A Nation Torn (Again)

I’ve kept my mouth shut about this – largely because no one has any reason to care what I think, but the rioting in the states is getting stupider by the day. Since Saturday there have been daily riots and destruction, leading to at least one death when a self-proclaimed White Supremacist ran his car through a group of protestors who were marching against racism. Racism. In the 21st Century. Have we not lived long enough on this rock to get how absolutely freaking idiotic that is?

Since Saturday there have been riots of multiple people who are disagreeing about what to do with Confederate era statues. The removal of a couple of these is what sparked the two-sided protestors on Saturday, if you aren’t aware. Supremacists  (read “Nazis) were against the removal of these statues, and protested in very violent fashion, while the counter-protestors gathered in a somewhat less violent manner, only to be ran over by a car. Those vying for the removal of the statues are convinced they are a symbol of racism and discrimination that is somehow damaging their way of life, while those who wish to see them remain where they are are split between Nazis (which I DO NOT agree with) who believe the statues represent racism and that it is deserved, and the sane people who recognize that these statues are a piece of our history that should be preserved at any cost.

As a well-educated 26 year-old with Native American ancestry living near my ancestral land and the start of the Trail of Tears, I definitely get racism. I do. But do you see Native Americans up in arms about things that celebrate the racism against them – which, might I add, is pretty much everything that celebrates the arrival of the white man on this continent? No. Because we have better sense. We understand that if we revolt against the past, it changes nothing. It doesn’t bring back any of the millions of people who were killed in the largest genocide to ever disgrace the face of this planet. It doesn’t mean that the murders and mistreatment and centuries of harmful stereotypes are suddenly gone or repaired. It doesn’t magically make anything better.

What it does do is cause further discord between peoples who have been living together in the world long enough to understand that we are all the same. It doesn’t matter if you’re white, black, red, yellow, purple or orange as a pumpkin – the same blood runs through all our veins. The same creator made us all – no matter what you believe, we literally all come from the same place, whether you believe that it’s dirt shaped by God or space dust from the celestial fart scientists call the Big Bang. So what gives anyone of any color, creed or race the right to think they are superior because of the amount of melanin in their skin or their country of origin? Nothing more than pathetic, pointless ego. It’s nonsense.

This is 2017, not year 17. We know better than this. When science and religion and common sense and every single other sensible and factual thing on the planet can show you that the only differences from you and your black neighbor and her Asian neighbor and his Russian neighbor is the language your ancestors spoke and the food you grew up with (aside from predispositions to certain illnesses, of course – God knows if I don’t get completely medical and scientific here someone will call it out), why do you insist on acting like skin color and nationality matters?

In addition to this consistently pathetic ideology, how can this ridiculous and pointless violent behavior be the answer? It isn’t. Not in any possible sense of the idea. In no way is acting like a primitive moron the answer. It isn’t going to change the past and it sure isn’t going to change the future.

Perhaps the most frustrating part of this whole issue to me right now is the fact that those people who are out there protesting these Confederate statues – which in their minds celebrate racism, violence and discrimination – are now doing so with with violence and discrimination. What? Seriously? Seeing people get run down by a car wasn’t enough to make you realize that a violent reaction – from anyone involved – is the exact opposite of what we should be doing? Apparently not, because protestors in North Carolina were filmed tearing down a Confederate statue and then taking turns kicking, punching, spitting on and otherwise desecrating it.

Why? What good does this do? These statues, which in the minds of the protestors represent the bigotry and racism that pulled this country apart for centuries, are actually there to remind us of the time that racial and political strife almost caused us to destroy ourselves completely. They stand there to represent the type of brother-hating behavior that should be avoided for the rest of time. But these neo-Nazis and misinformed spoiled brats are literally using them to do the exact opposite. Rather than looking at them as reminders not to be complete assholes to our fellow man, they are using pieces of stone and metal as an excuse to lash out at those they feel aren’t as good as them.

How will tearing these statues down change the past? It won’t. It is nothing more than an attempt to hide and erase the history that built this country. Again, it’s a terrible history. That’s obvious. But by denying that we as a nation have overcome such harmful ideas, we open ourselves up to falling in the same hole again. By allowing ourselves to become divided because of a bunch of statues, we are weakening the bonds of civility that have kept us together since these statues were erected. If we literally find ourselves killing each other in the streets because we can’t just leave a statue alone, how can we possibly pretend that we are a civilized country the rest of the world should model itself after? How can we possibly pretend that we are worthy of being called a superpower – which, by definition, is a country with dominating power and influence in multiple regions of the world at one time? And if we are still considered a superpower, how can we possibly sleep at night knowing the influence we are spreading is full of hate and ignorance and pointless violence?

I don’t know that my words matter to anyone other than myself, but this has to stop. Leave the statues alone, pick up the pieces, and move on. Open a bible or even a science book. There is ample evidence all around you that we are all the same. We all need food, water, oxygen, human interaction. We all function thanks to our nervous and digestive systems and we must take care of both to make either remain functional. We can reproduce with anyone of any race or nationality. We can interact with most anyone through the most basic of universal symbols – even if it just comes down to pointing at our stomachs to symbolize hunger or thirst. We get it. We. Are. All. The. Same. Frankly, if none of these examples convince you, just look at the blood that has been shed. Streets run red with blood that leaks out of bodies with every color skin imaginable. The bodies lie broken in the gutters, all made of the same things, all torn to shreds because of hatred that means nothing. Just look at the blood and try to understand. Because, if you don’t, blood may soon be all that is left.

Gwendy’s Button Box

This story is a perfect example of the amazing nature of King. He and Chizmar created a tale that is just phenomenal. The possibilities are endless with the concept they presented here, and I would LOVE to see it come back in a more lengthy work from either or both of them. I was excited to pick the novella up and I tore through it in a matter of hours. It was a very smooth and lively read that kept me guessing and kept me captivated.

Gwendy Peterson recieves this strange box from a strange man who seems to be something a little more than human – classic King characterization. I love that she just followed through with the situation, even though she questioned everything that was happening, she literally did the exact opposite of what she should have done when approached by a strange man who says he’s had his eye on her – right down to literally taking chocolate from a stranger. I loved seeing her questioning her actions and what is going on around her, but, like Pandora’s own secret-filled box, she can’t resist.

I liked the idea that this box, like many inanimate objects in King’s works, has a greater power over her life and over reality itself. Gwendy’s whole life is changed one small bit at a time. She starts to lose weight, she grows up to be a knockout, her parents stop drinking and those people who disrespect her seem to quickly get theirs. She pulls her levers and gets her silver dollars and her candy, and she avoids the buttons at all costs – until she doesn’t. The concept of a random strange box out there that contains the power to cause some sort of devastating natural disaster to any part of the world – or the whole thing – with just the push of a button is mesmerizing and terrifying. Gwendy handles that with a similar grain of disbelief, which leads to her pushing the red button for the first time.

I really loved the way the authors made the Jim Jones massacre a direct result of this curiosity. King is great at including actual historical events in his works, especially in the last ten years or so. She pushes the button after careful consideration, choosing a part of the world that was very sparsely populated just to see if it really did blow everything up. The next day she sees the story of Jones’ cult and its mass murder/suicide. The fact that King and Chizmar used this tragedy as a way to explain the power of the box was awesome to me, suggesting almost that the box itself had the power to make people go completely insane and do the most asinine things imaginable (an idea later supported by green teeth killing her boyfriend). I was interested in reading of Gwendy’s life after she accepted the true nature of the box. She continued to be affected by whatever power the box had, and she respected and feared it more than ever, not pushing the buttons again until she had to and even weaning herself off of the candy and trying to let the box be just a thing she rarely thought about.

I was a bit surprised at the way the book wrapped up after the box got its way, by causing the murder of the boy Gwendy loved. In regards to that event; I felt almost like it was like the box was telling her that she belonged to it as much as it to her, and it would not tolerate her indifference anymore. The boy who  had started making fun of her – whom the box sent on a terrible course in life – broke into her home and waited on her to come back. When she did Gwendy’s boyfriend fought to keep her safe until the box presented itself to the attacker. Gwendy gets to see the box that has sent her on this course be the very tool that takes her happiness from her. It definitely breaks something inside of her. I loved the fact that she used the red button to both kill the boy and make his body disappear. It was an insanely creative way to bring home the literal “this button will get you whatever you want” element. From this point on, though, I felt like the end was a bit rushed. We got some vague descriptions of Gwendy’s life and pursuits after those events, and then the man in black was there to take the box and be on his way.

I really enjoyed the story. I felt a lot of familiar vibes, with the nature of it reminding me a lot of King works like “From a Buick 8,” “11/22/63″and things in that vein. I love the idea that there are beings out there, sometimes with devices, sometimes without, who are charged with watching over the world and being the door between dimensions or timelines. That element has always fascinated me, so this story is definitely one of my new favorites.

That being said, the only real complaint I had was, as I mentioned, it was a bit short and the end came a bit quickly. I think it could have been fleshed out and become more novel-length, but at the same time it would really be a lot of the same thing if that were the case. Gwendy loves the box, it loves her, she forgets the box, it tortures her, etc… I would have liked to se what would have happened if she actually tried to get rid of it or destroy it. Would it have retaliated against her personally, killing or hurting her, or would it have gone after someone she loved because she was its designated protector? So many questions… I do think I would have gone a little more in depth in her life post box-murder, but that’s just me. I would like a few more words about what happened to her after, too. And, for that matter, how was she chosen? Who is the man who gave and took the box? Did he make the box or is he likewise charged with its protection? If it’s the latter, why does he give it to others to protect? I can ask questions all day, but the bottom line is this; the book was great, and I will remain somewhat hopeful for a related tale.

What did you guys think? Did you, like me, find yourself enthralled with the mysteries of the box and what it can do? What do you think of stories like this in general? If you have any suggestions of works in a similar vein, please share them. It’s right up my alley.

As always, make your comments on what you’d like to see and discuss next. I look forward to hearing what everyone likes to read, so it’s always fun for me! Also, in case you  haven’t been keeping up or need a reminder; I’ve returned to Wattpad! I’ve been using the free service to present a horror story that I’ve wanted to write for a while and to experiment with a noir detective fiction tale that I’ve gotten a lot of good feedback from. I’d love it if you guys would check any of my Wattpad works out. Don’t forget to comment and vote on the stories so they can be exposed to more readers. Check it all out here (https://www.wattpad.com/user/DameanMathews)

I hope you enjoyed the book, and I hope you’re enjoying the book club. If you have any other ideas for what sort of content you’d like to see on the blog, let me know about that, too! I’m here for you guys and I want to make sure you get what you need and want! have a great rest of July and look for my August announcement in the general vicinity of the 2nd or 3rd!

I Still Can’t Breathe

Hey there friends and fans! About two years ago I had a small snippet of a story pop into my head and I wrote it down quickly, placing it both in a blog and on my Facebook page to get outside opinions.

At the time I wasn’t sure exactly where it had come from or what it meant, and I’ve returned to it on and off through the years. At this point I’m thinking it may be the inspiration for  a potentially non-supernatural serial killer story. I’ve dabbled a bit in standard fiction, and I always prefer including the supernatural and horror elements in my work, but I think this piece has promise. I wanted to share it again here, so you could check it out. I’d love to have anyone and everyone’s opinion on this short piece of writing. What do you think as you read it? What do you feel? Can you even breathe, because sometimes I can’t.  Anyway, here is the piece, please give me feedback!!

I can’t breathe. My heart is pounding, my legs are throbbing and I can’t breathe. I don’t know how long I’ve been running or how much longer I can keep it up, but I know I can’t stop. The sun has been down for what seems like forever and the faint light is still clinging to the autumn day. My lungs are on fire; my chest feels like it’s going to explode. It’s just when I think things can’t get any worse that I make a terrible decision. I glance behind me to see how close my pursuer is and my foot finds a hole I hadn’t expected to be there. I feel my ankle snap like a twig, the sound ringing out like a shot in the silence. I hit the ground, feel the wind rush out of me and grab my leg. I don’t even have enough breath to scream as I roll over, mouth open in a terrible grimace and find that my attacker is on me.

                I see now that he is brandishing a knife and realize instantly that he means to use it on me. In the faint light I notice the tell-tale stain of rust on the blade as it arcs toward me, catching the reflection of the tree line I’d intended to be my salvation just before it plunges into my chest and out of sight. My first thought, rather than of my life, is of such a poorly manicured knife and what sickness it could bring if used in a culinary fashion.  I don’t have time or energy to react to the man’s attack, and soon it’s too late.

                I feel the pressure first, like being in school and having the pencil in your pocket stab your skin when you sit down. Before I know it the pressure becomes a white hot poker of misery as split and severed nerve endings begin screaming in a hellish, tortured chorus, the warmth inside my chest spreading outwards as my blood flows from newly opened veins. My last thought is a realization that both allows and solidifies my outcome; I am dying. 

Inspiration and Determination

Good morning everyone! As you know, yesterday and Friday I was at the Appalachian Heritage Writers Symposium for yet another year. I’m glad to say that, as always, the whole thing wowed me to no end. I was able to sit in on great workshops by great authors ranging in topic from writing poetry to get the creative juices flowing to busting the myths of writing and the best way to work on getting an agent in this increasingly competitive field.

For two days I surrounded myself with other authors from all walks of life and, together, we all discussed the craft and what it takes to make it if writing is for you. I love it. Since attending this symposium I feel I’ve learned invaluable tips that have increased my prowess and allowed me to unlock my own abilities more and more each year. I am blessed each year to see that there are other people who, like me, are completely enamored with the written word and who have the same passion I do about writing. I love it.

This year, though, a lot of the workshops I attended had more to do with what to do after you’ve completed writing. As many of you know, I’ve decided to stop dragging my feet when it comes to Maverip. I’ve been working on this book for a collective 9 years. I’ve loved every minute of it, and I’ve made years worth of excuses as to why I haven’t put it out there just yet. I’ve decided, like I said earlier in the year, that I plan to combine what was originally intended to be three separate novels into one book with three parts. I plan to finish that opus this summer, and the symposium made me even more certain of that decision.

Seeing other authors who talked about having the same feelings of incredible inspiration countered, unfortunately, by days of doubt and near inability to push forward was inspiring in itself. As an author, or artist I know what it’s like to wake up and have to really push yourself to produce something or move forward with a project. That’s one place symposiums and events like this come in very handy. As always, I have to remind anyone who is struggling with this problem that one of the best ways to combat a non-productive day is to find something that truly inspires you. For me it can be music, nature, seeing someone else who had a positive experience with the craft or even going back and reading my own work and remembering how inspired I was at that time. Determination to succeed can also be one of the most powerful methods of moving forward with your work. No matter what, one thing that I always stress and something that is always pushed at these types of events is that you must never – EVER – give up. The worst thing you produce is still better than not producing anything at all.  Never let yourself fall to a lack of motivation or a negative notion. You are the only person who can produce your work, and the world deserves your work! If you’re feeling down or feeling stuck you have to remember that you have these ideas for a reason. It’s your gift, your purpose and you have to own it!

On another fun note, I was able to finally meet a fellow writer who I’ve connected with on social media. Mr. Tony Bowman, a fellow horror author, was at the symposium as well. Tony has five books under his belt so far and a great deal more that he’d like to write. His work is very good and I think many of you might find it interesting as well, so go check him out (http://thattonybowman.blogspot.com/).

So, after the symposium, I’ve decided that I am going to double down on my writing this summer and hope to have Maverip finished by the end of August at the latest. With this I also plan to develop a couple of related shorts that I will put out  either free or cheap to help make people aware of the novel. From there I plan to run through my first series of edits, and then proceed to find at least three strong beta readers. I would love to have some of you guys jump in here, if you’re willing. I need readers who will be brutally honest with me and tell everything they do or do not like. If that sounds like something you’re interested in just give me a shout and we’ll get it all set up. I hope you’re all enjoying “To Kill a Mockingbird.” That review will be up in a few weeks and we’ll move on to another book! I’d love to see more people get involved with this blog and the book club, so please share this as far and wide as possible and we’ll go down the road to publication together!

Mockingbirds, writers, and vampires!

Happy June, everyone! I’m pretty excited to get the chance to make this announcement, because this book is one of my all-time favorites. Some of you who followed my video book club a couple of years back may remember that I did a video on the book there, and I’ll probably cover some of the same talking points with this – although hopefully more in depth. Without further ado, let’s all put down the sun tan lotion and get ready to read “To Kill a Mockingbird!”

This is an absolute classic – a treasure, if you will. The themes of this book still ring so true today that it makes the piece hopelessly timeless. The morals Harper Lee intends to inspire in the reader here are just incredible. Honestly, there is little to nothing about this book that I don’t enjoy, so the discussion post for this work may be a little long in tooth, but I’m sure you all won’t mind!

I also want to remind you all that I will attending the Appalachian Heritage Writers Symposium this Friday and Saturday and I couldn’t be more excited! This has been one of my favorite things to do for the last half a dozen years or so, and every time I come out with a new outlook on the craft of writing in general and my own place in this great big literary world! Some of you may remember (I know I remind you at least annually) that I actually started this blog due to a lecture I attended at this symposium three or four years ago. It has been a great help and a great inspiration to me and my writing since I first stepped through the doors, and I look forward to what this year has to offer. I don’t think it’s too late to register, so if anyone is interested in attending a great symposium with some great regional authors, feel free to check out the details here; https://appheritagewritersym.wordpress.com

Last but not least, I have to tell you all that I have put myself into overdrive when it comes to getting Maverip ready for beta readers. I have decided that I am going to format the novel differently than previously planned, and I will be taking strides to get the project finished by the end of the year – if not the end of summer. If anyone is interested in being a beta reader for an awesome, intense vampire novel that calls back to the root of what makes a vampire a vampire, let me know and I’ll get your info ready for the day it’s complete!

Look for the Mockingbird review around June 28, friends and fans, and we’ll have a great discussion about this awesome classic. If you have any other suggestions feel free to leave them in the comments below, and if you’re interested in being a beta reader, hit me up!

You Know Your Work

This has been a bit of a crazy week on the writing front. I’ve been doing this for quite some time, as you all know, and it still has the ability to absolutely blow me away. The unexpected can be both good and bad, and this week I had both. I stumbled across a really great contest offer on Wednesday, and by the time I found it I had less than nine hours to format and publish a novel through a particular service.

Of course I tried it. The only real regulation was that the piece had to be at least 24 pages in print. Not too difficult, and easy to do. I went through the formatting process, created a book cover and was ready to go through with it, when the service pinged a message back my way telling me that my novel was three pages short of being able to have my title fit on the spine. Three pages. Ordinarily that wouldn’t be a problem, but for some reason it got to me.

I’ve worked on that particular title for more than a year and have gone through edits at least three times. I felt so great about it that I’d been querying agents with it and trying to look into the best way to get it on the market. But after all that time and work it still came up three pages short of being able to be identified from the side. I know it sounds silly, but it really got me discouraged. I’ve never been one to really worry about how long a piece is. I write and listen to the characters and the story itself and let them tell me when the end is coming. That’s what feels natural to me.

Don’t get me wrong here, the novel was well over the limit for the contest, and it’s not too short overall, but it does fall short of the generic industry length suggestions for the type of novel it is. As much as I  hate to admit it, that hurt a bit. I’ve written in the past about how easy it can be to get discouraged if you set yourself up to follow strict industry guidelines. Not to say that you shouldn’t listen to your agent and at least make an effort to make your book match length and style guidelines, but if it doesn’t work it doesn’t work. I had to remember that the hard way.

I beat myself up for hours. I could have gone ahead and pushed through the issue and given myself over to the possibility of ridicule (or winning), but the whole situation really made me look at the book and at myself as a writer. I felt like a bit of a failure. I spent over a year on this book, telling this unique tale that I was so proud of, and it came in at only 97 pages in print. How could that be a good book when the industry standard is at least 150 for most similar pieces, and usually at least three times that (if we’re looking at Stephen King up to ten times that length)? I stopped the formatting, stopped the editing and let the contest timer run out. I spent the rest of the day considering what it takes to be a writer, what the industry standards really mean, and whether or not my work is worth the effort. I honestly felt lower than low for a little while.

Then it hit me. I am a writer. I always have been a writer. I was meant to be a writer. What does it matter how long a book is? Can a standard formality really tell me that my work isn’t worth as much as a book that may have an extra 50 or so pages of material? If my story only calls for 97 pages to run itself through and wow an audience (my beta readers have seemed to enjoy it), then should I allow someone else’s book length determine the worth of my work? The answer isn’t just no, but Hell no. I was put on this earth to be a writer. I eat, sleep, drink, breathe and bleed literature. It is one of the biggest parts of who I am, and I don’t see that changing. So who has the right to tell me that my book is too short, or too long for that matter? The industry standard says that a book shorter than 70,000 words is too short ( my own comes in at just under 69,000) and any longer than 100,000 is too long. To clarify and put a bit of a spin on these numbers The Great Gatsby comes in at right around 50,000 words – 20,000 words less than “industry standard”, while Stephen King’s The Stand comes in at more than 470,000 words – four times the length that is considered the cutoff.

So tell me, if two of the greatest and most well-known pieces of writing of the last 100 years don’t fit “industry standard” how can my work be considered lesser quality for the same fault? Who is to say that any novel less than or greater than a certain length has less worth than others? Granted, I understand industry standard also has just as much to do with economic printing costs, etc.. It’s a harmful restriction to put on someone who is trying to get their writing to the world. When self-publishing is not the option you want to use, and agents won’t look at your work if it’s outside of their span, what options do you have?

For a new author trying to come on the scene, being told that you have to adhere to a certain length requirement can be devastating. Speaking from experience, it’s a bit of a shock to find out that a piece of work is in some way restricted based on its length. But that’s ridiculous. No one on this planet can tell you that your book has to be a certain length. When you are writing a work and you feel it flowing from you, through you, and it tells you its done – or it tells you to keep writing – that’s it. It knows. YOU know what is best. You absolutely can’t let anyone out there tell you that they know your work better than you do. That’s not to say you can’t accept constructive criticism. If someone tells you they think you could add this or add that, or take this out or take that out, it probably pays to at least momentarily consider it and not get upset – that’s the point of beta readers after all. But that doesn’t mean you have to do what is suggested. Again, no one in the world knows the story like you and no one else on the planet can tell the story the same way you can. The same goes for any type of art. When it is ready, you’ll know. There are literally people out there who have sold blank canvases as a statement – and they are loved for it. You know what a piece should be.

As an artist you are endowed with power over your work that no one else has. The idea came to you. The story is coming from you. The characters are developing within you. Without you none of it would be possible. If you ask me, that’s pretty darn special. So follow your gut, follow your heart. When the story feels done, maybe it is, even if it could fit on the back of a Cracker Jack box. If the story tells you it’s not done, but you’re looking at a piece that would put Gone With the Wind to shame, listen to it. It knows how long it should be. Never let industry standards or the expectations of others discourage you or make you feel any less incredible. You have the power of the story with you. It is entirely in your hands. If changes are suggested and you think they work, give it a shot. If you don’t agree with them, stand your ground. It’s your masterpiece. Any given piece can be your Mona Lisa. Treat it as such. Hell, what if someone had told da Vinci she should have been  blonde, or should have had glasses? Can you imagine one of the world’s most famous paintings looking any different than she does (except the Mandela Effect’s smile issue; but that’s another post).

Be happy with your talent. Use it to the best of your ability and don’t ever allow anyone else to belittle it. Your book might not fit what others expect, but isn’t that part of the point? No one can say how long a book should be. No matter how hard they try. It doesn’t work. Be confident in your ability. Don’t ever give up. I won’t say don’t get discouraged, because I know it happens, but understand why it happens. Figure out what is bothering you and figure out how to overcome it. That will help you improve more than you can imagine. The world deserves your book. There are 8 billion people on the planet, all with different personalities and desires. If someone out there is waiting on your  book to be published in exactly the way you first write it, is it fair to deprive them of that? Just do you. Be yourself. Follow your own desires and your own instinct. You won’t regret it in the long run.

What discourages you? What advice would you give others? Have you had a similar experience to mine? Leave comments and share this with others to help give someone out there the encouragement they need to do something great! Look for the review of “Powers of Darkness” on May 29! Enjoy your weekend and keep up the good work!

College changed my life

It has been two years to the day since I walked across the stage at the University of Virginia’s College at Wise and accepted my new position as a college alumnus. When I think about the fact that it has been that long it really blows my mind. In some ways it doesn’t feel like two years, but in others it does. So much has happened in my life since then, and it can all be attributed to the blessings of God and the experience I got in college. And to think, I was one of the people who considered a gap year (not that there’s anything wrong with doing that, of course)!

Since my college graduation I have worked in a library, I have been a newspaper reporter, and now I am a marketing representative for one of the best and coolest theatres on the planet! I have taught a writing workshop to authors with decades more experience than myself, I have been published in local journals and have continued to be true to my own writing both on this blog and in my novels and short stories, while also starting my own online book club. Personally, I think those things are some pretty big accomplishments.

The selfish and arrogant part of my brain almost wants to say “well, Damean, that’s because you’re awesome,” but how “awesome” would I be if I hadn’t gone to college? How many of those experiences never would have happened if I hadn’t decided to take six more years of my life for education?

I have been writing for most of my life, of course, but even that has changed because of college. Looking back at the original ideas and versions of some of my work I sometimes actually laugh at how immature my voice was. Because of my college education I have been exposed to centuries of incredible literature and writing methods. I have had mentors work with me on my academic papers and my personal writing, which has changed the way I see things in many ways. I have been given the chance to write for multiple newspapers and experience a completely different style of writing that has enhanced how I view and handle my personal work. In turn, because of my time as a reporter, I have had some awesome experiences and have been able to relay some heartwarming, as well as tragic, news to thousands of people.

On the employment front I have to openly admit that, in high school, I was qualified to do only a handful of things, including write and run a cash register. Now, I have written more, gone more into the retail element by running departments and managing employees, and I have entered the professional work front with some really awesome jobs. Because of the experience I received at UVa-Wise I was able to work as a library specialist at a local community college, I was able to share breaking and interesting news to thousands for a year as a county reporter, and now I’m working at the longest-running professional theatre in the nation! That thought still blows my mind. I grew up just an hour away from Barter Theatre and it was always an amazing thing to just come and witness, and now I’m a part of the team here. And I would never have been able to do it without my education and experience.

The point here is that, for all those graduating high school and thinking about your futures, college is often the best choice you can make. I remember how I felt graduating high school, though. I wanted to take a year off and ‘see the world’. Granted, my version of the world, without a good paying job, didn’t extend much farther than the middle of Tennessee, North Carolina or the other states surrounding my own. I made a choice, though. I chose, despite my own desire to rely on myself and my writing for a while, to go to college and get a degree and put my fate in the hands of the higher education system. And it was one of the best decisions I ever made. Because of my time in college I met some amazing people, and my life has been forever improved.

I know that a lot of the time it seems like 13 years of school is enough (14 if you did pre-k), but believe me when I say it’s the extra 2, 4, 6 or 7 (or more) years that really make the difference. You might think you have your life planned when you walk out of prom and prepare to get that cap and gown and start your post-public education state of life, but don’t be fooled. The world has changed quite a bit. It used to be very possible to walk into a local company and get an internship or apprenticeship with little more than a high school degree and a give ’em Hell attitude. Not anymore. Higher education is something most businesses require now. Without a college degree, the doors of the employment world kind of close tight.

So, as many of you graduate college, be thankful for that experience. If you’re going into the job market or going on to grad school, take the time to consider just what difference your choice made for you. What experiences have you had that wouldn’t have been possible without college? And for those of you who are in that limbo state of deciding to wing it or go to college in the first place; really think about it. The idea of taking the world in your own hands and trying to forge a path with a high-school diploma and a dream might seem great, but it won’t be easy. Not that college is a piece of cake, but that’s a different story. If you’re on the fence, the best advice I can give is this; take the summer. Put in some applications, take your three free months and experience something new. Think about you. Do what makes you happy. Go somewhere new, spend time with friends, let go of school for a while. And when you finally feel like you again, when your brain isn’t cowering in the corner of your skull at the thought of having more knowledge crammed into it, think about what kind of life you want. Decide who you want to be and what you want to do. Figure out what is going to make you feel the most satisfied in life. Then figure out what it’s going to take to make that happen. The answer just might surprise you.

Have a good week, a good weekend, a good summer and a good life. Congrats to all those graduates out there. Let’s all raise our glasses to those who survived high school, college, university, and grad school. There were most certainly times when you thought you wouldn’t make it – but you did. Congratulations. Now enjoy your life and do what makes you you!

The Circle

This book was incredible. The parallels between this and other dystopian thrillers are immensely weighty. At times it was like I was literally reading a prequel to 1984. I was very eager to dive into this book after seeing a trailer for the movie in theaters a few months or so ago (I know, I know, sue me), and I knew I couldn’t see the movie without first reading the book! I finished the novel well before the release of the movie, which comes out today, so there are no worries there. Enough small talk, though; let’s jump right in.

First and foremost, as I said before, this book almost read like it could be a prequel to 1984. The ideas of the Circlers and their almost incessant need to make everything known was incredibly ominous. I can’t count the times that I thought it was almost like watching the development of Big Brother. The cameras, the mandatory participation, all the way to the ending. That ending! Man!

We enter the story with Mae, who seems just as innocent as one would imagine; a small-town girl moving to this huge opportunity. We see that she (and some around her) understands just how much bigger than her The Circle really is. As Mae immerses herself in the work she is given, we see her start to open up a little, but she has many questions. There are many instances where people like Eamon Bailey and others make comments about knowledge and the fact that they feel everything should be known. Mae is very taken aback by this idea at first. It seems like she understands the importance The Circle has in the future of the world, but she also sees the importance of privacy and separation. This quickly seems to die out.

Mae keeps herself slightly distant from The Circle at first, not attending many parties, leaving campus a lot and generally letting herself live as if she was working a standard 9-5 job. She left The Circle behind when she left The Circle. This didn’t work for the company. They addressed this a few times before Mae was faced with a situation that really threw her out of herself. In the middle of trying to fit in and find herself in The Circle family, Mae has some sexual encounters with a young, shy man named Francis and a slightly older, mysterious and impossible to find man who only tells her his name is Kalden. These encounters do a little bit of work towards making Mae a closer part of The Circle and helping her focus on the job itself. But this work is nothing compared to what happens as her parents continue to deal with her father’s MS and associate with her ex-boyfriend, Mercer. She had slowly grown more accustomed to being more open and public with her life, but it was Mercer’s first big resistant moment that made it sink in for her. He more or less told her that she was a part of what was wrong with the world, saying The Circle was crossing too many lines and she needed to grow up and see the truth. She left her parents house that night and had the experience that lead to her becoming the poster-child for citizen transparency.

Mae getting arrested really broke something in her, I think. The fear she felt at knowing she could lose her position changed how she looked at everything, and Eamon Bailey helped push that through her head. He encouraged her to feel that showing everyone everything at all times was the best way to live her life. This way of thinking, needless to say, was a game changer.

Mae started wearing her camera and documenting everything, helping The Circle with its attempt at closing in on the world and consuming everything to be consumed. The story really gains so much weight at this point. Mae slowly becomes a different person. She goes from a girl who is mortified at the thought of one person seeing her perform a moderate sexual act to being perfectly fine with taking millions of followers into the bathroom with her. The Circle’s (for lack of a better term; or is this the best term?) brainwashing of Mae really culminates and reaches its most dangerous level when she speaks up and suggests developing the mandatory voting technology that is Demoxie. The very name of this program, to me, sounds like poison. Demoxie influences everyone around the world to make their voice heard, which, although a great idea, has consequences. In addition to recording the answers, The Circle has the power to record who answers, and how. Much like Mae was able to look and see who voted her as not being awesome in a demonstration of the technology (that in itself is an experience that really allowed us to see into the damaged psyche Mae has developed, or maybe just revealed, through the text), any government organization may have been able to convince The Circle to allow them to see how its citizens voted. For that matter, Circlers themselves have access to the information. Anyone who may have voted against a popular idea could thus be singled out for their voices.

The real life-changer for this comes when Mae is given control over the technology to look for people – any person – all over the world. The first instance is likely helpful. Circlers and audience members are able to help find a fugitive and bring her to justice. But then Mae decides to take the situation further. She decides she wants to look for Mercer, who had AWOL after deciding to go “off the grid” in an attempt to hide from Mae and The Circle.

This search would have been all fine and dandy, had she known when to call off the dogs. I literally cringed as I read how intense the unnecessary chase scene became after Circle followers tracked Mercer to a house in the woods. He fled in fear and anger as Circlers and Mae followed him with no explanation as to why. Mae used The Circle’s technology to literally chase Mercer to his death. He drove off a bridge because he became so desperate to find a way to get away from the power of The Circle. That moment was very powerful to me.  I feel like it represented everyone who has ever stood up to a government or an organization that has too much power. There is so much that can be said about that scene, that idea.

But Mae couldn’t see it. She was wounded by his death, but not enough. Kalden (who turned out to be Ty, the FOUNDER of The Circle) tried to get her to  help him shut the whole thing down before it became too powerful. But she wouldn’t have it. She couldn’t. She talked so many times of feeling the black tear in her mind, her soul, and by the end of the book she was convinced the tear, rather than representing the innocence and humanity that was being walled off, represented “not knowing”, which is something The Circle was strongly against, of course.

The final insight we really get into Mae’s mind is all it took for me to both lose the last of my respect for her character and make me want ten more books. Mae’s friend Annie has literally become comatose due to the stresses of The Circle (can we be sure it isn’t something Bailey or Stenton did on purpose?) and all Mae can think about is how she finds it an unbelievable injustice that she can’t see into her friend’s mind. She can’t read the thoughts of the woman who is lying on the bed in front of her. Obviously, my first thought here was the budding idea for the Thought Police, but I digress.

Overall, I thought this book was absolute genius. David Eggers did an amazing job, and I look forward to checking out other works from him. From the time I started reading until the last word, I was enthralled. That being said, this book isn’t exactly the type of thing I typically choose to read for pleasure. But it’s easily in my list of top books. Whether that’s top 50, top 25, or even top 100, I couldn’t begin to tell you. I’ve read so much that the list does change fairly often. But this one is there. The style Eggers wrote this book in is very conversational and matter-of-fact. I didn’t get hung up on any dialogue issues and I don’t recall anything that was over-exaggerated or unclear.

My biggest compliment and biggest complaint for the book would likely be the same. It was very open-ended. From the point we leave Mae, as she considers talking to the founders about finding a way to expose thoughts to the same transparency as everything else, I feel like anything could happen. We know that Kalden (Ty) is still a part of The Circle, but we don’t know where, in what capacity, or what punishment may have been applied to his position. In other words; we have no idea of his motives, or if the mention of his position is even correct. They may well have just told Mae that as a cover. If it is true, what’s to stop him from either continuing to attempt to coerce Mae, or find someone else to help him overthrow the totalitarian organization that grew from his brainchild? Even more, I still feel like there is some way Mercer could be alive. Maybe he jumped from the truck and clung to the bottom of that bridge until it was safe to walk away. Maybe Ty knows this and he’s going to work with Mercer to overthrow The Circle. One way or another, I do think there’s enough possibility to bring this idea back for another round. Come on Eggers, what do you think?

Regardless, this was a great book and it really makes you think about the dangers of continuing down the path of total technological control that we are going on. What did you think of it? Do you agree with Mae that knowledge should supersede privacy? Or should we cherish the privacy of the independent human? There are so many questions! And for that matter, there are so many things that I didn’t really have the space to address here (the terrible things this expansion of knowledge uncovered about Annie’s family, for one) that I would love to hear your thoughts on. Leave me comments or send me messages and let’s have some great discussion on this book! As always, share your ideas for future books at any time and let’s spread the club far and wide.

Life announcement and this month’s book!

Hey there friends and fans, I have to apologize for posting this so late, but it has been a crazy week. I know you all were expecting April’s book club announcement on Tuesday, but I was working on getting paperwork and everything in order so I could make another announcement. Many of you know that I have spent the last year as a county reporter for my local newspaper. During that time I have written stories on everything from local government meetings to the return of a once regionally extinct species of fish. I learned a lot during that time, but I have now accepted a position in another area that promises to be equally rewarding.

Beginning April 12 I will be a Communications Associate with the Barter Theatre. Those of you in the U.S have probably heard about the theatre, but for those that aren’t or haven’t; the Barter is the State Theatre of Virginia and has a very rich history in Abingdon. It was founded in the 1930’s and offered local farmers the chance to trade some of their excess vegetables in lieu of cash for a ticket to a play. It has always been a really amazing place to go and I am beyond excited to have the opportunity. In this position I will be doing a lot of social media marketing and interacting as well as working with advertising and general media information for the theatre. I’m excited to see what awesome things await! I hope some of you will be able to come visit the theatre and give me a shout ahead of time so I can say hello!

On another note, next week is also a big deal for me because I will be presenting my work “Lefty Smith and the Right-Handed Corn” at the opening night for this Spring’s issue of Jimson Weed, the journal I used to manage. This piece is one that I really enjoy, partly because it is my first published attempt at including local folklore in a short story. Of course this legend is completely fabricated, but it is still enjoyable to me. The event will be held on April 11 at 6:30 p.m. on the campus of UVa-Wise if anyone in the area wants to attend!

Finally, in the interest of keeping this post fairly short, I’ll tell you about this month’s book. I think the idea works very well, since the movie adaptation of this particular book comes out at the end of the month. After looking at a number of dystopian and semi-dystopian possibilities, I chose Dave Eggers’ “The Circle.” This book, published in 2013, follows the life of Mae, the newest employee of the ever-involved Circle. The book highlights Mae’s journey through an increasingly transparent life as The Circle breaks into every possible means of modern technology, even getting to the point where people are convinced to wear body cameras 24/7 in the interest of making their lives known to the public. The book explores a lot of themes, but heavily focuses on whether or not all of the convenience and involvement introduced by The Circle is actually an advantage or a problem.

As one more aside; the revamping of my collection is coming along nicely and I have decided to include some additional works, including some exclusive, never-before-seen work! I will hopefully have a rough version of this work ready in the next month or so, and I may well seek out some beta readers! If any of you are interested in that possibility, just let me know and we’ll get it figured out!

I think we’ll have a great month with this book and I look very forward to discussing the work! I apologize ahead of time if I post a little sparsely as I adjust to the change of employment, but fortunately I won’t have to deal with a 100+ mile move this time! I hope you all have had a great beginning of April, and I look forward with speaking to everyone about “The Circle,” the job, or anything else. As always, share this far and wide to get plenty of eyes on it!

Spring is here

The seasons have changed again, and it is a great feeling! The days are longer, the air is fresher, the morning birds are singing again and – most importantly – motivation is coming back! I’ve been hit with a few new ideas in the last week, and have found myself writing some new material again in what little bit of free time I have.

So far I have worked on starting two new pieces that I feel pretty positive about. For the most part these works just came to me out of the blue (one even as an interesting, albeit slightly disturbing, half-dream while I was dozing off one day) and they’re pretty interesting. I know I tend to make a similar post every spring and summer, if not every season, but to me the changing of seasons really is a magical thing. I really love to see the sunshine come back and the days start to stretch. There’s nothing like enjoying a late evening on a warm Spring or Summer night. Granted, I no longer have my private balcony to write on, but that’s a different story!

The change of seasons can work inexplicable magic in the lives of artists. Just as I’ve written before, muses and inspiration can take infinite forms, but one that works for many of us is the feeling of peace at the end of a long Summer night. Seeing the light fade as the lightning bugs start to flash through the air, and hearing the night come alive around you. There’s not much better, especially when you’re in the mountains. Of course, I don’t have much city-living to compare that to, I’ll take it at face value. Regardless, we are coming on that time again, and I’m excited for what it might bring my way. I would love to get a few more great works out and get some print material circulating.

Speaking of that, I’m still well underway on getting my Amazon collection revamped so I can get it in print. I actually have an opening to try and sell the print copies at this year’s Appalachian Heritage Writers Symposium ( June 10, 11, link here; https://appheritagewritersym.wordpress.com/ ) and I’m hoping for some great feedback.

In other great and awesome news, I wanted you guys to be the first to know that I have been accepted as a contributing author to this year’s Spring edition of Jimson Weed. Many of you may remember that this is the journal that I was Managing Editor of for about two and half years, so it’s a great honor to be back in the running as a contributor. I can’t wait to see my name in the journal again! My story “Lefty Smith and the Right-Handed Corn” was the work selected for this issue, and I’m excited for the chance to read it in front of people. It’s a story I came up with while teaching at the aforementioned writers symposium in 2015, and I’m excited to see it get some attention. It’s a very folk-tale type of work and it’s not really like anything I’ve done before. Hopefully it will be a hit!

What sort of news is happening in all of your lives? What changes are you seeing come with the new season’s appearance? What are you looking most forward to in the Spring and Summer? Do you even like these seasons? The questions are endless.

Just a reminder, my review on “The Wonderful Wizard of Oz” will go up Thursday, March 30, since this month ends on a Friday. I’m going to go ahead and start soliciting everyone for book choices for April’s review as well. I really want to reading frightening sort of dystopian-type novel this time, so wow me with suggestions! That choice will be announced on Tuesday, April 4.

Anyway, I hope you’re all well, and I look forward to seeing your suggestions and your comments on the seasons!