being spooky!

Starting the Year Strong

Happy Monday, everyone! I hope January has been a good start to a new year for everyone. I know the world is still going through quite a difficult time right now, and we are seriously adjusting to what may remain the new norm for a very long time.

Personally I have found the year already has a lot to offer, and I have had a pretty amazing couple of weeks. As I have announced in earlier posts, I recently published my novel, Moonlight, (buy it here) and it has already been moving pretty well. Several copies have been purchased from all over the place and reviews are starting to come in, making me very happy.

For everyone who has read the book and left reviews, thank you. Reviews are one thing that breathe life into the work of an indie author. So many platforms that allow indies to host their works use algorithms that are based on reviews to promote works. If work A has 300 reviews, but work B only has 100, work A will be promoted to a much broader audience. Even if the reviews are worse for work A. It’s not the most helpful, by any means. I know a lot of people may not be interested in providing online reviews and feedback about the books they read, whether they liked it or not, but it is a very important step in today’s digital world. That being said, if you have read the book, please leave a review either on Amazon, as linked earlier, or on Goodreads here.

Saturday I actually had my first book signing event of the year, at a local store opened by some college friends. Appalachian Books, in lovely Norton, Va., hosted the event and held a live stream where I read a sample of the book and had a chance to answer some questions about my work and my methods. You can view that video here. It was an incredibly humbling experience, and an honor like no other. To be able to present and introduce my work in a local shop, so close to where the idea for Moonlight originated was nothing short of awesome.

I can’t thank everyone who attended, either digitally or in person, enough. You are all simply awesome. It makes me feel like I’ve done some good work when people are interested in getting their hands on it, and that is something that makes an author absolutely giddy. And to Appalachian Books, I can’t thank you all enough for hosting the event on my behalf, and for giving my books a local home where readers can come and get a little slice of Appalachian literature. Thank you to everyone over the years, from my mother and other family members, to my friends, to professors and mentors, who have all given me words of encouragement and bits of advice.

Most of all, I want to give a huge shoutout to my amazing wife, who has been supporting me and encouraging me to get this book out to the world for more than a year. She was right by my side when I took the book through another edit, worked out glitches and problems with my formatting, obsessed over my cover, my marketing and every other little detail I could possibly freak out about. Most importantly, she was there with me during the whole event Saturday, cheering me on and sharing the news every day leading up to it. Thank you so much, Amanda, for helping keep me grounded and keeping me confident in myself. Thank you for everything you do for me. I truly don’t know what I would do without you.

As 2021 rolls on, I hope to have more works released, and certainly will have more works finished, and I hope you will all remain on board for the ride. This week I have a few news interviews about my works, and I have some plans to hopefully bring one of my projects to a close before the end of the month as well. Again, I can’t be more thankful and appreciative of the support system I have. It means the world to me. Anyone with questions or comments, feel free to reach out, as always. Until next time, keep creating, keep reading, and keep your heads up.

Moonlight and the Holidays

Greetings, all! We are less than a week away from Christmas and several other end of the year holidays and life goes on here in the mountains. I have been writing much more lately than I did for several weeks throughout the earlier parts of the year, and I am very pleased to announce that my Appalachian werewolf novel, “Moonlight” is officially live and available for purchase internationally!

This novel, telling the story of a young man who moves to the Great Smoky Mountains and encounters a creature he never believed could exist, has been a pet project of mine for about five years. I wrote the original version of the novel in less than 3 weeks, putting pretty much everything else aside and immersing myself in the world I was working hard to create. I did research on countless versions of the werewolf legend, Appalachian myths and customs and so much more. To say I let the story take over my mind for a bit may be an understatement.

Once I had finished the book I decided to tear it apart and edit it from beginning to end before sending it to beta readers. Needless to say the story gained a life of its own. Over the last five years it has changed several times and has developed beyond my original idea into something that still surprises me on occasion. I am beyond excited to be able to present this novel to anyone who is interested, and I have set up a couple of different ways to purchase it. Of course, there is the classic Amazon purchase option here, which should allow anyone to purchase the book internationally. In addition to this, I have set up a secure purchase link that allows anyone with a U.S. address to purchase a copy of the book directly from me, with a chance to purchase either a plain or autographed copy. You can find both of those options here. I am also in talks with several local shops and vendors to host the book on their shelves and help promote local work, which absolutely thrills me. I will be happy to share more on that ASAP!

I can’t thank everyone enough for the immense outpouring of support I have gotten since announcing the release of this book. I hope you will all consider purchasing the book, and for those of you that do, I hope you enjoy the read. It is quite a journey, if I may say so. Please share this with anyone and everyone you think may be interested in such a book, and help get this one to an all new audience!

(Un)Dead in the Darkness

Hey there, friends and fans! Once again the power of All Hallow’s Eve is upon us! I hope this year is proving to be lovely and terrifying for each and every one of you. I’ve immersed myself in countless instances of new horror, and look forward to enjoying it for one more day before the world turns over to Christmas.

As a horror lover, I often consume all manner of spooky, scary, eerie, and dark stories. From ghosts and goblins to aliens and demons I have watched, read about, and listened to stories of it all. But through everything there is one creature that has captured my interest above all others. I’m speaking, of course, about the vampire.

Cultures the world over have told tales of the blood or life-energy draining creature that comes to us from the grave, spreading its chilling affliction. Sometimes these creatures are described as spirits who come and slowly pull life from the living, while others present us the image of corpses who dig from their earthy beds to consume the driving force of their dead relatives. Still others present us with the image that has become synonymous with the word. A pale skinned, dark clothed figure with menacing eyes and fangs long enough to pierce the throats of their living victims. These creatures rise in the night and drain the blood from unsuspecting mortals, often leaving death and infection in their wake.

Something about this creature has grabbed the imaginations of writers, music and film-makers, readers, and even avid television watchers for centuries. The most famous vampire, Bram Stoker’s Dracula, has appeared in more than 200 instances of film and television alone. And we still can’t get enough.

But why? What is it about these immortal beings bent on taking our lives, our will, our mortality that makes us fascinated?

Earlier this year I  had a chance to sit down with Dacre Stoker, great grand nephew of the infamous Dracula author for a discussion on the latest Stoker contribution to the Dracula legacy, the novel Dracul, written with author J.D. Barker. Stoker had much to say on the reason vampires have remained such a popular legend throughout history.

“The vampire was actually created out of something that everybody in the world believes in or thinks at some time: and that is what happens in the afterlife,” Stoker said.

In times of death, disease, famine, growing scientific belief, and general open-mindedness, the legend of the vampire ran rampant and explained a lot of horrific death as well as the spread of illness. Stoker said he felt one thing that contributed to the power of the legend was the knowledge of the time.

People weren’t aware of how illness worked. Germs and viruses were knowledge far beyond the most advanced medicine. When an explanation came along that gave a possible insight into the death of a large number of people, it took root.

The legend of the vampire, in addition to help explain violent death and illness, was also increasingly appealing for those examining mortality.

“What if there was immortality,” Stoker said, noting that this question alone makes the appeal of the vampire grow exponentially.

In literature and film there are few creatures as versatile as the vampire. Even in the Anne Rice saga of bloodsucking creatures of the night, there are class systems and different beliefs and ways of life. From the high class vampires that blend into sophisticated society to those who live in tombs under graveyards, almost no two vampires are the same.

Personally I feel part of the appeal of the vampire is not only the fact that they do have such versatility, but what they stand for. For millennia humans  have been terrified of dying, death, and what lies beyond. The vampire stands as a doorway to that question. On the one hand, the vampire can dole death daily as a means to survive, literally taking the lives of others to continue their own, but they can also provide immortality to those they choose. This almost reversal of a divine power is enticing to anyone who has ever pondered the end of life and what else may exist. Stoker said this thought of death is one of the reasons vampires will always be a part of culture.

“It’s so deep rooted in our psyche, that quest to find out what happens after we’re dead. That’s why it [the vampire] never does go away.”

So, as the spooky season comes to a close over the next few hours (or days, depending on your interest in multi-cultural views), I invite you to ponder the vampire. Is it a cunning, shadowy demon, hiding in the misty ruins of a graveyard, or is it a suave and charming socialite who attends the highest social functions and feeds only on the upper class? Whether you fear a spirit who feeds on energy or a fanged physical being that slips into open windows in the night, I advise you to be on the lookout tonight, when the veil between worlds is thinnest. Make sure the window latches tight, hold tight to your crucifix as you cross the darkened dooryard after work and, whatever you do, don’t invite someone you don’t know to cross your threshold.

Happy Halloween, everyone!

Origin of a Classic

Count Dracula. The world’s most famous vampire. The very name brings to mind passages from the novel, images from black and white movies with bats on strings and Hungarian actors in flowing capes. For more than a century we have wondered about the tale of the vampire to beat all vampires. Well, we need wonder no longer. Dacre Stoker, great grandnephew of Bram Stoker, has teamed up with horror author J.D. Barker to bring us more of the tale.

It was through the journals, letters and accounts of Jonathan Harker, his beloved Mina, and their ragtag band of warriors that the world first learned of the mysterious Count Dracula and his blood drinking ways. But just how did a young Irishman named Stoker come across the account of that creature and his terrible deeds? Could it be that he already had some inside information on the issue? Stoker clearly states in his introduction that the pages of the novel have been organized and shared in the best order possible, but that story starts far from the beginning, doesn’t it? Bram’s original text included much more of the story than the version we all know now. Dacre and Barker worked together, using the diaries of Bram and the 101 pages that were cut from his first draft to bring us Dracul, a book that details what Bram declared the “true story” of his own encounter with the centuries old vampire and the terror the creature brought to the Harkers.

Introducing Bram and his siblings as children, the reader follows along with the boy as his life moves on from debilitating sickness to a thriving adulthood with a bit of mysterious help. Told largely through the journal of young Stoker, the story reads in a way that is naturally reminiscent of the original novel. The elements of mystery, juxtaposed with a well-working repetitive time jump throughout the first two acts, create a story that is very easy to become immersed in.

Heavy horror elements combined with a modern take on the Gothic flood the pages of this novel, giving us images of vampiric slaughter alongside classic references to Irish and English history, government, myth, and architecture that rival those of the original as well.

This novel brings vampire lore into the mix in even more in-depth ways than Stoker’s original publishing, with another aged mentor who knows more about the strigoi than even Van Helsing may have. The incredible history that is brought to life in this book connects with the original not only by bringing the reader to familiar locales, but by giving its author a voice. It is very easy to find yourself following along with this tale, feeling as if you’re living the story from the marshland of the Irish coast to the cliffside in Whitby – a location synonymous with the original novel.

The main thing I want to say about this novel is that it is an absolutely fantastic read. From start to finish, I found myself consumed by the work. I would recommend it to anyone with an interest in horror, vampires, the gothic, or just good great books, regardless of whether you’ve read the original. Dracul is a novel that stands on a strong foundation and is sure to bring a whole new generation of fans to the story of the legendary Count Dracula.

I want to thank Dacre Stoker and Putnam Publishing for giving me the opportunity to review this amazing novel before it hits the shelves. I also want to congratulate Dacre and J.D. Barker on a job well done. This novel promises to be a big hit, and I look forward to seeing what you guys think of it! Dracul flutters onto U.S. shelves on October 2, and onto U.K. shelves on October 18 (naturally, vampires can’t cross water without assistance). Feel free to share this review with anyone who may be interested in reading this novel, and be sure to let us all know what you think of the work. Happy reading everyone!