Is It Still Mine?

Sometimes as artists we have a piece that resonates with us so deeply and becomes so precious to us that it takes a very long time to go from start to finish. Now, that’s not to say that this particular piece is going to be any better or worse than any other thing that we produce, but it is just more uniquely “us”, I think. One such instance of this comes from (of course) Stephen King and his work on the Dark Tower series. King got this idea decades ago and just recently published the final piece (at least for now) of the Dark Tower puzzle. The books, a series of 7 with a stand alone follow-up, tell the tale of Roland Deschain and his urgent attempt to right what is wrong with the world by find and fixing the Dark Tower. Each book is deeper and more dense than the last and, with the exception of the stand alone (which I own but haven’t yet read), each one is larger than the last. King has called this series his magnum opus and has actually found a way to weave most of his other pieces into the world of Roland and his Ka-Tet. At the beginning of each book there is a foreword, at the end an afterword, and in almost each one King explains that the world of Roland grows a little more every time he attempts to visit it, the story becoming more complex every time he begins to work on it.

This is what I’m talking about. Speaking from experience, my own magnum opus (Maverip and its prequel/sequels) have gone through more phases than I ever imagined when the idea hit me some 9 years ago. That’s almost a decade of work. Each novel has taken me more or less three years to complete so far (yes, that means I only have two of them fully ready for beta readers), and the ideas keep coming. I can look at the notes I made when the idea first hit me, can actually still remember the experience of the idea flowing through my brain while listening to music in the car riding through the mountains on a warm summer night, and I can see how much the piece has grown and changed without effort.

But what does that mean? Has my idea gone from one thing to another? Have I butchered my own work by adding to it and allowing it to change? As an author, when that big piece comes to you and rides the years in your brain, letting every single day of your life affect the outcome and progression, I can promise you that you will end up asking that question at least once. I have asked it of myself and my work more times than I care to admit. But it’s nonsense. As I’ve talked about countless times before, when a piece that is really alive comes to you, begging to be written, it will often times end up writing itself and using you as a tool. Your ideas will put themselves on paper with little or no effort from you, with the exception of punching the keys or holding the pen and flipping the page. This is when you know that you are meant for the work and that the work is meant for you.

So why should it scare us when the work guides itself in a different direction than we originally saw? The answers may differ from person to person, but in my experience they often come back to one simple and brutal concept; Failure. We are afraid that if we can’t guide the work along exactly as we thought when we first humored the idea then we will never be able to convince someone else to read it. This is crazy. Why should we be afraid of our own abilities? The ideas that come to us in such depth that they allow us to build an entirely new world based on our own concepts are not ones that will fail us. We need to have faith in ourselves, our talents, our abilities and our ideas. Basically, we have to give ourselves artistic freedom if we ever hope to have real and true success in whatever craft we have chosen. Personally I would love to discuss this more in depth with anyone who is willing, so I would like for anyone who has felt this fear or questioned their work in this way to leave a comment or send me an email regarding what inspired the feeling and how you handled it. I hope you’ve all found this useful!

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Avoiding Negativity and Getting in the Zone

Monday’s post addressed the ways we should handle the limitations others put on our work and how best to adjust our work to fit the pubic opinion (i.e., don’t). Today I will be discussing what to do in regards to negative commentary directed at you, your craft or a piece of your work.

First of all I must make the statement that seems very obvious here. You should always do your absolute best to avoid all negativity in your life and in your craft. I know this isn’t always easy, but it is necessary if you are going to maintain sanity and continue in what you love. I also have to say this, no matter how much it pains me; sooner or later each and every one of us will absolutely have to face the negative comments of someone who doesn’t like or understand our work or our craft. There is no way around that, unfortunately. There are almost 8 billion people on this rock, and whether we like it or not, they aren’t all going to love what we do.

The negative commentary we will have to face can come at us from many different mediums and they all can hit us in a different way. I think one of the most important things I can say here about how to handle getting this feedback is that you should never let it get to you. You will have to develop a very thick skin if you hope to gain success in any public field. No matter what area you go into you will have to deal with people who may not like your particular contributions. Obviously, some of these people will be civilized and willing to have an intellectual discussion with you regarding your work, but there are always going to be those that won’t. No matter how the person giving you negativity or criticism is acting, it is always important for you to keep your head. As someone who has been known to have a bit of a temper at times, particularly when I feel something I’m passionate about is being attacked, I know that isn’t always easy. But it is crucial that you not be seen as irrational in the face of criticism. That, I’m afraid, is something a lot of us are never able to come back from.

The way you are approached has a lot to do with how you handle the situation, as I’ve said, and it is important to note that, no matter what is said to you, you should NEVER engage in an argument, especially on the internet. Being realistic, that will never turn out well. In my own experience you can tell the type of person you are dealing with from their comments and how they handle themselves in their initial attempt at discussion. Obviously if someone comments on a piece of your work and tells you that you are a talent-less hack who should crawl back under a rock and hide for the rest of his life, it would just be best to ignore that person. In regards to the shout out I made on Monday, which helped me realize the topics for this week, I don’t think you should ever apologize for your work. I understand how tempting it may be to drop a quick ‘sorry’ in when you decide to respond to someone who has made negative comments on your work, but the bottom line is that it is YOUR work. You are the one who had the idea, you are the one who developed the piece and brought it into the world, and having the ability and the courage to do that, to me, excuses you from ever needing to apologize for doing so.

Looking at your work in this way can open you to a whole new level of understanding and can make you feel that you instantly have a greater freedom in regards to the craft itself. When receiving feedback that can be construed as negative I think it’s important to look at exactly what the person is saying and how they are saying it. If they are telling you that your work is stupid because pigs can’t actually look up even though there was never even a single mention of a pig in your work, you can probably pretty quickly dismiss that person. However if someone is telling you that they found it hard to relate to your piece about overcoming depression because their best friend couldn’t overcome the problem then you have the opportunity for a candid discussion that can, if handled right, gain you at least one fan and improve the public opinion of your work. Maintaining civility and having a strong, meaningful conversation about your work here can be a great move on your part and may well set a lot of people’s opinion on what type of person you are.

In the event that your negative comments don’t come from someone sitting in front of a computer screen, your interaction is going to be that much more crucial. Face to face encounters with a fan (or someone who doesn’t like us or our work) can make or break the way we are viewed as well. If we are in a public setting and someone comes up to us and says that they absolutely hate our work and they think we made a terrible mistake by being a writer (or artist,  whatever the medium) we have to choose our reaction very carefully. In my opinion the best response to something like that is more or less “I’m sorry you feel that way”. By saying this I think you are showing respect for the person’s opinion while not apologizing for what you and your work stand for. Of course, most of this seems like common knowledge, so I’m sure we all know about how not to react to hecklers (most likely because of how we’ve seen celebrities do it). However, one very important thing I will leave you with is that you also have to learn how to react to positive commentary as well.

Whether it is in person or online when someone gives you or your work a compliment you must be able to hold your head up and thank them. You should never gloat about the success of your work (in either circumstance) and you should always be grateful to have a fan give you a compliment. Granted, this advice probably isn’t necessary since every writer I’ve spoken to still gets chills whenever they’re complimented,  no matter how famous they are. Regardless, the main point of this ranting jumble of topics is that we should always avoid negativity when possible, and whenever it isn’t possible we have to learn to not take it to heart and react in a way that shows we are capable of intellect and respect. After all, the person who wants to publish your next book might be monitoring just how well you react to compliments and criticism and the wrong response may well send them running.

 

Writing Freedom

As I was sitting down to make a post today I realized that my topic had actually been staring me in the face for a few days and had been brewing behind my eyes without me even realizing it. Last week I made a post that exceeded the “word limit” that I was lead to believe should largely be monitored when blogging. Upon realizing how far over that 600-800 rule of thumb I had gone I threw in an apology for those of you who had stuck with me long enough to make it to that point. The next day I was pleased to find a comment from one of my readers (http://heroicallybadwriters.com/ ) who told me that I shouldn’t apologize for the length of the piece because it worked and was a strong post. This really made me feel good and got me thinking in the back of mind about how often we are subjected to standards, rules of thumb and general restrictions and negativity that our work should never be bound by.

A good author can pen a story in as little as two words, should the story only take that many, but the same author can need to use thousands of pages to tell the story the way it deserves (and demands) to be told. Neither of these is more correct than the other and neither of these is necessarily better than the other. Every story is unique and every story has a certain amount of space needed to come through in its full glory. So why do we let negativity in? Negativity, of course can mean more than just listening to those who say a good paragraph only contains 5 sentences or a good story stays under 20, 000 words. It can also be those who directly insult a completed piece of your work. I think what I may do, in order to fully address both of these issues, is make them two separate posts. So today we are discussing the limitations put upon us by others and how it is perfectly acceptable to break them.

How many of you have heard, either on your own or in a class somewhere down the line that stories and letters and any other sort of writing must be kept under strict control lest it break free and lose all meaning? All of us, I’m betting, have heard this in some form or another.  But how much truth does it hold? Admittedly, words of caution like this can be very helpful in the process of training your brain in the art of professional writing (i.e. journalism, technical writing and the like) but when it comes to creative writing they do more harm than good most of the time, in my opinion.

Take, for example, the art of Flash Fiction. Yes, it is a wonderful concept and I’ve written some myself, but let’s look at the ‘rules’ behind it. Flash fiction is typically story that has to be told in under 100 words (or 500, depending on the venue in search of the piece) that must have a solid enough plot to be understood, which sometimes has to follow a certain theme. Like I said, this is a great form of art and a wonderful challenge for some writers and some ideas, but for others it can be devastating. When an idea hits it can be something that may be told in one sentence or it can literally take years of your life to write and come out in such a large hunk that it has to be split into seven books for publication’s sake. Imagine being a beginning writer who is hit with an idea that falls somewhere in the middle of these two examples who  tries to write that idea for a flash fiction contest somewhere. The process of trying to cut down huge, multi-faceted idea like that into a manageable 100 word piece may be enough to send the poor soul right out the door and prevent them from ever writing again.

As another example, let’s look at a magazine that really inspires someone and allows them to come up with an idea that they absolutely adore, but maybe falls just short of their 2,500 word minimum (yes, they do exist). This person may spend hours or days hacking at their story and trying to add enough material to make it reach this limit only to find that the story no longer resembles the masterpiece they originally felt it was.

Both of these examples may seem like they’re easily avoidable, but that’s likely because you’ve been in your craft for a long time. Once these two beginning authors took the time to examine their possibilities, I would hope that they would see there are other avenues for their work and they would move forward, but trust me when I say that isn’t always the case. Obviously, a good portion of the lesson to be learned from those two examples is just as much to do with finding the right place for your work as it is about breaking the limits put on you by others, but the true lesson is that we have to learn the work itself. We have to able to set it free. There will never be a time that our work will set limits for us, so why should we adhere to limits others try to set on it?

Art is about freedom of speech and creativity and allowing our true selves to explore parts of the world that we haven’t before, right? Of course. So if we start a story and immediately try to put chains on it and tell it that it can only do so much, it will never be a piece that fully satisfies us. Of course, looking at grammar rules and standards of language and syntax and everything else is what we, as authors, should do, but if Faulkner had decided to write The Sound and the Fury without using stream of consciousness because it didn’t follow standard rules, where would the book be now? What would it be? Would it have any real standing in the literary community as a record breaking piece that truly allowed us to see into the characters’ point of view? Probably not.

My point here is that while, yes rules for writing and for art can be very helpful and useful, no piece should ever be changed from what it wants to be in order to fit the rules, especially if those rules limit it and change its meaning. When you are taken by a piece and it comes out in its full glory and your final product is something that doesn’t adhere to rules or guidelines made for other pieces, don’t fret. Your work knows what it is doing. Sometimes the guidelines laid down for art are really little more than that. Guidelines. There are guidelines everywhere in life. Obviously some are more important than others, but some – like those involving the arts – can be bent. While it is absolutely crucial to drive on your own side of the road and follow traffic signs, it’s more than acceptable if we read the newspaper out of order or sleep for less than 8 hours a night. Yes, guidelines are important, but as an artist you should NEVER allow someone else’s opinion control your work. Editors and agents will work with you to improve a final piece, yes, but under no circumstances should you be afraid to write a piece the way it needs to be written because you think someone else will judge it in one way or another.

Art is about freedom and power and idealism and more things than I can possibly name here, and in no way should you try to restrict your creative abilities because you think your final product won’t fit into one genre or another. So the next time you are overcome by an idea and you want to let it out, don’t try to put a leash on it so it will fit someone else’s idea of a ‘good’ piece. Don’t put your work under a microscope and change it if that change alters the meaning of the piece itself. Allow your work to run free. Allow it to be what it is meant to be. It will make you much more satisfied in the long run and will allow others to be blown away when taking it in. Because, no matter how much we may doubt it or be told otherwise, there will always be at least one person out there who would love to have our work as it is meant to be see. Why should we deprive them of that?

Rejection

This is a word that strikes fear and dread in the heart and mind of any artist who wants their work to be viewed and enjoyed (and, honestly, the vast majority of us do. I think it’s King who likes to remind us that writers write so the work can be read!). The mere idea of rejection can discourage more people than exist on the market as a whole. Many of us who aren’t all that scared by the idea of rejection become terrified of what might happen after we actually do receive one. Does it mean we are failures? Does it mean we will never become the master of our particular trade? Does it mean that no one will like our work and we should just go off the grid and never let our faces be seen by another living human again? NO.

Rejection can be the thing that holds aspiring artists back from attempting to get their work out on the market and, for those who do make the attempt and feel the terrible weight of the rejection, it can be the thing that kills their ambition to ever try again. But why? We can look at the wide world of art and literature and see that everything big on the market obviously has some level of following, whether we are particularly fans of it or not. For that matter, how many times have you gotten your friends or family to watch, read or listen to something that you love only to have them tell you it’s not up their alley (whether saying it that nicely or not). Why can’t it be that way with our work?

When looking at the world through our own eyes we often see that we want or like things of a certain type and we think that no one else can possibly see it a different way – until they do. So why can’t our work be a part of this same reflection. There are things we love and things we hate, but no matter how we feel about something, there are countless other people in the world who may feel the exact opposite. We may be absolutely in love with our latest piece of work and feel that there is absolutely no way anyone can feel any different about it, and when we realize they do we think that that’s it. Once we’ve received one rejection it is so easy to imagine that no one will ever like that piece (or, depending on your level of self esteem, any of your work at all), and give up on it.

This is absolutely ridiculous. If we can like something that no one else does – or more so if someone else can like something that we don’t – why do we tell ourselves that one rejection on one piece of work is doom for our whole career? Now don’t get me wrong, I’m just as guilty of this as anyone else. The first time I submitted a piece I was 17 years old and I submitted it to a very large publication that I was more excited about than I can describe. The work in question was my very first completed short story (which, despite not being my best piece by far, I was very proud of) and I waited somewhere between three and six months for a response. When I finally got it and tore it open my heart collapsed as I read my very first rejection. It was simple, some would even say cold, saying that they could not use my work in their publication. There was no personal touch, not even an actual signature, just a stamp. I was devastated. I felt like I was wasting my time with the story ideas flowing through my head – at first.

Soon the defiance that makes up a good portion of my character came back full swing and I put the feelings of humiliation behind me, as hard as it was, and kept writing. After all, being a King fan, I knew that when he was first starting out he received so many rejections that he had to put them on his wall with a railroad spike because a nail stopped holding them up. So I wrote more, jotting down my ideas in notebooks, putting them in my phone, even literally writing one or two on napkins while at work one day when I forgot to bring a notepad. But I was still wounded. I didn’t attempt another submission for around two years. I finally broke down and submitted to the Clinch Mountain Review, the literary and arts journal of the college I was attending at the time. I did this in a hurry, submitting a piece that I had written in the span of a few hours (a piece that actually weighed my mind down so much that by the time I could start writing it I was tired of it already) on the last day of the deadline.

I wasn’t thrilled that this piece was the only one I felt ready to try with, but I sucked it up and sent it out, knowing if I didn’t get back on the horse at that point, I may never do so again. Barely two months later (if memory serves) I received the notification that this piece, a piece I felt was unworthy of any recognition, had been accepted into the journal. This piece actually got published, and became my first ever publication. I wasn’t fond of the story at all when I submitted it, feeling that it wasn’t my best work by far. I still feel this way, but imagine the feeling I got when I realized if the piece that I thought may be one of my worst was good enough for publication. Elation doesn’t even cover it. I held on to that feeling with each subsequent attempt I made at publication and, until yesterday, I had only received one other rejection in my writing career.

Earlier this month I went on a bit of a submitting spree, sending pieces out to the wind and hoping to expand my audience and get more recognition, etc… Yesterday I received an email telling me that one of the pieces I felt most confident about had been rejected. The editor told me that he felt humbled to have read the work but couldn’t find a place for it in the Spring edition of the journal. It was that little twist of irony that inspired this post actually (and I’ve since been inspired to write two more for the future; one on personal rejections vs. impersonal and one on works you like vs. ones you don’t. If you’re particularly interested – or uninterested- in either of those posts let me know), because I find it moderately hilarious, if a little frustrating, that my first publication was a story I didn’t like and my first rejection of 2016 was a piece I felt pretty confident in.

One way or the other, I think the point of this post has been made to you all. Opinions are unique to each and every one of us, just as our fingerprints and thought processes are. We can be absolutely in love with something that everyone else we know despises, but that’s fine. There are over seven billion people in the world (as I so love to remind you all) and the chances of every single one of them feeling the same about ANYTHING, particularly your work is just preposterous. Of the people on this planet there are going to be some who adore your work, and there are going to be those who despise it. The goal is to find the right group and let them enjoy your piece, even if it isn’t your favorite. Don’t let the idea of rejection cripple you, and don’t ever give up just because you’ve been rejected. Whenever you feel things aren’t going to get better just remember that a dozen publishers rejected Harry Potter- or do what I do and remind yourself of King’s railroad spike and realize that, if you don’t give up one day it WILL happen for you. You’ve just got to have faith and find your audience.

Beating the Monday Blues

Mondays suck. Lets face it. But that doesn’t have to stop us from doing great things. We, as artists and writers, really need to give ourselves a bit of a schedule to follow. Some authors will find themselves needing a more strict and rigid schedule. Throughout history there are some authors who have stated that they wouldn’t let themselves do anything else until they had typed X amount of pages or written X amount of words per day. This can be quite a daunting idea for some us and for others it can honestly be nearly impossible. If we don’t have a set schedule at work it can be very hard to try and have a set schedule with out writing. This can lead us to breaking any type of schedule we may try to set. That’s not good at all.

Other of us (myself included at times) don’t like trying to demand ourselves to meet a certain deadline. Granted we may sometimes be under contract and actually have a deadline, but that doesn’t mean that we can just force ourselves to vomit out a certain amount of work just because it’s what we say we need to do. Part of this can be fixed with the inspiration I so love to write about. Even while typing this I am listening to music on my old Mp3 player to make sure I stay motivated despite the feeling of inspiration that I’ve had today. I have used the music on this player to help me write and focus on my craft for so long that I’ve had to change players three of four times because I’ve worn some of the others out and just ran out of room on one.

But we do want to continue performing our craft at the level we are now and we do want to improve. We may find it hard, or even impossible to do that if we let the world get in the way of our productivity. Yes, it’s Monday, and yes that means we are going back to work and/or school and are feeling the typical mourning over the loss of the weekend, but Mondays can be positive as well. Mondays can symbolize the beginning of a whole new week of work. This can be the week where we tackle that hard chapter and vow to gain something from it. Or maybe this is the week we complete that particularly hard painting or song. Maybe it’s even just the week we convince ourselves to pick up the tools of our trade and produce SOMETHING. Mondays can be real downers. They can kill our spirit and motivation and bring us so low that we don’t even have the ability to produce anything at all that week. But they can also mean a lot. They can be the day we start the ending to our latest novel, or start that new painting, or the day we start writing our own music instead of just learning what has already been done. Monday may come at the worst possible time, but it can also bring us a never-ending realm of possibilities. Don’t waste them!!!!

An Incredible and Humbling Experience

Hey there friends and fans. I hope you are all doing well and that your craft and passion is going smoothly. My own work has been up and down as usual, leading me to feel a bit of self doubt and woe, made all the much worse by the fact that I have graduated college for the second time and still find myself having trouble getting full-time employment. But I digress.

As many of you may know or have remembered, this weekend brought one of the things I most look forward to in the year; the Appalachian Heritage Writers Symposium. I first started attending the symposium four years ago and quickly fell in love with it. The opportunities provided by this convention are almost endless. A large portion of the Appalachian Heritage Writers Guild are present every year. These individuals are all successful authors, many of whom have a good portion of publications under their belts. The symposium consists of two days worth of workshops where these authors are asked to present and teach about an element of the craft, a specific genre or something of the sort (publication, editing, etc…always something that will be helpful to other authors). Each year there is one, at least slightly more famous, author who is asked to be the keynote speaker.

My personal experience with this symposium is that it is wonderful. Each year I have left the events feeling more confident in my work, my abilities and my future as a writer. In fact, some of you may remember that it was the symposium itself that led me to creating this very blog. How’s that for awesome? Anyway, this year’s experience was one that stood apart from my three previous ones for a number of reasons. Lately I have been a bit worried that my work isn’t quite up to par, that I haven’t accomplished anything, that I haven’t done anything positive or made anything of myself. I now realize that is because I haven’t done it all yet. My list of accomplishments (please forgive me here, I’m not trying to boast. I’m merely trying to show you all that accomplishments aren’t just huge goals or obstacles to overcome) is fairly large. As a student I was managing editor of a literary journal for two years and head news writer for a newspaper for one, because people had confidence in my writing. I have completed two of the three (or four) novels in my Maverip series. I have graduated college twice. The list goes on and on.

I came to this realization because of the symposium. This year was particularly unique for me for a couple of reasons. One; I was asked to present a workshop. Me. The guy who feels like he’s a failure at least half the time. Members of the committee asked me if I would lend my expertise in the field of the supernatural to do a panel on Zombies and the Un-Dead in relation to Appalachian Literature. I humbly accepted and worked hard on a presentation that I may discuss later this week.

It was a success. People from all walks of life- at least one of whom was not the least bit interested in the topic until hearing me speak on it- attended and raved about the workshop. I had a number of people tell me how great it was and how much I made them think. One even thanked me for the ideas I had given her. On the second day I had people who had been unable to attend my workshop approaching me throughout the entire day telling me they’d heard such wonderful things that they wished they’d prioritized better. This made me feel like I was doing something right. I was beyond humbled to have these successful authors suddenly become my peers, while others became my temporary students. And the feeling that I was absolutely blessed only grew as I got the compliments I’ve mentioned. But one experience remains.

This year’s keynote speaker was the author Jeffery Deaver. For those of you who don’t know, Deaver is the author of the book The Bone Collector (and many more). I was able to get this genius’s autograph, speak to him face to face and even take a selfie with him. But the true humbling and mystifying part was that I got to be in a book signing with him. By that I don’t just mean that I fanboy’d and got his signature (which I did, obviously), but I was actually sitting at my own table, with some of my work in front of me, being asked for MY autograph. I literally signed my work while an international bestselling author was one table over signing his own. I’ve never felt anything like that.

I told you all of this because I was trying to make a point. I wasn’t trying to brag or exalt myself, I do promise that. My point here is this; We can’t let ourselves get down about things. No, I’m not a Nobel Prize winner yet. Not am I on the New York Times bestseller list. But I am an author. I am a good author (at least based on what I’m told). I have completed works, and even self-published some pieces on Amazon. Too often do we allow ourselves to believe that we haven’t done anything with our lives in one way or another. We are our own worst critic, and if we aren’t careful that experience can ruin us. If we wake up every day and tell ourselves that we are failures and haven’t or won’t achieve anything then we are setting ourselves ip for failure. We have to look at the things we have done, set minor goals and proceed. We are strong and we can do whatever we intend, whatever we dream. Don’t forget that. Stand strong, believe in yourself and try hard!

Support A Good Cause!!

Hey guys, I just wanted to give you all a reminder about UpLive. The site has been up and running strong since Sunday and has gotten a lot of positive feedback, but there are countless people out there who could use the type of inspirational messages we are trying to send. It’s going to take all of us working together to get it going strong and spread far and wide, so please make the effort. Go to the site, read the posts, share it with everyone you know. Share this post if you don’t want to do that. Just make sure that you help spread the message. There might be someone out there whose life really could be saved by the type of inspiration this site can give. It only takes a second to share, so come on guys, help us all out. In the meantime, whether you draw inspiration from it or not, I hope you will take the time to read the posts and appreciate the feeling behind them and the talent of those who have written them. If you like them, let the writers know. Feel free to comment and share. This is more for the public and those who need it than it is for us, either way. We don’t need gratification. We just want to help those who need it or could use it. Anyway, I hope you all had a great Memorial Day and a great first half of the week! The link to UpLive is below, please share and enjoy.

http://www.uplivedaily.com/

New Channel, Big Sale, Free Story!

Hello friends and fans! I hope you all had a wonderful weekend and great start to your Memorial Day.I am working very diligently to find ways to bring you all the sort of advice and inspiration that you enjoy with this blog, and here are some ways that I have thought of. First off, I have finished reading the first book for my book club and I’m very excited to post my commentary video on Tuesday! I sincerely hope you will all join in on the fun and take part in the discussion. In the meantime I have decided to do a few things to help my work become more available to everyone who is interested. First off; my work “The Reaper and Other Tales” is now 50% off! That’s right, my bestselling work, a collection of short stories and poems spanning over three years worth of work is now available for half price! In addition to that, I have decided to put up another piece of my work here, for you all to have and (hopefully) enjoy! The story I’m posting here is one that was inspired by the big snow storms we had here in Southwest Virginia back in February.

Also, don’t forget about the new site, UpLive, that is now up and running. My first contribution to the site will be posted on Thursday, so don’t forget! The writers contributing to this site are some very talented people, and I am honored to work alongside them. Please share the site with everyone who could use a little pick me up or some inspiration. Here is that link;
http://www.uplivedaily.com/

I hope you will all take part in my book club and share it with everyone you know, also. This can really be a huge thing if we all pitch in and join the discussion! That link is here;
https://www.youtube.com/channel/UC57mZlzf3sIL_rayJsxbFZQ

As for the sale I have begun, I hope you all enjoy the work and share it as well. If you do (or particularly don’t) enjoy the work, please give it a review. That is very important with this type of work. Here is the link to that book;

And finally, at long last, here is the story that I have decided to share with you all. Please feel free to comment on the work and give me any and all feedback on the blog and any of my efforts that you would like. Without further ado, here is the story entitled “The Last Survivor”.

The Last Survivor

Ice covers everything. Pain fills my body as the debilitating cold pierces all five layers I’m wearing, but I can’t stop. The cold is bitter, wind blowing in my face, drying my lips beyond repair. The frigid air chills and solidifies the blood that seeps from my cracked mouth. I close my eyes as I stumble on, feeling the sharp ice that has already formed over their bare, moist surfaces.

Opening them again, I see the bridge, my final destination and the stone river below it. There are no cars moving, their inhabitants long dead; murdered or frozen. The winter set in days ago, all forecasts seeing no end to the arctic freeze. I’m the last survivor of my group, possibly the last on earth. And I feel so alone. The railing of the bridge is coated in ice. I can barely climb on. Stripping off two coats, I prepare myself. The river below is frozen solid, the water still and unyielding.

The wind pierces my skin now as I lean forward, letting the frigid air swallow me up. Almost 1,000 feet below, the river rises up to meet me as the arctic air does its work. The ice takes my body as its own, I cannot move, can’t even blink away my nearly painless fate as one final thought crawls through my rapidly slowing brain. At least it will be fast…

The last survivor watches from his glass prison as the woman plunges downward. She lands ten yards from his ship, frozen in its place on the water, her body shattering into a million pieces as he feeds the last log onto the guttering fire. He can’t help but wonder, as his last few minutes of life are devoured by the flame, how long it will take for his own end to find him.

Times are changing!

Hey everyone. I know I have been absent again, but hopefully that will be changing soon. As some of you know, I’m finishing up my final year of Undergraduate education. I graduate from my good school in May, meaning I’ll no longer be a college author! This means I need a name change here for one, but it also means that I should have more time to post again, bringing the blog back to what I meant it to be! Anyway, just a heads up, friends and fans. If you have any suggestions for a new name let me know, and as always if you have any suggestions for what you’d like to see here, feel free to comment below or message me directly!!!

New Works, Benefits

Hey there friends and fans! What’s happening in your world this year? So far things have been going well for me. As you all already know I have started vlogging and writing a few new ideas. Those things are going pretty well, although I’m getting almost no views on my vlogs. It’s a good way to keep my head straight though. It helps me organize ideas and rant and vent. In a way I suppose the benefits are almost the same as those of writing in a diary or journal. I have put the links to the vlog in previous posts, so if you want to check it out, I welcome you to. Also, I have begun working on Wattpad in order to find myself in a new genre and gaining a new audience. I am working on a Fanfiction piece there. It’s a sequel to the film “Near Dark”, which is an absolutely fantastic movie. I feel it really deserves a sequel, so I took it upon myself to work on one that I hope will do the original storyline justice while giving it a modern touch.

In my experience so far, I feel like both of these are very good ways for authors and artists of just about any kind to work on their craft. It’s good to be able to vlog and share some things on Youtube, because there are obviously millions of viewers out there leaping for new things. It’s similar with Wattpad. It’s a good way to work on branching out and trying your hand at new types of work or putting a couple of chapters out there for people to read for free so you can see how well it is liked. This all being said, you have to be very careful with exactly what you share, of course. You don’t want to publish an entire novel on Wattpad and then try to get it published. People won’t want to pay for what they don’t have to. After all “why buy the cow when you can get the milk for free?” Also, you don’t want to give to many plot ideas or any huge details of any works you may talk about in a vlog. All of that, of course, is up to you. But both are helpful. I feel that, just in the last few weeks, the use of these two things has helped me to branch out more as an author, which is what you want to do. You want to gain as much of an audience as possible, which can be very hard in a world where literature and literacy are falling deep into the recesses of technological advancement. But that’s a rant I’ve had more than once, and -spoiler alert- will certainly do again in the future. Everyone, have a great night, a great week, and I’ll post my Wattpad link below. Please read, subscribe and rate. Also, remember that anyone who gives me a review online between now and April will win a free copy of my next published work!

http://www.wattpad.com/user/DameanMathews