You Know Your Work

This has been a bit of a crazy week on the writing front. I’ve been doing this for quite some time, as you all know, and it still has the ability to absolutely blow me away. The unexpected can be both good and bad, and this week I had both. I stumbled across a really great contest offer on Wednesday, and by the time I found it I had less than nine hours to format and publish a novel through a particular service.

Of course I tried it. The only real regulation was that the piece had to be at least 24 pages in print. Not too difficult, and easy to do. I went through the formatting process, created a book cover and was ready to go through with it, when the service pinged a message back my way telling me that my novel was three pages short of being able to have my title fit on the spine. Three pages. Ordinarily that wouldn’t be a problem, but for some reason it got to me.

I’ve worked on that particular title for more than a year and have gone through edits at least three times. I felt so great about it that I’d been querying agents with it and trying to look into the best way to get it on the market. But after all that time and work it still came up three pages short of being able to be identified from the side. I know it sounds silly, but it really got me discouraged. I’ve never been one to really worry about how long a piece is. I write and listen to the characters and the story itself and let them tell me when the end is coming. That’s what feels natural to me.

Don’t get me wrong here, the novel was well over the limit for the contest, and it’s not too short overall, but it does fall short of the generic industry length suggestions for the type of novel it is. As much as I  hate to admit it, that hurt a bit. I’ve written in the past about how easy it can be to get discouraged if you set yourself up to follow strict industry guidelines. Not to say that you shouldn’t listen to your agent and at least make an effort to make your book match length and style guidelines, but if it doesn’t work it doesn’t work. I had to remember that the hard way.

I beat myself up for hours. I could have gone ahead and pushed through the issue and given myself over to the possibility of ridicule (or winning), but the whole situation really made me look at the book and at myself as a writer. I felt like a bit of a failure. I spent over a year on this book, telling this unique tale that I was so proud of, and it came in at only 97 pages in print. How could that be a good book when the industry standard is at least 150 for most similar pieces, and usually at least three times that (if we’re looking at Stephen King up to ten times that length)? I stopped the formatting, stopped the editing and let the contest timer run out. I spent the rest of the day considering what it takes to be a writer, what the industry standards really mean, and whether or not my work is worth the effort. I honestly felt lower than low for a little while.

Then it hit me. I am a writer. I always have been a writer. I was meant to be a writer. What does it matter how long a book is? Can a standard formality really tell me that my work isn’t worth as much as a book that may have an extra 50 or so pages of material? If my story only calls for 97 pages to run itself through and wow an audience (my beta readers have seemed to enjoy it), then should I allow someone else’s book length determine the worth of my work? The answer isn’t just no, but Hell no. I was put on this earth to be a writer. I eat, sleep, drink, breathe and bleed literature. It is one of the biggest parts of who I am, and I don’t see that changing. So who has the right to tell me that my book is too short, or too long for that matter? The industry standard says that a book shorter than 70,000 words is too short ( my own comes in at just under 69,000) and any longer than 100,000 is too long. To clarify and put a bit of a spin on these numbers The Great Gatsby comes in at right around 50,000 words – 20,000 words less than “industry standard”, while Stephen King’s The Stand comes in at more than 470,000 words – four times the length that is considered the cutoff.

So tell me, if two of the greatest and most well-known pieces of writing of the last 100 years don’t fit “industry standard” how can my work be considered lesser quality for the same fault? Who is to say that any novel less than or greater than a certain length has less worth than others? Granted, I understand industry standard also has just as much to do with economic printing costs, etc.. It’s a harmful restriction to put on someone who is trying to get their writing to the world. When self-publishing is not the option you want to use, and agents won’t look at your work if it’s outside of their span, what options do you have?

For a new author trying to come on the scene, being told that you have to adhere to a certain length requirement can be devastating. Speaking from experience, it’s a bit of a shock to find out that a piece of work is in some way restricted based on its length. But that’s ridiculous. No one on this planet can tell you that your book has to be a certain length. When you are writing a work and you feel it flowing from you, through you, and it tells you its done – or it tells you to keep writing – that’s it. It knows. YOU know what is best. You absolutely can’t let anyone out there tell you that they know your work better than you do. That’s not to say you can’t accept constructive criticism. If someone tells you they think you could add this or add that, or take this out or take that out, it probably pays to at least momentarily consider it and not get upset – that’s the point of beta readers after all. But that doesn’t mean you have to do what is suggested. Again, no one in the world knows the story like you and no one else on the planet can tell the story the same way you can. The same goes for any type of art. When it is ready, you’ll know. There are literally people out there who have sold blank canvases as a statement – and they are loved for it. You know what a piece should be.

As an artist you are endowed with power over your work that no one else has. The idea came to you. The story is coming from you. The characters are developing within you. Without you none of it would be possible. If you ask me, that’s pretty darn special. So follow your gut, follow your heart. When the story feels done, maybe it is, even if it could fit on the back of a Cracker Jack box. If the story tells you it’s not done, but you’re looking at a piece that would put Gone With the Wind to shame, listen to it. It knows how long it should be. Never let industry standards or the expectations of others discourage you or make you feel any less incredible. You have the power of the story with you. It is entirely in your hands. If changes are suggested and you think they work, give it a shot. If you don’t agree with them, stand your ground. It’s your masterpiece. Any given piece can be your Mona Lisa. Treat it as such. Hell, what if someone had told da Vinci she should have been  blonde, or should have had glasses? Can you imagine one of the world’s most famous paintings looking any different than she does (except the Mandela Effect’s smile issue; but that’s another post).

Be happy with your talent. Use it to the best of your ability and don’t ever allow anyone else to belittle it. Your book might not fit what others expect, but isn’t that part of the point? No one can say how long a book should be. No matter how hard they try. It doesn’t work. Be confident in your ability. Don’t ever give up. I won’t say don’t get discouraged, because I know it happens, but understand why it happens. Figure out what is bothering you and figure out how to overcome it. That will help you improve more than you can imagine. The world deserves your book. There are 8 billion people on the planet, all with different personalities and desires. If someone out there is waiting on your  book to be published in exactly the way you first write it, is it fair to deprive them of that? Just do you. Be yourself. Follow your own desires and your own instinct. You won’t regret it in the long run.

What discourages you? What advice would you give others? Have you had a similar experience to mine? Leave comments and share this with others to help give someone out there the encouragement they need to do something great! Look for the review of “Powers of Darkness” on May 29! Enjoy your weekend and keep up the good work!

Life announcement and this month’s book!

Hey there friends and fans, I have to apologize for posting this so late, but it has been a crazy week. I know you all were expecting April’s book club announcement on Tuesday, but I was working on getting paperwork and everything in order so I could make another announcement. Many of you know that I have spent the last year as a county reporter for my local newspaper. During that time I have written stories on everything from local government meetings to the return of a once regionally extinct species of fish. I learned a lot during that time, but I have now accepted a position in another area that promises to be equally rewarding.

Beginning April 12 I will be a Communications Associate with the Barter Theatre. Those of you in the U.S have probably heard about the theatre, but for those that aren’t or haven’t; the Barter is the State Theatre of Virginia and has a very rich history in Abingdon. It was founded in the 1930’s and offered local farmers the chance to trade some of their excess vegetables in lieu of cash for a ticket to a play. It has always been a really amazing place to go and I am beyond excited to have the opportunity. In this position I will be doing a lot of social media marketing and interacting as well as working with advertising and general media information for the theatre. I’m excited to see what awesome things await! I hope some of you will be able to come visit the theatre and give me a shout ahead of time so I can say hello!

On another note, next week is also a big deal for me because I will be presenting my work “Lefty Smith and the Right-Handed Corn” at the opening night for this Spring’s issue of Jimson Weed, the journal I used to manage. This piece is one that I really enjoy, partly because it is my first published attempt at including local folklore in a short story. Of course this legend is completely fabricated, but it is still enjoyable to me. The event will be held on April 11 at 6:30 p.m. on the campus of UVa-Wise if anyone in the area wants to attend!

Finally, in the interest of keeping this post fairly short, I’ll tell you about this month’s book. I think the idea works very well, since the movie adaptation of this particular book comes out at the end of the month. After looking at a number of dystopian and semi-dystopian possibilities, I chose Dave Eggers’ “The Circle.” This book, published in 2013, follows the life of Mae, the newest employee of the ever-involved Circle. The book highlights Mae’s journey through an increasingly transparent life as The Circle breaks into every possible means of modern technology, even getting to the point where people are convinced to wear body cameras 24/7 in the interest of making their lives known to the public. The book explores a lot of themes, but heavily focuses on whether or not all of the convenience and involvement introduced by The Circle is actually an advantage or a problem.

As one more aside; the revamping of my collection is coming along nicely and I have decided to include some additional works, including some exclusive, never-before-seen work! I will hopefully have a rough version of this work ready in the next month or so, and I may well seek out some beta readers! If any of you are interested in that possibility, just let me know and we’ll get it figured out!

I think we’ll have a great month with this book and I look very forward to discussing the work! I apologize ahead of time if I post a little sparsely as I adjust to the change of employment, but fortunately I won’t have to deal with a 100+ mile move this time! I hope you all have had a great beginning of April, and I look forward with speaking to everyone about “The Circle,” the job, or anything else. As always, share this far and wide to get plenty of eyes on it!

Spring is here

The seasons have changed again, and it is a great feeling! The days are longer, the air is fresher, the morning birds are singing again and – most importantly – motivation is coming back! I’ve been hit with a few new ideas in the last week, and have found myself writing some new material again in what little bit of free time I have.

So far I have worked on starting two new pieces that I feel pretty positive about. For the most part these works just came to me out of the blue (one even as an interesting, albeit slightly disturbing, half-dream while I was dozing off one day) and they’re pretty interesting. I know I tend to make a similar post every spring and summer, if not every season, but to me the changing of seasons really is a magical thing. I really love to see the sunshine come back and the days start to stretch. There’s nothing like enjoying a late evening on a warm Spring or Summer night. Granted, I no longer have my private balcony to write on, but that’s a different story!

The change of seasons can work inexplicable magic in the lives of artists. Just as I’ve written before, muses and inspiration can take infinite forms, but one that works for many of us is the feeling of peace at the end of a long Summer night. Seeing the light fade as the lightning bugs start to flash through the air, and hearing the night come alive around you. There’s not much better, especially when you’re in the mountains. Of course, I don’t have much city-living to compare that to, I’ll take it at face value. Regardless, we are coming on that time again, and I’m excited for what it might bring my way. I would love to get a few more great works out and get some print material circulating.

Speaking of that, I’m still well underway on getting my Amazon collection revamped so I can get it in print. I actually have an opening to try and sell the print copies at this year’s Appalachian Heritage Writers Symposium ( June 10, 11, link here; https://appheritagewritersym.wordpress.com/ ) and I’m hoping for some great feedback.

In other great and awesome news, I wanted you guys to be the first to know that I have been accepted as a contributing author to this year’s Spring edition of Jimson Weed. Many of you may remember that this is the journal that I was Managing Editor of for about two and half years, so it’s a great honor to be back in the running as a contributor. I can’t wait to see my name in the journal again! My story “Lefty Smith and the Right-Handed Corn” was the work selected for this issue, and I’m excited for the chance to read it in front of people. It’s a story I came up with while teaching at the aforementioned writers symposium in 2015, and I’m excited to see it get some attention. It’s a very folk-tale type of work and it’s not really like anything I’ve done before. Hopefully it will be a hit!

What sort of news is happening in all of your lives? What changes are you seeing come with the new season’s appearance? What are you looking most forward to in the Spring and Summer? Do you even like these seasons? The questions are endless.

Just a reminder, my review on “The Wonderful Wizard of Oz” will go up Thursday, March 30, since this month ends on a Friday. I’m going to go ahead and start soliciting everyone for book choices for April’s review as well. I really want to reading frightening sort of dystopian-type novel this time, so wow me with suggestions! That choice will be announced on Tuesday, April 4.

Anyway, I hope you’re all well, and I look forward to seeing your suggestions and your comments on the seasons!