Returning Home

Greetings and Salutations, everyone! We are growing ever closer to the spookiest time of year, quickly chased by the merriest time of year. In other words, I am absolutely in my element! I have been immersing myself in all things horror for the last few weeks, as opposed to the rest of the year when I immerse myself in all things horror. It’s very exclusive. As I near another busy time of year, filled with events and signings and all manner of awesome opportunities to meet you all, I have to tell you about the most recent one.

On October 9th I was honored to do a discussion and reading in my beloved hometown of Tazewell, Va. Being from said small town, the Appalachian tradition of ‘coming home’ took on a new meaning for this event. The Tazewell Historical Society asked me to do the event, which was held in the recently revamped and reopened Tazewell Train Station, formerly known as ‘the old depot.’

The old depot had been abandoned, just sitting in its historic spot, going back to the earth for years, decades even. Fading, dirty bricks, boarded windows and doors, vines crawling up the sides with reckless abandon, the building was exactly something that would inspire this little horror lover’s heart (and there may or may not be something in the works based on this). The coolest thing about this is the fact that I lived less than a quarter mile away from the building. I passed it every time I was going home, every time I left to go anywhere. It was always a figure of history that loomed on the edge of my vision, and instilled curiosity consistently. I may or may not have tried various times to take a peek inside the building, with never a spark of luck, so this was an even more interesting opportunity.

Needless to say when I was asked if I would be interested in doing a presentation on Appalachian Myth and Legend, along with a reading of some of my work, I leapt on the chance. The fact that it was going to be held in the depot building was just icing on the cake.

To prepare for the event I examined much of what I already knew of myth and wives’ tales that exist in Tazewell. There are a fair number of those, but one that has always interested me is that of Devil’s Slide Cave, otherwise known as Higginbotham #1. Supposedly farmers that live and work near this cave, which rests just off the road at the foot of a mountain, have heard moans and cries of unknown origin coming from within. Animals that get too near the cave are said to die soon after or simply disappear. A group of spelunkers and cave mappers went into the cave and reported a sinkhole not far from the entrance. Once they made their way down they went several miles in (I’ve heard they may have spent as much as two days within, but I’m not sure of that part). Eventually they found another dropoff and began hearing the sounds they had been told about. They lowered themselves down to the full extent of their equipment and reported that they couldn’t quite reach the bottom, although they could see it. The group claimed to have seen a set of heavy iron doors at the bottom of the hole, through which the sounds of Hell itself could be heard and a great heat could be felt. I’ve heard the tale several times throughout my life, but I have never gotten to explore the cave, as it is on private land.

Being a lover of all things lore and myth, I made the connection here with the Devil’s Looking Glass in Erwin, Tn. and several other evil seeming legends, of which there are no shortage. The group of people that showed up to listen and converse with me were fantastic, and it was honestly an amazing event. Looking back on it, I can’t imagine how I could be so blessed to be able to experience that thing of wonder, the Appalachian Homecoming. Getting to present some of my work and my research, an object of my passion, that close to where I spent some of my most formative years – in a home that was and is still passed down through my family I might add – is nothing short of a blessing that I am ever so thankful for.

That, I think, is something we all sort of hope for. To be able to return to our origin with our story strapped to our back, not in an act of desperation, but an act of triumph. To be able to return home and say “look at what I’ve done. I’m here because I WANT to be here, not because I have to be.” It is a feeling of success and achievement that I hope I can always keep with me. Having a passion for the arts is by no means an easy journey, and it does not often come with the sort of instant gratification the world is growing more and more used to, but this truly makes me feel like I am on the right path. I have had my ups and downs lately with my work, especially while striving to revamp my website, up my market presence, and make myself more widely known. Sometimes it seems like I’m just pounding my fists against a brick wall, hoping against all odds to bring it down. On the bad days, it seems this is a futile attempt, but on the good days, every now and then, one or two of those bricks come tumbling down. These last few weeks, those bricks are tumbling, and I can’t be more thankful for that.

I know, of course, that every journey is one of ups and downs. As happy and successful as I feel this week, I may end up feeling just as unsuccesseful next week, but the key and point of this post, is that sense of failure, that ever-present nag that is imposter syndrome, is false. Your journey is always successful as long as you don’t give up on yourself. You have to push through the bad days, the low times, the negative commentary, and realize that these are merely speedbumps. Tests. They are nothing more than life’s way of making sure you don’t get moving too fast or flying too high before you slow down and take a tumble. Your time of ultimate achievement, your moment in the spotlight, will absolutely come. But no amount hemming and hawing, whining and crying, forcing and threatening will make it happen. It will happen when you have overcome those obstacles and truly have everything you need to embrace the big finish.

So, my advice, as always, is to keep going. Push through the pain, the bad days, the sadness. Never let a road block cause you to come to a full stop. Turn the wheel and seek out a different path. Have faith in yourself and your journey. Fight your way through the hard days and enjoy every moment of the good ones. Most importantly, remember those good feelings and use them to keep you motivated through the bad. One day, you too may have that storybook ‘homecoming’ and it will be a moment you can definitely be proud of.

If you need anyone to talk to or motivate you through those hard times, I am always available as well. You can find me on social media, use the contact page on the site, comment on a post, or use any other method you can to reach out to me and I’ll be happy to help any way I can. Also, my amazing wife filmed my presentation at the depot and I have since uploaded it to Youtube. You can watch it here, if you’re interested. Have a great rest of the week, everyone. I look forward to hearing from you!

The Belgariad/The Mallorean Series Review

Hey there readers, I’ve got another doozy of a review to provide here, and it is one that I am ridiculously excited about. As many of you know, I am a huge nerd and proud of it. My reading and art habits absolutely reflect that, so when I recieved a new fantasy novel earlier this year as part of a huge book exchange (which I’d love to do again) I was pumped. The novel in question, Pawn of Prophecy, by David Eddings, was the first in a long series that I’d never heard of. By the time I finished the first few chapters, however, I knew I needed more. Within days I had ordered the four books that completed the first series, The Belgariad, as well as the next 5 book series, The Mallorean, and the two accompanying texts, Polgara the Sorceress and Belgarath the Sorcerer.

To say I was hooked and blown away by the magnitude of these book is an absolute understatement. The book tell the story of Garion, a young man who first comes to us through every day life on a local farm. His friends are typical medieval children, and the farm they live and work on is really more like a village. Garion is your typical orphaned child, living on the farm with his aunt who has made her way in the world as a cook for the house. Life is average, almost mundane, for Garion and Aunt Pol. Sometimes a storyteller will come to visit who seems to know both of them quite well, but Garion thinks little of it. All his life he has heard the legend and stories the storyteller circulates. Tales of Gods and creation, a stone that is the most powerful object in the known universe, and one God who decided he would rule all else by stealing the stone – which turned on him and scarred him with its glorious fire.

Garion is thrown into the middle of these tales and so much more when he learns the old storyteller is actually the ancient sorcerer Belgarath, who is more than 7,000 years old – and Garion’s grandfather. These books are absolutely filled with myth, legend, action, world-building, gods, magic, and so much emotion it can’t even be contained.

David Eddings was incredibly masterful at creating a world filled with characters I grew emotionally invested in. I found myself cheering for the heroes, laughing at their jokes, loving their friendship, mourning their sadness, and hating the enemies of the world. To be sure, a 10 book series with two accompanying texts seems like a lot to deal with – even greater that Tolkien’s tomes of Middle Earth – but these books are so immersive I flew through them. Several of the 3-400+ page books were done in just a couple of days and each one left me yearning for more. I devoured two thirds of the last book in less than a day and, as much as I would love to have more of Garion and his friends to entertain and move me, I can honestly say Eddings closed their tales in a rarely satisfying way.

In today’s world, with new movies and series springing up from some of our favorite classic tales, it is becoming increasingly easy for people to simply say they’ll wait for the books to be released on the big (or small) screen. That may well never be the case for these series. Eddings was adamant during his lifetime that his work never be watered down by alternate mediums. He stated that he wanted people to enjoy the Belgariad and its related works, but that he never wanted them made into movies or video games. He wanted people to read his words and live the worlds the way they were intended to be lived. Frankly, as much as I enjoy seeing my favorite works of literature translated into books, series, video games, music, and more, I agree. These books are simply so fantastic, so filled with lore and magic and strength and power, that they would almost surely lose much of their weight through translation.

In short, I set these books very high on my list of favorites, not only of the fantasy genre, but of literature as a whole. I would recommend them to most any reader at any age level from early YA to adult. The content is not overly suggestive (especially compared even to modern cable television) and it is not particularly difficult to understand. Beware of some violence, and some theological and even philosophical content, which is typical with this sort of narrative. Most of all, be sure to keep your mind open and ready to be immersed in a world like no other. If you’ve read these books before I’d love to know what you think of them, and if I’ve inspired you to give them a whirl I can’t wait to hear your thoughts.

Keep reading, everyone!

Celebrating Spooky Month with Mountain Song & Story

Happy October, everyone!! I have been leaping into this spooky season with plenty of awesome projects and events so far. My most recent short story collection, “When These Mountains Talk: Tales of Horror From the Heart of Appalachia” was released on October 1st, and it has gotten great attention so far. In addition to that, I had a huge and awesome experience I wanted to share with you all.

Last night I was a part of a local radio show, originating from Bristol Va’s Birthplace of Country Music Musuem called Mountain Song and Story. The weekly show, hosted by Toni Doman, features and explores different aspects of Appalachian culture by discussing various arts and crafts, cultural elements, and even some phenomena and myths. I had the chance to sit down with Toni and have a candid discussion that covered a range of topics including my work, the importance of Appalachian culture, and some of our amazing Appalachian legends.

To say I was, and am, honored is an understatement. I can’t thank Toni and everyone at Radio Bristol enough for having me on the show and allowing me to talk about my writing on such a cool platform. The episode was an hour long, and it was filled with classic regional music, and genuinely fun content. I think you would all truly enjoy hearing it. Fortunately, the episode now lives in the show’s online archives at https://birthplaceofcountrymusic.org/event/mountain-songs-and-stories-with-toni-doman/2022-10-06/ and can be checked out at any time. My episode is the one that aired on October 6th, if you are interested. I have to once again say thank you to Toni, my friends Wendy and Myrissa for recommending me for the show, and to everyone who helped make it possible. These opportuniites make me feel very connected with the community and help me remember how blessed I am to be able to create my art and use my voice to draw attention to our culture.

In addition to last night’s opportunity, I am ecstatic to announce that I am getting another chance to embrace our local culture this Sunday (October 9th) in my hometown of Tazewell, Va. I have been invited to present and read some of my work to a group of community members at the Tazewell Train Station – which is literally just yards away from where I spent a good number of my formative teen years and essentially grew to be the man I am today. This is a huge honor for me, as I love being able to bring my work back to my hometown and see the old stomping grounds. The event will begin at 2 pm, and I hope to see plenty of familiar and even new faces there. I truly can’t thank God enough that I have the talent and skill I do. I was truly made to write and celebrate the written word and the culture that helps make these mountains what they are, and I am ecstatic to embrace those purposes. If you are able to attend the event this weekend, that would be fantastic. If not, I completely understand, and I welcome you to check out my events page to see when and where you can see me next!

As always, feel free to reach out with any questions or comments you’ve got for me, and I look forward to speaking with everyone. Keep reading and being spooky!

Progress Inspires Progress

Hello everyone! I hope this summer has proven to be wonderful for you all in as many ways as possible. Things have been quite busy on my end, between traveling, preparing for a new school year, and going to as many book signings and events I can possibly line up. Somewhere along the way I even managed, after endless encouragement from my incredible wife, to publish another novel! Just to give you a short heads up on all of these things, let me break it down.

Many of you will know or remember that I recently published my beloved novel, the long awaited vampire extravaganza, Maverip! I managed to swing it so the first printing of the Appalachian horror novel was published on the exact 124 year anniversary of Bram Stoker’s gothic powerhouse, Dracula. That alone is just jaw-dropping for me. That book has been such a huge part of my life for the last ten year that, to see the first part in print and being sold – sold out, I might add – is such an immense blessing.

This weekend, tomorrow (August 14, 2021 – Free Comic Book Day in the U.S.!) in fact, will see the debut of in person sales of my latest novel, a fantasy epic that explores the sword and sorcery tropes that have long fascinated me as a reader. The book, Journey to the Winter Lands: Shadow Slayer Saga Number One, explores the world of Turadorsa, a land where a literal darkness is threatening to consume the world again. Magic has been both stigmatized and sought after with ferocious intensity after many of those who could wield its dangerous power were eradicated. When shadows return and start attacking the people of Turadorsa, a group of travelers will be sent on a quest to find the mysterious “Bhaltair” with no explanation of who, or what, the word even refers to. Their search takes them into the heart of the mysterious Winter Lands, where snow never stops falling and legend has long since forgotten the challenges that face the wanderers.

This book is one that I have spent countless hours pondering over, doing research for, and developing history for. I loved the world-building element of fantasy writing. It’s not anything I had ever had to do for my horror novels, of course. Most of my work is set in the Appalachian Mountains, which are some of the oldest mountains in the world, so there isn’t a lot of geographical development that has to go into them, aside from placing my stories somewhere I could explain. With creating an entirely new world, however, I got to decide where my mountains, deserts, rivers, oceans would be. I got to create flora and fauna and myths and legends to my heart’s content. And, as the title indicates, the journey is far from over, so I still have plenty of creative license to build and destroy!

Seeing those books, any of my work really, in print, is an incredible inspiration to me. Writing has been a release for me most of my life, and has often brought me through some of the darkest times I have had. Often, it has gone hand in hand with reading. If ever I grew tired of creating, or hit a wall and needed a break, I could pick up a book and escape into a world created by another artitstic mind. The written word is an incredible life-saver, and its hypnotic hold on me will hopefully never cease. Despite how much I know the works of other authors has helped get me through some hard times, aside from just entertaining me and bringing joy, I have had a hard time reflecting that potential back to my own work. It has always been a hope that my words could bring someone through hard times and encourage them as much as I have been encouraged and empowered by the many authors whose words now make up part of my soul, but I never felt they were ready or worthy. I never felt like anyone would honestly want my work the way I want the work of others. So I tended to sit on them forever and not give them a chance. In essence, I smothered them.

My wife has been indescribably instrumental in encouraging me to give my books life by letting them out into the world. As much as I love reading the work of others and writing my own, it has been a whole new type of thrill seeing others get excited about my work. Seeing a look of interest or hearing an exclamation of excitement when I describe what my books are about is an instant sense of amazement. Could someone out there really be that interested in the words, the story, the idea that came from my head? After endless discussions with my wife, and much self-exploration, I leapt forward and gave these two novels the freedom from over-editing and over-thinking they deserved. The reception for Maverip has been nothing short of awesome, so far. I haven’t gotten written reviews, but everyone I have spoken to has been immediately drawn by the subject matter and hooked by the intro, which in itself makes me feel accomplished. I am hoping for a similar embrace for Journey to the Winter Lands tomorrow!

My point in all this is that we, as creatives, should never feel fear to release our work to the world. We have been given incredible talents and motivation to create a piece that no one else could create. That goes for any medium. Whether you excel at writing 3,000 word epic poems, or you’re just really good and sip and paint type art pieces, that work is yours and you need – deserve – to own it. Those words that you strung together, those brush strokes that give your work its unique flare, that little bit of extra twang you can pull from an instrument that lets everyone know that piece is YOU, it all deserves to be cherished and shared. Granted, I know some people literally only create for themselves and I am in no way disparaging that. If that is your intention, I will never deny the validity of that desire. But for those who want others to see their work, who yearn to make a difference with something they created from the ideas in their head, I am here to tell you the time is now. You can edit and re-edit, and edit a third, fourth, tenth time. But that work needs a life. It desires to be enjoyed by others, just as you desire for others to enjoy it.

I am of the mindset that, no matter what we create, it has an audience. There are 8 billion of us on this rock, and there are things out there for all of us. This world is virtually overflowing with art in all forms and formats and unique elements that we are all able to love. The more I create, and the more I publish and let my work have the freedom it desires, the more I realize we should all make that a priority. We create these works of art, much as our beloved Gothic Swiss doctor pieced together his creature, and they deserve the same spark of life that sallow-skinned newborn did. I encourage you, when you finish your art, don’t hoard it (unless that’s why you create it of course). Make it the best you possibly can, and by all means, understand that may take differing amounts of time for each piece. There is no one size fits all solution to art. But, once you have improved as much as you can, once that piece is no longer in need of polishing, or you have run out of polish to give, provide it with freedom. Breathe into your art the life-giving breath of publicity. Spew your work of art forth into the maw of humanity and wait for the right person to grasp and cling to it for dear life. Don’t let it suffocate in a darkened closet, because, as much as it hurts to admit, that decay will seep out. It will infect everything you do. The fear of imperfection and lack of outside enjoyment will become a scar on everything new you produce and, if allowed, it can even stop up the creative fount as it is.

So, what are you waiting for? Release those works, put yourself and your art out there. Inspire the masses with your ability, but, most importantly, inspire yourself with your courage, your accomplishments, your creations. What’s the point of struggling to win a trophy if you just lock it in a closet and keep the light off? Bring it out, let the sun shine on it, let others see it and enjoy it with you. And, don’t forget, if anyone rains on your parade with their negativity, open your umbrella and shake that nonsense right off. You are an incredible human for being able to create – no one else can do it like you can do it. That’s why it’s YOUR creation, not theirs.

If you’re in the Wise County, Virginia region on Saturday August 14th, swing into Cavalier Comics in Wise to say hello and grab your copy of any of my print works. There will be a selection of free goodies, as well as a sale by the store owner, so there will definitely be plenty of fun for everyone. I hope to see you all there, and I hope to see all your work flourish very soon!!

If It Bleeds

Happy book review day, everyone! It has been a little while since I’ve gotten to dive in and review a good book, but that’s something I definitely want to do more of as the year goes on. What better way to start the reviews back up than by discussing the latest book by one of my all time favorite authors?

The latest Stephen King release If It Bleeds is a collection of four short stories in the vein of Four Past Midnight, another masterpiece if I may say so. The thing that drew me to this book most was a stand alone title story featuring our favorite semi-neurotic citizen private eye, Holly Gibney. This story, the third in the book, gives Holly the chance to lead her own investigation rather than just assist in others. Holly uncovers the truth about a villain, similar to one she has encountered before, that has been hiding in plain sight for quite some time. I really loved this story because I feel like it really gave us a chance to dive into Holly’s everyday life without Bill Hodges or Ralph Anderson or anyone else there to hold her hand or keep her in check.

I feel like King has done a fantastic job developing Holly’s character and allowing her immense growth. She still isn’t the most sure of herself at times, and she still has to struggle with some of her freedoms and every day situations, but it is a fantastic new situation for Holly. I feel like her obsessive compulsive tendencies absolutely helped her in this story, and I sort of have to commend King on that. So many times OCD and similar disorders are seen as handicaps, crutches, or hindrances, but I love stories and characters that actually use them to an advantage. I feel like Holly has absolutely been allowed to do that.

In addition to the character development, I feel like this idea was immensely original and, although it showed us a new version of a villain we’ve seen in the past, it presented a very new story. I sincerely hope King gives this particular type of villain a fuller story, with more detailed explanation of where and how he/she originates. And, yes, I am being vague on purpose. I won’t spoil too much for this story. The last thing I have to say about the title story is that it makes a lot of sense after delving into it. As a former journalist the old statement “if it bleeds, it leads” has a lot of meaning to me, and every story in this book fit the mold, this one in particular, of course.

Going back to the beginning, the story “Mr. Harrigan’s Phone” gives the feeling of familiarity to me, but still provides some originality. Presented in a marvelous bit of first-person point of view, it tells a seemingly simple story starting out. A young man who works for an elderly gentleman in the beginning of the smart-phone era helps introduce the rich mogul to the wonders of modern technology. We get a relatively innocent view of the young man’s life right up until his benefactor’s death, when the young man decides to bury the man’s phone with him. From here we get to experience something that King loves to play with; the possibility of life after death, or existence within and beyond the grave. I won’t give anything major away, but I feel like I got some Gwendy’s Button Box vibes from this story for sure. Kind of an “ask and ye shall receive” sort of mentality that sends our narrator on a mental and emotional roller coaster that is not easy for him to handle.

Some first-person stories have a feeling of strained placement and conversation, in my opinion, but I feel like King is very good at writing in that point of view. I don’t often feel like it’s difficult to stay in the mind of his characters like it can be for some stories in that POV. I enjoy the call back to a simpler time as well, as old as that makes me sound. Remembering the early days of smart phones when everyone wasn’t so used to having an information terminal in their pockets was a bit refreshing.

The second story in this book, “The Life of Chuck,” presents us with an idea that wasn’t explicitly presented up front, but one I figured out by the end of the first section of the story. As much as I want to be ambiguous about this one and not give spoilers, I am having a hard time with that. It’s so difficult not to commend King for putting such an immense view of life on paper. I, like most I assume, was very confused about the story when I first dove in. We are thrown into the tale of a man driving home from work (as a teacher of all things. My, how things come full circle.) in a sort of apocalyptic seeming world. All we know really is that there are sinkholes opening all over the city, food is scarce, transportation is a mess, communications grids are collapsing, the internet has crashed and is not having any consistent luck rebooting and similar things. Our main character first notices a strange new billboard (39 Great Years, Thanks Chuck!) on his way home, and soon starts seeing this same message everywhere, but no one he encounters seems to know who Chuck is.

The story goes on until we do meet and encounter Chuck, learning along the way a lot about the man and his tenure. I feel like the central idea here is something much deeper and philosophical than the reader may give it at face value, and I’ve come to appreciate the thought behind it, despite my initial confusion.

Finally, the last story in King’s bloody good latest masterpiece is “Rat.” This tale is pretty straightforward and resonates with me in ways that are quite appealing to the more questioning nature of my profession. Our main character for this one is an author who, despite years of trying, has only completed a few short stories, and has never been able to keep the words working for him long enough to complete a novel. This, we learn, is his greatest dream.

His own sanity, even, seems to hang in the balance at times if he can’t get at least one novel completed. As an author who often takes years to write novels, I feel that yearning in a very real way. Drew, our would-be novelist, finally gets an idea that he thinks he can truly carry through to completion and decides the best course of action is to take himself and his idea to a family cabin in the woods near the Canadian border for a few weeks, leaving his family and every day life behind.

A storm rolls through while he is there, and between that and coming down ill, Drew finds himself stuck miles from anyone who can help him with a partial novel and an unraveling idea. This fact is something that creates an anger and an almost urgent panic in Drew. While not quite to the level of Jack Torrance, it is still pretty rough going. When an almost fairy-tale encounter leaves Drew with a decision that could change his entire life, King brings the story home with a bit of horror that only the master could muster.

The situation in this story presents the reader, especially if that reader is an author who has struggled to get words from mind to matter, with a situation that gives you chills for days. I absolutely loved this one, and even though I am a huge fan of Holly Gibney’s journey and her first solo outing, I have to say “Rat” is my favorite story in this four-pack. I am also very pleased with the presence of said rat in the cover, featured above. Not my art work, just a photo of the book on my desk!

Overall, If It Bleeds is quite a good book, and well worth the read. King still has a talent few to grab my attention like few authors can. If you are interested in a good collection of short stories/novellas, I highly recommend this one. If you’re already a fan of King, this book will not disappoint, and if you’re just looking to get into his writing this is not a bad place to start. Granted, the story “If It Bleeds” may confuse you since you won’t the character histories or completely understand some of the references, but that’s a horse of a different color.

I look very forward to seeing the next King works rolling out later this year, and I will probably have to dive back into an oldie-but-goodie very soon to satiate that need for more horror! If you have any suggestions for either my book reviews, or just for me to read in general, feel free to comment or reach out! Until next time: Happy Reading!

Starting the Year Strong

Happy Monday, everyone! I hope January has been a good start to a new year for everyone. I know the world is still going through quite a difficult time right now, and we are seriously adjusting to what may remain the new norm for a very long time.

Personally I have found the year already has a lot to offer, and I have had a pretty amazing couple of weeks. As I have announced in earlier posts, I recently published my novel, Moonlight, (buy it here) and it has already been moving pretty well. Several copies have been purchased from all over the place and reviews are starting to come in, making me very happy.

For everyone who has read the book and left reviews, thank you. Reviews are one thing that breathe life into the work of an indie author. So many platforms that allow indies to host their works use algorithms that are based on reviews to promote works. If work A has 300 reviews, but work B only has 100, work A will be promoted to a much broader audience. Even if the reviews are worse for work A. It’s not the most helpful, by any means. I know a lot of people may not be interested in providing online reviews and feedback about the books they read, whether they liked it or not, but it is a very important step in today’s digital world. That being said, if you have read the book, please leave a review either on Amazon, as linked earlier, or on Goodreads here.

Saturday I actually had my first book signing event of the year, at a local store opened by some college friends. Appalachian Books, in lovely Norton, Va., hosted the event and held a live stream where I read a sample of the book and had a chance to answer some questions about my work and my methods. You can view that video here. It was an incredibly humbling experience, and an honor like no other. To be able to present and introduce my work in a local shop, so close to where the idea for Moonlight originated was nothing short of awesome.

I can’t thank everyone who attended, either digitally or in person, enough. You are all simply awesome. It makes me feel like I’ve done some good work when people are interested in getting their hands on it, and that is something that makes an author absolutely giddy. And to Appalachian Books, I can’t thank you all enough for hosting the event on my behalf, and for giving my books a local home where readers can come and get a little slice of Appalachian literature. Thank you to everyone over the years, from my mother and other family members, to my friends, to professors and mentors, who have all given me words of encouragement and bits of advice.

Most of all, I want to give a huge shoutout to my amazing wife, who has been supporting me and encouraging me to get this book out to the world for more than a year. She was right by my side when I took the book through another edit, worked out glitches and problems with my formatting, obsessed over my cover, my marketing and every other little detail I could possibly freak out about. Most importantly, she was there with me during the whole event Saturday, cheering me on and sharing the news every day leading up to it. Thank you so much, Amanda, for helping keep me grounded and keeping me confident in myself. Thank you for everything you do for me. I truly don’t know what I would do without you.

As 2021 rolls on, I hope to have more works released, and certainly will have more works finished, and I hope you will all remain on board for the ride. This week I have a few news interviews about my works, and I have some plans to hopefully bring one of my projects to a close before the end of the month as well. Again, I can’t be more thankful and appreciative of the support system I have. It means the world to me. Anyone with questions or comments, feel free to reach out, as always. Until next time, keep creating, keep reading, and keep your heads up.

Moonlight and the Holidays

Greetings, all! We are less than a week away from Christmas and several other end of the year holidays and life goes on here in the mountains. I have been writing much more lately than I did for several weeks throughout the earlier parts of the year, and I am very pleased to announce that my Appalachian werewolf novel, “Moonlight” is officially live and available for purchase internationally!

This novel, telling the story of a young man who moves to the Great Smoky Mountains and encounters a creature he never believed could exist, has been a pet project of mine for about five years. I wrote the original version of the novel in less than 3 weeks, putting pretty much everything else aside and immersing myself in the world I was working hard to create. I did research on countless versions of the werewolf legend, Appalachian myths and customs and so much more. To say I let the story take over my mind for a bit may be an understatement.

Once I had finished the book I decided to tear it apart and edit it from beginning to end before sending it to beta readers. Needless to say the story gained a life of its own. Over the last five years it has changed several times and has developed beyond my original idea into something that still surprises me on occasion. I am beyond excited to be able to present this novel to anyone who is interested, and I have set up a couple of different ways to purchase it. Of course, there is the classic Amazon purchase option here, which should allow anyone to purchase the book internationally. In addition to this, I have set up a secure purchase link that allows anyone with a U.S. address to purchase a copy of the book directly from me, with a chance to purchase either a plain or autographed copy. You can find both of those options here. I am also in talks with several local shops and vendors to host the book on their shelves and help promote local work, which absolutely thrills me. I will be happy to share more on that ASAP!

I can’t thank everyone enough for the immense outpouring of support I have gotten since announcing the release of this book. I hope you will all consider purchasing the book, and for those of you that do, I hope you enjoy the read. It is quite a journey, if I may say so. Please share this with anyone and everyone you think may be interested in such a book, and help get this one to an all new audience!

Where All Light Tends To Go

As many of you know, I am a proud Appalachian man with a serious love of literature and of my region. I try, on occasion, to immerse myself in regional pieces, and see my culture from the eyes of other local authors. I recently had the pleasure of diving into the incredible novel “Where All Light Tends To Go,” by David Joy. This amazing piece of Appalachian Literature, or Appalachian Noir as Joy considers it, explores the life of Jacob McNeely, the son of a drug addict and what passes for a drug kingpin in the small mountain town.

I’ve read several Appalachian works, and know several regional authors, and this tale stands at the pinnacle of Appalachian literature for me. I immediately felt drawn in by Jacob’s story. He is an outcast in his life, largely forgotten by a mother who spends most of her time riding her current high or pursuing the next one, and pushed aside by a father who finds him to be weak and useless. A dropout, Jacob can’t even rely on his peers for comfort.

Being from a small town myself, I related to Jacob’s plight as a young Applachian man, living in a town where opportunities aren’t exactly aplenty. Jacob feels he is limited in many ways, not the least being that, as a McNeely, he is almost instantly branded a failure. He talks several times throughout the first person narrative of being trash, nothing but trash, pure McNeely trash. Our main character perhaps it explains it best by saying;

“A name like Jacob McNeely raised eyebrows and questions. In a town this small all eyes were prying eyes.”

Joy’s writing explores the depth of the Appalachian region, while tugging the heart strings in an attempt to show the truth of the struggle some feel growing up in these beautiful mountains. The McNeelys are a family that has been condemned by their choices, their actions, and the unfortunate judgement of others. Jacob, who some say has a chance to become more, struggles throughout the entire book with the penalties associated with being a McNeely and the decisions he makes because of it.

An underlying, but interesting element of the text is the repeated conflict Jacob has with religion. From his early childhood Jacob was encouraged to go to church, his mother and grandfather religious individuals for a time. His father, whom he ends up living with, however, is not the religious type. Jacob says more than once that he doesn’t believe in God, but follows that up by saying that God doesn’t answer McNeely prayers. I found this element to be very interesting, as most Appalachian literature brings religion into the text by presenting us with the heavily (if not overly) religious individuals who do nothing but judge others based on their beliefs. We get none of that from Jacob.

Jacob’s relationship with the woman he loves, his childhood best friend, Maggie, is nothing short of remarkable. We enter Jacob’s life to see him watching Maggie graduate high school (from a distance, granted), and throughout his story he is insistent that Maggie has everything it takes to get be more, to escape their small town prison and do incredible things. In essence, Jacob puts everything into Maggie that he refuses to give to himself. She becomes romanticized and placed on a pedestal that I never could quite tell if she deserves.

I think the most heart-wrenching part of Jacob’s life is the strained relationship he has with his father. Charles McNeely is, in essence, the worst kind of person. A drug pushing, abusive, womanizing fiend with no regard for life, he neglects his child and causes pain to everyone he knows. Between his father’s treatment of him, his mother’s abandonment, and his own inability to break free of the burdens placed on him, Jacob is haunted by the pain of a broken life. His pain bleeds from the pages in places, particularly during one of the hardest hitting lines in the text, which has Jacob mentioning how funny it is that it only takes one person taking the time to show you they care for the bad things in life to not seem so bad anymore.

I have no shame in admitting that I didn’t have any idea how this book would end, but, after reading it, I don’t think any other ending would have sufficed. Although not bogged down with the supernatural, or with the inescapable horror I usually seek out, this text has quickly risen to my top ten books right now. Jacob’s journey is not necessarily one for the faint of heart, but I feel like this is a book most anyone can enjoy. Fans of Appalachian literature in particular will love this representation of the difficulties of life in a small North Carolina town.

I’m the kind of reader who loves marking passages that I enjoy so I can go back and look at them later and explore their meaning and depth. Usually I try to do this with sticky tabs that I can slap on the page right beside of my preferred quote. I have no shame admitting that I used an entire stack of sticky notes for this novel, as the featured image above shows. I will absolutely be seeking out more of Joy’s writing in the near future, and will be keeping my eyes open for a chance to meet this fantastic author and delve into his creative genius. If any of you pick up this masterpiece, I would love to know what you think. Feel free to share your thoughts in the comments or send me a message. As always, if you have any suggestions for a future review, or even just a book recommendation feel free to let me know!

I must leave you with this final line, that I am convinced will go down in history right alongside “So we beat on…” Though it gives nothing away, I have to admit it literally gave me chills. It is only a part of the power this text holds, and I’m sure everyone will love it.

“Only the middle ground of this wicked world mattered, the vast gap that stretched between, and those who were born with enough grit to brave it.”

Lord of the Mountain

Hey there, friends and fans! We’re almost through the second month of 2020 and life goes on. As always, I’m devouring new literary material as much as possible, and I recently got to read a book that is incredible to me for a few reasons.
The book in question, Lord of the Mountain, by Ronald Kidd, is a tale that takes place during and after the famous Bristol Sessions. The Bristol Sessions is the two-week recording event that took place on State Street in Bristol, Tennessee that launched country music to the nation. Ralph Peer came to the Twin Cities with the dream of finding the music that had long been passed down among mountain families – and what he found changed the face of recorded music. 

Kidd’s book deals with a young boy who lives on the outskirts of Bristol, a city divided right down the middle by the Tennessee/Virginia state line, and his fascination with science and music, despite his father’s preaching, which includes a violent opposition to music. Nate, the narrator of our tale, finds himself in the middle of inner turmoil as he struggles to find his place in the world. He is facing either a life in his father’s world, where music is the devil and the voice of God can be heard in every whisper, or a world where he is free to pursue music and science and live in whatever way he pleases. Nate finds himself attending the Bristol Sessions, and helping the world famous Carter Family as they sing the songs of the mountains for Ralph Peer’s recording machines. He later even finds himself traveling with A.P. Carter and gathering songs from other mountain folks for a time. 

I found this book to be absolutely enthralling, from the very first line, to the very last period. I yearned to learn more about Nate and his struggle. Kidd is able to capture the feel of Appalachia in a way that some authors I’ve read have not. Living less than 20 miles from the place all this happened, I loved his use of local landmarks (and it didn’t hurt that he used Bristol Public Library, my place of work, as a hub for some of his research) to help tell his story. 

Nate’s struggle and internal displacement run rampant throughout this book, leading him to often compare himself to State Street, “torn right down the middle.” Nate, a 13 year-old living in a time when the world was a very different place, often broke my heart with these statements. Kidd gave Nate a huge heart, and a huge interest in what basically put this area on the map, and I loved every word. I’ve long been interested in the history of the region and its culture, although I admittedly have a love/hate relationship with country music. Appalachian life is a fascination and a lifestyle that I am very proud to uphold, and this book does a fantastic job of celebrating that. 

I found myself write down pages and pages of quotes from the book, as I do, and I think Kidd’s writing style is amazing as well. As he travels farther away from the tent his father preaches in and deeper into the mountain songs that call to him, Nate finally sees clearly what he wants. This quote, to me, speaks volumes of his struggle and his purpose. 

“I had a new life now, or a glimpse of one. It sparkled in the distance, like the silver microphone.”

The microphone Nate speaks of here is Peer’s microphone, where so many mountain songs were sung, recording the history and soul of the region in a way that never before had been done. 

Kidd, a resident of Nashville, Tn., brought forth a tale of  heartache, soul-searching, heritage, and culture that I think anyone with a familiarity with the Bristol region will love, and anyone who isn’t familiar with the area can still definitely enjoy. Nate’s story is one that we can all relate to, having sought our own place in the world both in relation to and away from our families and those things familiar to us. I highly recommend this book and plan to read it again and again. It’s really that good. 

*Featured image: front cover of the book, Lord of the Mountain, By Ronald Kidd. I own no rights to this image.

Rejection, Revisited

Hey there, friends and fans. The first month of 2020 was a doozy, and February promises to hold a lot of changes. I plan on discussing some very interesting topics in the months to come, so keep your eyes and ears open for that.

Recently I’ve found it a little difficult to steadily produce new creative work, often having an idea and starting or plotting it and just falling off the trail again. Or worse, falling back into the trope of over-editing, which I mentioned in a previous post. Through the month of January I began querying for two of my completed novels, as well as sending new pieces to various magazines and contests, trying to revamp my writing efforts and reawaken my own self-esteem and passion for my writing.

As many of you know, that game is a hard one to play, as once you submit your query it’s the longest waiting game known to man while you hope the agents in question like your work enough to ask for more. After what seemed like an eternity waiting on some sort of response, I finally received my first one yesterday. A rejection. Not only a standard rejection, but one from the agent I felt most excited about reaching out to, given their publishing history and interests.

It goes without saying that it was a tough blow to an already damaged and strained confidence. I allowed myself to immediately fall into a minor depression, telling myself that it was obvious I should just give up and not worry about writing anymore, because it obviously just didn’t seem to be panning out.

But I took a step back. I got words of encouragement I needed from someone very important to me, and I re-read the rejection. It wasn’t your standard, run-of-the-mill rejection. The agent took the time to address my work personally, address my query even. The rejection notice told me that the work was in the agent’s genre, but it just wasn’t an exact fit. Rather than being a simple “not at this time” or “no thanks” this agent took the time to address my work and my effort with some personalization, which did help soften the blow.

The irony of the whole situation is, upon looking back in my writing and blogging history, I realized that on this exact day four years ago I received the first rejection of that year. It was a very similar situation. I had submitted a short piece to a journal that I felt particularly interested in and excited for, only to be told that the piece didn’t fit what was needed for that issue.

It brought me back to this blog post, and I have to say, it reminded me that this rejection of my novel is not the end of the world. It is not the end of my career as a writer. It is not even the only query currently awaiting response. My writing is still very important to me, and while I may not currently have the muse by in my control, the work I have already produced is something i am very proud of. So I will continue to push forward, attempting to write more, and seeking publication in as many places I can. In the meantime I encourage each and every one of you to take a look at whatever it is you’re passionate about, revisit just why it is that this thing (or these things) matter so much to you, and rekindle that flame. Refresh that connection. Strengthen the bond holding you to whatever future you are trying to create. As long as you remain true to your dreams, they can’t possibly die.

Einstein once said “you never fail until you stop trying.” That’s something I fully believe. If you don’t give up on yourself, there’s a good chance the rest of the world won’t either. So stand up and take a piece of the world, get the lead out, and make a change. It might not seem like it now, but one day this is all going to be a distant memory of your journey to absolute success

 

via Rejection