It Matters

Have you ever been down and out, feeling like things were going all wrong and life was a bit much, but you encountered a piece of art that changed everything? Have you ever looked on or listened to something that completely altered your mood, your mindset, your attitude, your entire day – or even your life? If you haven’t, don’t worry, you’ll find it when you need it most. And if you have, I want you to take a moment to think about it. Remember what you felt both before and after. Remember the way it felt to have everything change in that moment. Go on, I’ll wait.

There. You remember? What does it make you feel now? Grateful? Surprised? Genuinely happy for the art and artist that changed, and may well have saved, your life? Good. I want you to hold on to that and never let it go. That is what art is. That’s what it does. That is the complete and entire reason it exists. It is motivation. It is inspiration. It is emotion. It is pure, unadulterated soul laid bare on a piece of paper or in a note of music. It is the very core and essence of human life, passed down to us by God, or the universe or whatever it is you choose to believe. Art, in every form, from painting to drawing to music and literature, is here to help us and inspire us, to allow us to lay down our burdens and look into the timeless web that connects each and every soul that was, is and shall ever be in this universe.

I was taking a small social media break today, despite the damaging effects of such things on one’s creative ability at times, and one of my oldest friends sent me a video of Jim Carrey. Now, I can take a wild guess and say that your minds automatically went to one of his hilarious and memorable film roles that have been forever embedded in our hearts and minds, but that wasn’t it. It was a video of Carrey talking, painting and discussing why he paints. In the video he discusses what painting is to him and what it can be to everyone, the release it gives, the fact that it saved his mind and soul from incredibly dark times. It inspired me so much I couldn’t stop myself. I had to share it, I had to write about, I had to obsess over it.

Carrey has always been one of my favorite actors, and his influence has meant so much to me over the years. I know the things he’s been through. I’ve followed his life and career fairly closely a good portion of the time and, while I don’t fully agree with everything he’s done, I get why he’s done it.

So often people just look at the slapstick, hilarity inducing roles Jim Carrey plays, but they don’t look at the man. He does that on purpose. He understands the world around him. He understands pain, and sadness and remorse and guilt – and he understands joy. He uses his presence, his influence in the world, to instill the latter because he knows the world is torn from the inside out by all the rest. He understands that if he can make just one person laugh, get one sad human being to just crack a smile, then he has gone a great distance toward healing the human heart. And that is immensely important.

To me it’s everything. If we, as artists, can use our gifts and talents and abilities instill that same joy, that same mirth, that same sense of happiness in at least one person, then things will be better. If you can relate to the feeling of needing something, anything, to make your life a little better, a little easier, a little happier, then you need to understand why you have the calling you do. If you take nothing else away from this, remember; when you have a calling – like Carrey’s comedy and his painting, like Bob Dylan’s music, like my writing – you don’t have it or use it just for you.

You use it because somewhere, somebody is needing exactly what you have to offer in whatever form you have to offer it in. Someone out there is struggling and, when they need it most, they’ll find your work – and it will change their life. You do it because one of the best and most worthwhile things we can have is to know that we made a difference in the world. You use it to fight as hard as you can to make this agonized rock a better place than you found it. And, if you’re lucky, you’ll succeed. Even if it’s just for one person. You’ll succeed.

I had to write this blog and share these ideas with you all, because there comes a time in every artist’s life that they question whether or not their work is even worth it. Whether the effort they are putting forth is ever going to make a difference for themselves or for someone else – whether or not any of it even matters. I’m here to tell each and every one of you now that it does. It absolutely does. I’ve said this before, but it’s well worth repeating; you have your ideas and your calling because there isn’t a single person out there who can produce what you can produce. Do you think artists like Van Gogh woke up every day and felt like painting? Do you think anyone in the history of the world has ever lived without experiencing at least a twinge of doubt, depression, even outright disgust at what they do? No. But they fought through. Van Gogh battled crippling depression to become one of the most famous and most notable artists in history. Edgar Allan Poe fought depression and a lifetime of death and despair to become one of the most prolific writers to ever live. Your gift matters. Your talent matters. Your work matters. You matter. Just keep going. Never give up. Even if you don’t see it pay off, someone else will. It’s all being produced for a reason.

Jim Carrey has always been a huge influence on me, and continues to be so. I’d love to meet him, spend just five minutes of time with him. I’d never be the same. I know that some of his work has made a huge impact on me, and I’m so glad I stumbled across that video at a time when I needed it most. I hope this blog has done something to help at least one person who was going through a tough time and questioning their work. If it has, then I’ve already succeeded. Please share it where it may be needed in the hopes that someone else in need may get a glimpse of it as well. Oh, and if any of you happen to have Jim Carrey’s number, feel free to pass my info along. I’d like to thank him myself.

Have a good day, and keep up the good work, everyone.

Gwendy’s Button Box

This story is a perfect example of the amazing nature of King. He and Chizmar created a tale that is just phenomenal. The possibilities are endless with the concept they presented here, and I would LOVE to see it come back in a more lengthy work from either or both of them. I was excited to pick the novella up and I tore through it in a matter of hours. It was a very smooth and lively read that kept me guessing and kept me captivated.

Gwendy Peterson recieves this strange box from a strange man who seems to be something a little more than human – classic King characterization. I love that she just followed through with the situation, even though she questioned everything that was happening, she literally did the exact opposite of what she should have done when approached by a strange man who says he’s had his eye on her – right down to literally taking chocolate from a stranger. I loved seeing her questioning her actions and what is going on around her, but, like Pandora’s own secret-filled box, she can’t resist.

I liked the idea that this box, like many inanimate objects in King’s works, has a greater power over her life and over reality itself. Gwendy’s whole life is changed one small bit at a time. She starts to lose weight, she grows up to be a knockout, her parents stop drinking and those people who disrespect her seem to quickly get theirs. She pulls her levers and gets her silver dollars and her candy, and she avoids the buttons at all costs – until she doesn’t. The concept of a random strange box out there that contains the power to cause some sort of devastating natural disaster to any part of the world – or the whole thing – with just the push of a button is mesmerizing and terrifying. Gwendy handles that with a similar grain of disbelief, which leads to her pushing the red button for the first time.

I really loved the way the authors made the Jim Jones massacre a direct result of this curiosity. King is great at including actual historical events in his works, especially in the last ten years or so. She pushes the button after careful consideration, choosing a part of the world that was very sparsely populated just to see if it really did blow everything up. The next day she sees the story of Jones’ cult and its mass murder/suicide. The fact that King and Chizmar used this tragedy as a way to explain the power of the box was awesome to me, suggesting almost that the box itself had the power to make people go completely insane and do the most asinine things imaginable (an idea later supported by green teeth killing her boyfriend). I was interested in reading of Gwendy’s life after she accepted the true nature of the box. She continued to be affected by whatever power the box had, and she respected and feared it more than ever, not pushing the buttons again until she had to and even weaning herself off of the candy and trying to let the box be just a thing she rarely thought about.

I was a bit surprised at the way the book wrapped up after the box got its way, by causing the murder of the boy Gwendy loved. In regards to that event; I felt almost like it was like the box was telling her that she belonged to it as much as it to her, and it would not tolerate her indifference anymore. The boy who  had started making fun of her – whom the box sent on a terrible course in life – broke into her home and waited on her to come back. When she did Gwendy’s boyfriend fought to keep her safe until the box presented itself to the attacker. Gwendy gets to see the box that has sent her on this course be the very tool that takes her happiness from her. It definitely breaks something inside of her. I loved the fact that she used the red button to both kill the boy and make his body disappear. It was an insanely creative way to bring home the literal “this button will get you whatever you want” element. From this point on, though, I felt like the end was a bit rushed. We got some vague descriptions of Gwendy’s life and pursuits after those events, and then the man in black was there to take the box and be on his way.

I really enjoyed the story. I felt a lot of familiar vibes, with the nature of it reminding me a lot of King works like “From a Buick 8,” “11/22/63″and things in that vein. I love the idea that there are beings out there, sometimes with devices, sometimes without, who are charged with watching over the world and being the door between dimensions or timelines. That element has always fascinated me, so this story is definitely one of my new favorites.

That being said, the only real complaint I had was, as I mentioned, it was a bit short and the end came a bit quickly. I think it could have been fleshed out and become more novel-length, but at the same time it would really be a lot of the same thing if that were the case. Gwendy loves the box, it loves her, she forgets the box, it tortures her, etc… I would have liked to se what would have happened if she actually tried to get rid of it or destroy it. Would it have retaliated against her personally, killing or hurting her, or would it have gone after someone she loved because she was its designated protector? So many questions… I do think I would have gone a little more in depth in her life post box-murder, but that’s just me. I would like a few more words about what happened to her after, too. And, for that matter, how was she chosen? Who is the man who gave and took the box? Did he make the box or is he likewise charged with its protection? If it’s the latter, why does he give it to others to protect? I can ask questions all day, but the bottom line is this; the book was great, and I will remain somewhat hopeful for a related tale.

What did you guys think? Did you, like me, find yourself enthralled with the mysteries of the box and what it can do? What do you think of stories like this in general? If you have any suggestions of works in a similar vein, please share them. It’s right up my alley.

As always, make your comments on what you’d like to see and discuss next. I look forward to hearing what everyone likes to read, so it’s always fun for me! Also, in case you  haven’t been keeping up or need a reminder; I’ve returned to Wattpad! I’ve been using the free service to present a horror story that I’ve wanted to write for a while and to experiment with a noir detective fiction tale that I’ve gotten a lot of good feedback from. I’d love it if you guys would check any of my Wattpad works out. Don’t forget to comment and vote on the stories so they can be exposed to more readers. Check it all out here (https://www.wattpad.com/user/DameanMathews)

I hope you enjoyed the book, and I hope you’re enjoying the book club. If you have any other ideas for what sort of content you’d like to see on the blog, let me know about that, too! I’m here for you guys and I want to make sure you get what you need and want! have a great rest of July and look for my August announcement in the general vicinity of the 2nd or 3rd!

Return to Wattpad!

Hey there friends and fans, I just wanted to post this update to let you all know that I have finally made my return to Wattpad! I haven’t been on the site for more than a year, but I blew the dust off yesterday and returned to my profile. I haven’t looked into working on my old stories just yet, but instead started a brand new piece! I’m very excited about the work and I would love for you all to read it! I don’t know if any of you are involved in Wattpad, but if you are I want to connect with you there, as well, so make sure you either follow me or post your username so I can follow you!

I know that Wattpad has produced some of the world’s bestsellers (looking at you Grey….) so I’m excited to see the levels of talent that exist on the site. Who do you all follow on there? Is there a writer who has blown your mind with their Wattpad works? Inquiring minds want to know!

Without further ado, I’m going to share my story description and my username (with a link) so you can all get connected!

My username is “DameanMathews” and my story is called “The Dollhouse.” It’s an idea I had earlier this year and I’m beyond excited to get to publish it in this way. It really reminds me of the old serial novels that people used to wait eagerly for each week. Very Dickens-esque… Anyway, here’s the decription;

After moving his family to a new town 500 miles from anyone they know a struggling father stumbles across the perfect gift for his depressed daughter. Shortly after the discovery strange things start happening in the McKinrow house. But it can’t be anything serious…. can it?

https://www.wattpad.com/user/DameanMathews

Share with me and share this post with anyone and everyone you know who uses Wattpad!

I Still Can’t Breathe

Hey there friends and fans! About two years ago I had a small snippet of a story pop into my head and I wrote it down quickly, placing it both in a blog and on my Facebook page to get outside opinions.

At the time I wasn’t sure exactly where it had come from or what it meant, and I’ve returned to it on and off through the years. At this point I’m thinking it may be the inspiration for  a potentially non-supernatural serial killer story. I’ve dabbled a bit in standard fiction, and I always prefer including the supernatural and horror elements in my work, but I think this piece has promise. I wanted to share it again here, so you could check it out. I’d love to have anyone and everyone’s opinion on this short piece of writing. What do you think as you read it? What do you feel? Can you even breathe, because sometimes I can’t.  Anyway, here is the piece, please give me feedback!!

I can’t breathe. My heart is pounding, my legs are throbbing and I can’t breathe. I don’t know how long I’ve been running or how much longer I can keep it up, but I know I can’t stop. The sun has been down for what seems like forever and the faint light is still clinging to the autumn day. My lungs are on fire; my chest feels like it’s going to explode. It’s just when I think things can’t get any worse that I make a terrible decision. I glance behind me to see how close my pursuer is and my foot finds a hole I hadn’t expected to be there. I feel my ankle snap like a twig, the sound ringing out like a shot in the silence. I hit the ground, feel the wind rush out of me and grab my leg. I don’t even have enough breath to scream as I roll over, mouth open in a terrible grimace and find that my attacker is on me.

                I see now that he is brandishing a knife and realize instantly that he means to use it on me. In the faint light I notice the tell-tale stain of rust on the blade as it arcs toward me, catching the reflection of the tree line I’d intended to be my salvation just before it plunges into my chest and out of sight. My first thought, rather than of my life, is of such a poorly manicured knife and what sickness it could bring if used in a culinary fashion.  I don’t have time or energy to react to the man’s attack, and soon it’s too late.

                I feel the pressure first, like being in school and having the pencil in your pocket stab your skin when you sit down. Before I know it the pressure becomes a white hot poker of misery as split and severed nerve endings begin screaming in a hellish, tortured chorus, the warmth inside my chest spreading outwards as my blood flows from newly opened veins. My last thought is a realization that both allows and solidifies my outcome; I am dying. 

Inspiration and Determination

Good morning everyone! As you know, yesterday and Friday I was at the Appalachian Heritage Writers Symposium for yet another year. I’m glad to say that, as always, the whole thing wowed me to no end. I was able to sit in on great workshops by great authors ranging in topic from writing poetry to get the creative juices flowing to busting the myths of writing and the best way to work on getting an agent in this increasingly competitive field.

For two days I surrounded myself with other authors from all walks of life and, together, we all discussed the craft and what it takes to make it if writing is for you. I love it. Since attending this symposium I feel I’ve learned invaluable tips that have increased my prowess and allowed me to unlock my own abilities more and more each year. I am blessed each year to see that there are other people who, like me, are completely enamored with the written word and who have the same passion I do about writing. I love it.

This year, though, a lot of the workshops I attended had more to do with what to do after you’ve completed writing. As many of you know, I’ve decided to stop dragging my feet when it comes to Maverip. I’ve been working on this book for a collective 9 years. I’ve loved every minute of it, and I’ve made years worth of excuses as to why I haven’t put it out there just yet. I’ve decided, like I said earlier in the year, that I plan to combine what was originally intended to be three separate novels into one book with three parts. I plan to finish that opus this summer, and the symposium made me even more certain of that decision.

Seeing other authors who talked about having the same feelings of incredible inspiration countered, unfortunately, by days of doubt and near inability to push forward was inspiring in itself. As an author, or artist I know what it’s like to wake up and have to really push yourself to produce something or move forward with a project. That’s one place symposiums and events like this come in very handy. As always, I have to remind anyone who is struggling with this problem that one of the best ways to combat a non-productive day is to find something that truly inspires you. For me it can be music, nature, seeing someone else who had a positive experience with the craft or even going back and reading my own work and remembering how inspired I was at that time. Determination to succeed can also be one of the most powerful methods of moving forward with your work. No matter what, one thing that I always stress and something that is always pushed at these types of events is that you must never – EVER – give up. The worst thing you produce is still better than not producing anything at all.  Never let yourself fall to a lack of motivation or a negative notion. You are the only person who can produce your work, and the world deserves your work! If you’re feeling down or feeling stuck you have to remember that you have these ideas for a reason. It’s your gift, your purpose and you have to own it!

On another fun note, I was able to finally meet a fellow writer who I’ve connected with on social media. Mr. Tony Bowman, a fellow horror author, was at the symposium as well. Tony has five books under his belt so far and a great deal more that he’d like to write. His work is very good and I think many of you might find it interesting as well, so go check him out (http://thattonybowman.blogspot.com/).

So, after the symposium, I’ve decided that I am going to double down on my writing this summer and hope to have Maverip finished by the end of August at the latest. With this I also plan to develop a couple of related shorts that I will put out  either free or cheap to help make people aware of the novel. From there I plan to run through my first series of edits, and then proceed to find at least three strong beta readers. I would love to have some of you guys jump in here, if you’re willing. I need readers who will be brutally honest with me and tell everything they do or do not like. If that sounds like something you’re interested in just give me a shout and we’ll get it all set up. I hope you’re all enjoying “To Kill a Mockingbird.” That review will be up in a few weeks and we’ll move on to another book! I’d love to see more people get involved with this blog and the book club, so please share this as far and wide as possible and we’ll go down the road to publication together!

Mockingbirds, writers, and vampires!

Happy June, everyone! I’m pretty excited to get the chance to make this announcement, because this book is one of my all-time favorites. Some of you who followed my video book club a couple of years back may remember that I did a video on the book there, and I’ll probably cover some of the same talking points with this – although hopefully more in depth. Without further ado, let’s all put down the sun tan lotion and get ready to read “To Kill a Mockingbird!”

This is an absolute classic – a treasure, if you will. The themes of this book still ring so true today that it makes the piece hopelessly timeless. The morals Harper Lee intends to inspire in the reader here are just incredible. Honestly, there is little to nothing about this book that I don’t enjoy, so the discussion post for this work may be a little long in tooth, but I’m sure you all won’t mind!

I also want to remind you all that I will attending the Appalachian Heritage Writers Symposium this Friday and Saturday and I couldn’t be more excited! This has been one of my favorite things to do for the last half a dozen years or so, and every time I come out with a new outlook on the craft of writing in general and my own place in this great big literary world! Some of you may remember (I know I remind you at least annually) that I actually started this blog due to a lecture I attended at this symposium three or four years ago. It has been a great help and a great inspiration to me and my writing since I first stepped through the doors, and I look forward to what this year has to offer. I don’t think it’s too late to register, so if anyone is interested in attending a great symposium with some great regional authors, feel free to check out the details here; https://appheritagewritersym.wordpress.com

Last but not least, I have to tell you all that I have put myself into overdrive when it comes to getting Maverip ready for beta readers. I have decided that I am going to format the novel differently than previously planned, and I will be taking strides to get the project finished by the end of the year – if not the end of summer. If anyone is interested in being a beta reader for an awesome, intense vampire novel that calls back to the root of what makes a vampire a vampire, let me know and I’ll get your info ready for the day it’s complete!

Look for the Mockingbird review around June 28, friends and fans, and we’ll have a great discussion about this awesome classic. If you have any other suggestions feel free to leave them in the comments below, and if you’re interested in being a beta reader, hit me up!

The Powers of Darkness: The Lost Version of Dracula

I loved diving into this lost piece of history. Dracula has long been one of my favorite works and one of my favorite literary characters. Reading this work and watching some of the more than 200 film adaptations of the character further inspired my love of vampires and helped me decide to be a vampirologist and Dracula scholar. From the first time I read Stoker’s novel I was pulled to Dracula with a vigor I’ve never been able to (or desired to) escape from. That fascination was renewed when I got my hands on a copy of Dacre Stoker’s co-written sequel that said the count hadn’t actually died after all. When I first heard this new retwlling had been discovered by Hans de Roos and others and was being translated and released I couldn’t believe it. For years I had dreamed of  even more workings of the menacing and misunderstood figure that has become synonymous with all things blood-sucker. After reading the book I have to say that I am both very pleased and still left wanting more.

Getting straight to the point I have to say that Valdimar Asmundsson wrote an incredible alternate version of the book that has become literary staple in the past century. Heading right out of the gate I was both shocked and intrigued to see that the book took a much more conversational tone than the original (granted, I’m sure at least some of that had to do with the translation from Icelandic to English). Originally Harker was strict, speaking … er, writing…. with professionalism and personalism. Here Harker, Thomas rather than Johnathon in this case, feels a bit looser to me, as if he’s less stiff than the original.

The blatant changes in Harker’s journey were fascinating to me, too. In the original novel it feels like Harker’s trip is swift and the people he encounters very stiff and cold. This version gave us a trip that felt almost casual rather than business in my opinion. Harker was hit hardest by superstition at the last leg of his journey in both cases, however. The people in the last village he stopped at all but begged him not to go to the castle they believed to house something wrong.

Harker’s stay at the castle dominates this particular version of the novel, taking up about three quarters of the piece. He is subjected to the same strange behavior from the count, right down to the destruction of his shaving glass and the often absent host that never eats. He explores the castle on his own, as before, but now he finds only one beautiful woman, rather than three illustrious vampiric wives. He is almost haunted by this woman, her power over his mind and spirit mentioned multiple times as he spends weeks in the castle with no escape. His only saving grace is the cross around his neck. Both the woman and the count are visibly turned away by this the cross, and he mentions multiple times that he believes the cross to be what saves him from an unknown, but surely terrible, fate.

The layout of the castle is another new piece of work, as are a number of new characters. Here Dracula and his “cousin” are in the castle with a deaf, mute (and once-blind) maid and a number of strange “ape-like” men who are only mentioned once outside of the demonic cathedral beneath the castle. I loved the scene where Harker first truly sees the evil inside his host. Young women are sacrificed by the count and his ape-men in this underground altar room and Harker finally stops denying that something is wrong.

I enjoyed the way the book picked up from this point. When Harker comes to the full realization that he has to get out, I kind of felt like I was on a roller coaster. I loved the way he continued to try to be impartial to Dracula and the way Dracula became even more fiendish to him. I was a bit disappointed by the big reveal of Dracula laying in the coffin, because even here there was no mention of what exactly Harker thought might be happening.

I liked the way the second part of the book is told in a standard novel format, as opposed to the journal/letter format of the original. It made the story flow a little smoother, in my opinion. I was really thrown off by how quickly and how entirely differently the story wraps up, however. It seemed to me like Asmundsson either just didn’t like the latter half of the original, or he got bored with his own retelling. Perhaps he was unable to finish filling in his own details and decided to publish the piece as is. I don’t know. The second part of the short novel felt more like a detailed outline than an actual part of a novel. We hear of the Demeter’s crash, we hear of Lucy (here Lucia) and her sleepwalking, but we are also given the representation of a drastically younger-looking count becoming a very social figure. Mina (here Wilma) and Lucia meet the character on multiple occasions, putting me in mind of the classic Bela Lugosi Universal flick, or one of the many others that borrow from a similar story line. Is it possible someone down the line might have had this version to look at and base one of the many cinematic versions on it? The ending of the book came very quickly. There was no great chase through the European countryside, no large final battle, no real threat to the main characters. They opened his coffin and killed him. It was simple, easy and clean. In a way I felt a little robbed of what could have been done with this new version of the classic monster.

Overall, I did like the book. I thought it was a very interesting retelling of a novel most of us know (whether we know we know it or not), and I think there is a lot of opportunity to work with this altered story line (Dacre, if you read this I’d love to be in on anything that could be in the future!) and character. I enjoyed the addition of more characters in the castle, and I do think I preferred the single mysterious woman to the three. It added a  heightened sense of fear in my opinion. One woman can hide much easier than three, vampires or not. I enjoyed this more cunning and commanding version of the count. I say more commanding because we actually get to see him command a large group of his “ape-men” through a very dark ritual and that in itself added another layer to the inert fear the character can inspire.

Of the things I was less than impressed with… There is a bit of a list, but I’ll only hit the high points. Before I do, however, there was one thing that I can’t decide if I liked or disliked. That is Harker’s seeming lack of ability to understand or unwillingness to admit what is going on. Where the word vampire is mentioned in the original, this version never suggests that his host may be a vampire. He does mention the idea that he fears they (Dracula and the mysterious woman) may want to suck his blood, but he doesn’t come right out and say the word. Even after watching this blood ritual in the altar room, seeing the ape-like men drink someone’s blood, he doesn’t make this connection. I’m torn about this because, on the one hand I think it almost makes Harker out to be a fool, that he either doesn’t get it or doesn’t believe what he is seeing. On the other, it reminds me of  one of my favorite vampire movies, “Near Dark.” This movie is one of the most under-rated I’ve ever had the pleasure of enjoying. It tells the story of a roaming group of vampires that have run-ins with the law, etc… It discusses their need to drink blood, the fact they never age and heavily showcases the damaging effects of the sun’s rays, but never once in the film is the word ‘vampire’ ever used. Clever tool, if you ask me.

I think the biggest thing I didn’t like with this book was how fast paced it moved after a certain point. The beginning was well thought out, well planned, and perfectly executed, but the latter half seemed to stumble over itself. Particularly the second part of the book, after Dracula leaves his castle. I feel like the author went through Stoker’s notes and novel with a marker and highlighted what he liked and made up some of his own work, but never took the time to put the real detail into it. I was very disappointed with the absence of the Renfield character. I feel he gave interesting insight into the effect Dracula can have on the brain. Personally, I also wonder just how much of Renfield’s tendencies Harker might have taken on while in the nunnery (or if Dracula sought Renfield because he wanted a similar servant to what he expected of Harker). The possibilities with that character are endless. Finally, I was disappointed in the fact that Dracula’s death was just there.  You’re reading the book, noticing it going faster and faster, and suddenly Dracula’s dead and the book is over. As much as I hate to say it, it did leave something to be desired.

I do have to say that the foreword, footnotes and all accompanying text was very helpful, very interesting and helped make the book that much more enjoyable. It does also help pose the question of whether or not there are other alternate versions of this age-old classic out there just waiting to be discovered (aside from the Swedish version which is being translated as we speak)….

Make sure to share your thoughts on this unique piece of literary history and share this with anyone you think might be interested. Make your suggestions for future books and let’s keep the book club going! Summer is here, the kids are out of school, and it’s time for those summer reading lists, so let’s say this month’s book is going to be your favorite summer reading list pick! Leave them in the comments or message me directly via email or social media. I look forward to hearing from everyone. Keep reading!

 

 

Life announcement and this month’s book!

Hey there friends and fans, I have to apologize for posting this so late, but it has been a crazy week. I know you all were expecting April’s book club announcement on Tuesday, but I was working on getting paperwork and everything in order so I could make another announcement. Many of you know that I have spent the last year as a county reporter for my local newspaper. During that time I have written stories on everything from local government meetings to the return of a once regionally extinct species of fish. I learned a lot during that time, but I have now accepted a position in another area that promises to be equally rewarding.

Beginning April 12 I will be a Communications Associate with the Barter Theatre. Those of you in the U.S have probably heard about the theatre, but for those that aren’t or haven’t; the Barter is the State Theatre of Virginia and has a very rich history in Abingdon. It was founded in the 1930’s and offered local farmers the chance to trade some of their excess vegetables in lieu of cash for a ticket to a play. It has always been a really amazing place to go and I am beyond excited to have the opportunity. In this position I will be doing a lot of social media marketing and interacting as well as working with advertising and general media information for the theatre. I’m excited to see what awesome things await! I hope some of you will be able to come visit the theatre and give me a shout ahead of time so I can say hello!

On another note, next week is also a big deal for me because I will be presenting my work “Lefty Smith and the Right-Handed Corn” at the opening night for this Spring’s issue of Jimson Weed, the journal I used to manage. This piece is one that I really enjoy, partly because it is my first published attempt at including local folklore in a short story. Of course this legend is completely fabricated, but it is still enjoyable to me. The event will be held on April 11 at 6:30 p.m. on the campus of UVa-Wise if anyone in the area wants to attend!

Finally, in the interest of keeping this post fairly short, I’ll tell you about this month’s book. I think the idea works very well, since the movie adaptation of this particular book comes out at the end of the month. After looking at a number of dystopian and semi-dystopian possibilities, I chose Dave Eggers’ “The Circle.” This book, published in 2013, follows the life of Mae, the newest employee of the ever-involved Circle. The book highlights Mae’s journey through an increasingly transparent life as The Circle breaks into every possible means of modern technology, even getting to the point where people are convinced to wear body cameras 24/7 in the interest of making their lives known to the public. The book explores a lot of themes, but heavily focuses on whether or not all of the convenience and involvement introduced by The Circle is actually an advantage or a problem.

As one more aside; the revamping of my collection is coming along nicely and I have decided to include some additional works, including some exclusive, never-before-seen work! I will hopefully have a rough version of this work ready in the next month or so, and I may well seek out some beta readers! If any of you are interested in that possibility, just let me know and we’ll get it figured out!

I think we’ll have a great month with this book and I look very forward to discussing the work! I apologize ahead of time if I post a little sparsely as I adjust to the change of employment, but fortunately I won’t have to deal with a 100+ mile move this time! I hope you all have had a great beginning of April, and I look forward with speaking to everyone about “The Circle,” the job, or anything else. As always, share this far and wide to get plenty of eyes on it!

We’re off to see the wizard

I hope everyone enjoyed this month’s book. It was definitely a treat, as most books are for me. This month, of course, we read L. Frank Baum’s “The Wonderful Wizard of Oz.” I have to make the obvious statement here and say that the 1938 musical has surpassed the book in popularity for the most part. Because of this it was a little difficult to differentiate between the two at first. Once I began reading the book again, it became pretty easy to notice the difference – particularly Dorothy’s projected age and the entire ending of the movie. I also have to make a full disclaimer here; the movie has long been one of my favorites (the Cowardly Lion being my favorite character, if you’re wondering), so this was great!

No matter the differences, I really enjoyed the book. Baum presented a world that both called for a lot of description and didn’t need much at all. The great thing about this book is the matter-of-fact nature of it all. Baum presents the book in a quick, easy, conversational tone. When he’s describing things like the lion, the Emerald City, the Munchkins, he does so in such a way that we don’t have to think about it. He presents the descriptions of his world so simply that we don’t even question what we’re reading. That’s the mark of not only a great children’s book, but a great author in general. He doesn’t overdo it, he doesn’t underplay it, he just SAYS IT.

The witty remarks by the scarecrow remain one of the best parts of the book, in my opinion. Satire was a strong part of literature at the time this book was published, and I loved seeing it float across the pages here in the dialogue of the “brainless” character. Scarecrow considers himself stupid, but remains one of the smartest characters in the novel. His comments on intelligence and nature are something that really leads the book in some parts.

The story of the tin man is very fun to look at here as well. The wicked witch cursed his axe and caused him to cut himself to bits, but he somehow managed to be rebuilt out of tin. Ironically enough, the craftsman managed to put his brain and nervous system into the tin body, but somehow couldn’t figure out how to make the heart work. But again, that’s a kid’s book for you.

The really interesting thing about the book, for me was that Dorothy was cool with all of this. She went about her way in Oz barely questioning anything, which takes me back to Baum’s style. We don’t question, because Dorothy doesn’t have to. I think the characterization here does speak to a difference in the personality and upbringing of children now compared to 100 years ago. Dorothy’s house gets picked up by a tornado and she just goes to sleep and wakes up in this random place with a bunch of little people to find out her house landed on someone and killed them. Now any one of those things would be enough to cause a kid to freak out and need all kinds of therapy and everything else. Dorothy was like “Oh bother. I bet Aunt Em misses me. Let’s set out across this weird country and ask a wizard for help.” Granted that was more or less her only option (unless of course we look a little deeper into the fact that the good witches knew the shoes could send her straight home but chose to endanger her life rather than just tell her), so it’s a little understandable. But honestly, even in my mid 20’s I can’t say that I wouldn’t freak out at least a little in a similar situation.

I wasn’t overly wild about the speed of the book, I must admit. It may just be me, but I felt like we were no sooner introduced to a new, weird species of animal of some strange race of people than they were little more than a memory. For instance we come across the hammer-heads and within minutes Dorothy calls on the flying monkeys to help them out. The entire scene involving the new race lasts maybe two pages and we barely have time to digest their existence. I’m aware there are a ton more Oz books, and these characters may come back, but it was  little off putting to see that buildup only result in  a couple of lines of description, almost no dialogue and then they’re a thing of the past. This happens a few times in the book, and it kind of makes it feel like Baum runs through it a bit too quickly. It could be fleshed out a fair amount, in my opinion. But that’s alright. It all works out in the end, and gives us a very beloved book.

What did you guys think? Are you fans of the classic? Or would you just as soon stick with the movie? Do you like the way the children’s book element plays out here? Hopefully you’ve been enjoying the book club and enjoying the books we cover. As always, I look forward to next month’s selection and I hope to hear all of your opinions about it. This month I want to look into a good dystopian work that can really make us think about the state of the world. In other words, let’s get paranoid! Make your suggestions below or message me! Tell me what you thought of the book and let’s keep reading, guys. Share this as far and wide as you can and help me get eyes on it!

Spring is here

The seasons have changed again, and it is a great feeling! The days are longer, the air is fresher, the morning birds are singing again and – most importantly – motivation is coming back! I’ve been hit with a few new ideas in the last week, and have found myself writing some new material again in what little bit of free time I have.

So far I have worked on starting two new pieces that I feel pretty positive about. For the most part these works just came to me out of the blue (one even as an interesting, albeit slightly disturbing, half-dream while I was dozing off one day) and they’re pretty interesting. I know I tend to make a similar post every spring and summer, if not every season, but to me the changing of seasons really is a magical thing. I really love to see the sunshine come back and the days start to stretch. There’s nothing like enjoying a late evening on a warm Spring or Summer night. Granted, I no longer have my private balcony to write on, but that’s a different story!

The change of seasons can work inexplicable magic in the lives of artists. Just as I’ve written before, muses and inspiration can take infinite forms, but one that works for many of us is the feeling of peace at the end of a long Summer night. Seeing the light fade as the lightning bugs start to flash through the air, and hearing the night come alive around you. There’s not much better, especially when you’re in the mountains. Of course, I don’t have much city-living to compare that to, I’ll take it at face value. Regardless, we are coming on that time again, and I’m excited for what it might bring my way. I would love to get a few more great works out and get some print material circulating.

Speaking of that, I’m still well underway on getting my Amazon collection revamped so I can get it in print. I actually have an opening to try and sell the print copies at this year’s Appalachian Heritage Writers Symposium ( June 10, 11, link here; https://appheritagewritersym.wordpress.com/ ) and I’m hoping for some great feedback.

In other great and awesome news, I wanted you guys to be the first to know that I have been accepted as a contributing author to this year’s Spring edition of Jimson Weed. Many of you may remember that this is the journal that I was Managing Editor of for about two and half years, so it’s a great honor to be back in the running as a contributor. I can’t wait to see my name in the journal again! My story “Lefty Smith and the Right-Handed Corn” was the work selected for this issue, and I’m excited for the chance to read it in front of people. It’s a story I came up with while teaching at the aforementioned writers symposium in 2015, and I’m excited to see it get some attention. It’s a very folk-tale type of work and it’s not really like anything I’ve done before. Hopefully it will be a hit!

What sort of news is happening in all of your lives? What changes are you seeing come with the new season’s appearance? What are you looking most forward to in the Spring and Summer? Do you even like these seasons? The questions are endless.

Just a reminder, my review on “The Wonderful Wizard of Oz” will go up Thursday, March 30, since this month ends on a Friday. I’m going to go ahead and start soliciting everyone for book choices for April’s review as well. I really want to reading frightening sort of dystopian-type novel this time, so wow me with suggestions! That choice will be announced on Tuesday, April 4.

Anyway, I hope you’re all well, and I look forward to seeing your suggestions and your comments on the seasons!