Creature

If It Bleeds

/ Damean Mathews, Author / Leave a comment

Happy book review day, everyone! It has been a little while since I’ve gotten to dive in and review a good book, but that’s something I definitely want to do more of as the year goes on. What better way to start the reviews back up than by discussing the latest book by one of my all time favorite authors?

The latest Stephen King release If It Bleeds is a collection of four short stories in the vein of Four Past Midnight, another masterpiece if I may say so. The thing that drew me to this book most was a stand alone title story featuring our favorite semi-neurotic citizen private eye, Holly Gibney. This story, the third in the book, gives Holly the chance to lead her own investigation rather than just assist in others. Holly uncovers the truth about a villain, similar to one she has encountered before, that has been hiding in plain sight for quite some time. I really loved this story because I feel like it really gave us a chance to dive into Holly’s everyday life without Bill Hodges or Ralph Anderson or anyone else there to hold her hand or keep her in check.

I feel like King has done a fantastic job developing Holly’s character and allowing her immense growth. She still isn’t the most sure of herself at times, and she still has to struggle with some of her freedoms and every day situations, but it is a fantastic new situation for Holly. I feel like her obsessive compulsive tendencies absolutely helped her in this story, and I sort of have to commend King on that. So many times OCD and similar disorders are seen as handicaps, crutches, or hindrances, but I love stories and characters that actually use them to an advantage. I feel like Holly has absolutely been allowed to do that.

In addition to the character development, I feel like this idea was immensely original and, although it showed us a new version of a villain we’ve seen in the past, it presented a very new story. I sincerely hope King gives this particular type of villain a fuller story, with more detailed explanation of where and how he/she originates. And, yes, I am being vague on purpose. I won’t spoil too much for this story. The last thing I have to say about the title story is that it makes a lot of sense after delving into it. As a former journalist the old statement “if it bleeds, it leads” has a lot of meaning to me, and every story in this book fit the mold, this one in particular, of course.

Going back to the beginning, the story “Mr. Harrigan’s Phone” gives the feeling of familiarity to me, but still provides some originality. Presented in a marvelous bit of first-person point of view, it tells a seemingly simple story starting out. A young man who works for an elderly gentleman in the beginning of the smart-phone era helps introduce the rich mogul to the wonders of modern technology. We get a relatively innocent view of the young man’s life right up until his benefactor’s death, when the young man decides to bury the man’s phone with him. From here we get to experience something that King loves to play with; the possibility of life after death, or existence within and beyond the grave. I won’t give anything major away, but I feel like I got some Gwendy’s Button Box vibes from this story for sure. Kind of an “ask and ye shall receive” sort of mentality that sends our narrator on a mental and emotional roller coaster that is not easy for him to handle.

Some first-person stories have a feeling of strained placement and conversation, in my opinion, but I feel like King is very good at writing in that point of view. I don’t often feel like it’s difficult to stay in the mind of his characters like it can be for some stories in that POV. I enjoy the call back to a simpler time as well, as old as that makes me sound. Remembering the early days of smart phones when everyone wasn’t so used to having an information terminal in their pockets was a bit refreshing.

The second story in this book, “The Life of Chuck,” presents us with an idea that wasn’t explicitly presented up front, but one I figured out by the end of the first section of the story. As much as I want to be ambiguous about this one and not give spoilers, I am having a hard time with that. It’s so difficult not to commend King for putting such an immense view of life on paper. I, like most I assume, was very confused about the story when I first dove in. We are thrown into the tale of a man driving home from work (as a teacher of all things. My, how things come full circle.) in a sort of apocalyptic seeming world. All we know really is that there are sinkholes opening all over the city, food is scarce, transportation is a mess, communications grids are collapsing, the internet has crashed and is not having any consistent luck rebooting and similar things. Our main character first notices a strange new billboard (39 Great Years, Thanks Chuck!) on his way home, and soon starts seeing this same message everywhere, but no one he encounters seems to know who Chuck is.

The story goes on until we do meet and encounter Chuck, learning along the way a lot about the man and his tenure. I feel like the central idea here is something much deeper and philosophical than the reader may give it at face value, and I’ve come to appreciate the thought behind it, despite my initial confusion.

Finally, the last story in King’s bloody good latest masterpiece is “Rat.” This tale is pretty straightforward and resonates with me in ways that are quite appealing to the more questioning nature of my profession. Our main character for this one is an author who, despite years of trying, has only completed a few short stories, and has never been able to keep the words working for him long enough to complete a novel. This, we learn, is his greatest dream.

His own sanity, even, seems to hang in the balance at times if he can’t get at least one novel completed. As an author who often takes years to write novels, I feel that yearning in a very real way. Drew, our would-be novelist, finally gets an idea that he thinks he can truly carry through to completion and decides the best course of action is to take himself and his idea to a family cabin in the woods near the Canadian border for a few weeks, leaving his family and every day life behind.

A storm rolls through while he is there, and between that and coming down ill, Drew finds himself stuck miles from anyone who can help him with a partial novel and an unraveling idea. This fact is something that creates an anger and an almost urgent panic in Drew. While not quite to the level of Jack Torrance, it is still pretty rough going. When an almost fairy-tale encounter leaves Drew with a decision that could change his entire life, King brings the story home with a bit of horror that only the master could muster.

The situation in this story presents the reader, especially if that reader is an author who has struggled to get words from mind to matter, with a situation that gives you chills for days. I absolutely loved this one, and even though I am a huge fan of Holly Gibney’s journey and her first solo outing, I have to say “Rat” is my favorite story in this four-pack. I am also very pleased with the presence of said rat in the cover, featured above. Not my art work, just a photo of the book on my desk!

Overall, If It Bleeds is quite a good book, and well worth the read. King still has a talent few to grab my attention like few authors can. If you are interested in a good collection of short stories/novellas, I highly recommend this one. If you’re already a fan of King, this book will not disappoint, and if you’re just looking to get into his writing this is not a bad place to start. Granted, the story “If It Bleeds” may confuse you since you won’t the character histories or completely understand some of the references, but that’s a horse of a different color.

I look very forward to seeing the next King works rolling out later this year, and I will probably have to dive back into an oldie-but-goodie very soon to satiate that need for more horror! If you have any suggestions for either my book reviews, or just for me to read in general, feel free to comment or reach out! Until next time: Happy Reading!

Learning Dracula

/ Damean Mathews, Author / Leave a comment

Hey there, friends and fans! I hope things are going well for you as we speed through spring and rapidly approach another glorious summer. Personally, I have had quite an eventful first handful of months, which came to a new climax last weekend.

Saturday I had the awesome opportunity to attend an event that I’ve been eager to be a part of for quite some time. Author Dacre Stoker, great grand-nephew of the infamous Bram Stoker, held his Stoker on Stoker lecture in Sevierville, Tennessee – and naturally I made it my mission to attend.

I have been in touch with Dacre on and off for a little more than a decade and I leapt at the chance to finally attend his discussion on all things Dracula. In addition to that, I reached out to Dacre, and we arranged a lunch meeting to discuss things that much deeper.

Dacre and I dove right in after meeting, discussing his family history, his involvement with 2009’s Dracula; the Undead, and last year’s prequel Dracul, and vampires in modern culture. Many of the details of our discussion will be used for various blog posts and more to come, but there was one thing that stuck out that I wanted to discuss here. That is the presence of connection and rediscovery of Bram’s work – essentially learning who Bram was after all this time.

Dacre told me from the start that growing up with the Stoker name had been an interesting experience in its own right. The Canadian-born author said that, until the Gothic text became a classic in 1962, it was primarily movie and literature buffs that knew a lot about it. It was ten years after that, when the infamous text In Search of Dracula: the History of Dracula and Vampires, by Radu Florescu and Raymond T. McNally hit shelves before Dacre really questioned his family’s connection with the Irishman who single-handedly helped make vampires a household legend.

“I finally asked my dad, ‘what is all this,'” Stoker told me with a laugh. His first experience with the novel came when his father pulled a family heirloom from the shelf – a first edition copy of Dracula Bram had signed to his mother.

From there, Dacre said, it was life as usual. Apart from the occasional Halloween related joke from friends, he sought his own way in life, knowing his connection with Bram, but not seeing it have much of an effect on his day-to-day experiences. Aside from a term paper written on his great grand-uncle, Dacre said he was aware of the interesting impact Bram had on the world, but he didn’t dwell on it.

“I would think about it from time to time, but it didn’t really determine my path in life or change the way I behaved, “Stoker said.

His focus changed when he was contacted by Ian Holt in 2003 to discuss the possibility of a sequel to Dracula.

Dacre told me the decision wasn’t an easy one to make, but after talking with his family members, they all decided he would be the one to pursue the opportunity. The next six years saw Dacre diving into family records, museum records and talking to scholars who “knew more {about Bram} than I did” until the official release of Dracula: the Undead in 2009.

From there, Dacre saw a world that accepted and appreciated Dracula. The character, now having appeared in thousands of cinematic and literary locations in some way, shape, or form, is one of the most well-known figures in horror history. The 2009 novel explored the possibility of what may have come after the events of the original. Personally I find the tale filled with amazing possibilities and a great continuation of Bram’s text.

But, Dacre told me, he felt there was more. His mind had started working around the idea of what might have come before Jonathan Harker set foot in the Borgo Pass. He pondered the idea for a while, eventually realizing he wanted to tell the story, so he got in touch with co-author J.D. Barker to start the recently-released prequel, Dracul.

This tale is set before the events of Dracula, told once again in the infamous epistolary style that allows the reader insight into the characters own mind. This time, however, Bram himself, is one of our main characters. Dacre said that is important to him.

“It allows me to really let the world know what Bram Stoker is like.”

Dacre and I went on to discuss much of the research he has done for the books and the uncle he never knew. Since starting researching Dracula in 2003, Stoker has visited many places significant to the novel and his great grand-uncle’s life. He told me of walking the beaches Bram used to walk, sitting on rock outcroppings where Bram used to write, connecting with the memory of his uncle in new ways. Stoker discussed many of his discoveries about his family with an interest, his lecture going into detail in ways even my own mind didn’t anticipate.

If you ever have the opportunity to see the Stoker on Stoker lecture, absolutely treat yourself. If you are a fan of Dracula, you will absolutely love the lecture. Dacre is an amazing speaker, with a great mind and a love of his family’s history. Even if you aren’t familiar with the story of the novel’s author or either of the subsequent works the lecture will open new worlds of horror and interest. You can find more information about Dacre and his works, as well as tour information and bits of Stoker history at his website: http://dacrestoker.com/.

Being a lifelong fan of Dracula with an obsession with vampires, this was an opportunity I’ll never forget. I appreciate the chance to sit down with Dacre and discuss his family history and learn more about the Stoker legacy. I plan to analyze the information I have and have more discussions with you all about it! Keep your eyes open for more posts about Dracula, vampires, and literature! Have you had an experience with someone like this? Have you been able to discuss your literary idol with someone who can truly understand? Let me know!

The Shape of Water

/ Damean Mathews, Author / Leave a comment

Hey there, friends and fans! I have been wanting to watch The Shape of Water since I first saw the announcement about it. I was beyond disappointed to miss it in theaters, but I am ecstatic to say that I finally got to see it this week. I can very easily say that I am not at all surprised that it won and was nominated for so many awards. The film absolutely oozes sophistication and originality. I can honestly say it is one my favorite films of all time.

For those of you that aren’t familiar with the film, it’s a tale of a mute woman in 1960’s America who realizes the institution she works for is studying a creature that is basically a modern version of the Creature from the Black Lagoon. Directed by Guillermo del Toro, this film studies a number of themes including race relations, equality, sexuality, and personal identity. Our main character, Elisa, goes from a monotonous life with her friends and coworkers, almost invisible to the powers that be, to a bold and courageous woman, a hero to this creature that has otherwise known pain and judgement from modern man (aside from apparently being treated like a god by an unnamed Amazonian tribe that is).

I was enthralled from the start of this movie and I truly didn’t want it to end. I found Elisa to be an incredible person, with a nearly infallible character. Elisa’s entire experience with the creature was that he accepted her, he loved her, he made her feel whole and special for the first time in her life. As a mute woman, she was no stranger to mocking and disrespect, a tertiary character in the film repeatedly referring to her as ‘mutie’ and ‘dummy’ (a common colloquial term for those unable to speak in the past was that they were dumb or , if they also could not hear, deaf and dumb). So it was very important for her that this humanoid creature didn’t see her in terms of her difference, the explanation of which is one of the more endearing and heartbreaking scenes in the film for me. The themes of acceptance and equality steer this movie in a direction that couldn’t even have been hinted at in the trailers. From the homosexual neighbor, the African American friend, the mute orphan woman with an unknown background, to the otherworldly creature – each and every one of them is discriminated against in this world. Each and every one of them is met with opposition and stifled in some way throughout the film. And they band together. They stand in light of adversity and they win. They are each targeted by the ‘average, white, American male’ and they come out on top.

Persistence, decency, and love basically run the film’s two hour run time and bring us a tale that honestly warms the heart. From Elisa’s friendship with Giles, to her instant attempt at understanding with the creature, dubbed Amphibian Man by the film’s credits, the characters show us a bit about what it means to be human. Even the moderate humorous elements of the film stand to teach a lesson in humility and understanding.

I was intrigued to see the continued use of water itself and its own importance in Elisa’s life even before meeting the Amphibian Man. From her daily bath, to the boiling eggs, to the very image of rain itself, water is one of the most important elements of life and of the film.

I think the only thing that really threw me off about the film was the ending itself. I do like the open-ended nature of the story, but the transformation element is one that was a little odd for me.

Overall the film is an absolutely incredible work of art. It is a love story written for love stories themselves. Guillermo del Toro wanted to create a story and film stronger than anything, that could fill any space and be exactly what it needs to be – just as water is. And The Shape of Water is exactly that. With an amazing cast, an incredible message, and a story that will remain as timeless as its presentation, this film is one that will forever be in the annals of film history. The message of equality and the almost demand for justice for all those affected by prejudice of any kind could not have come at a better time in this world, either. In a political climate consistently pushed toward discrimination and judgement and a social tendency for the same, this film is beacon of light in the darkness that has plagued mankind. To me, the message is clear: we all need to come together in love and understanding and put an end to the meaningless squabbles that arise over minor differences. The separation and judgement that affects daily life in this world has to come to an end before we truly destroy teach other, ourselves, and what beauty remains in this world. Of course, until such a thing happens, this film and works of art that hold similar themes will remain of the utmost importance.

But what did you guys think of the film? Have you seen it yet? Did you read as deeply into it as I did, or was it just another movie for you? I’d love to know your thoughts. As always, I’m definitely interested in hearing about what you guys want to read about here or hear about in the podcast. Leave me comments or reach out to me on my contact page on my website. I hope you guys are enjoying the holiday season, and I wish you all the best in the last few weeks of 2018!

**The featured image of this post is an original image by Edgewise Art (https://facebook.com/edgewise.art/): I retain no rights to the image, nor did I have any part in creating it.