Learning Dracula

Hey there, friends and fans! I hope things are going well for you as we speed through spring and rapidly approach another glorious summer. Personally, I have had quite an eventful first handful of months, which came to a new climax last weekend.

Saturday I had the awesome opportunity to attend an event that I’ve been eager to be a part of for quite some time. Author Dacre Stoker, great grand-nephew of the infamous Bram Stoker, held his Stoker on Stoker lecture in Sevierville, Tennessee – and naturally I made it my mission to attend.

I have been in touch with Dacre on and off for a little more than a decade and I leapt at the chance to finally attend his discussion on all things Dracula. In addition to that, I reached out to Dacre, and we arranged a lunch meeting to discuss things that much deeper.

Dacre and I dove right in after meeting, discussing his family history, his involvement with 2009’s Dracula; the Undead, and last year’s prequel Dracul, and vampires in modern culture. Many of the details of our discussion will be used for various blog posts and more to come, but there was one thing that stuck out that I wanted to discuss here. That is the presence of connection and rediscovery of Bram’s work – essentially learning who Bram was after all this time.

Dacre told me from the start that growing up with the Stoker name had been an interesting experience in its own right. The Canadian-born author said that, until the Gothic text became a classic in 1962, it was primarily movie and literature buffs that knew a lot about it. It was ten years after that, when the infamous text In Search of Dracula: the History of Dracula and Vampires, by Radu Florescu and Raymond T. McNally hit shelves before Dacre really questioned his family’s connection with the Irishman who single-handedly helped make vampires a household legend.

“I finally asked my dad, ‘what is all this,'” Stoker told me with a laugh. His first experience with the novel came when his father pulled a family heirloom from the shelf – a first edition copy of Dracula Bram had signed to his mother.

From there, Dacre said, it was life as usual. Apart from the occasional Halloween related joke from friends, he sought his own way in life, knowing his connection with Bram, but not seeing it have much of an effect on his day-to-day experiences. Aside from a term paper written on his great grand-uncle, Dacre said he was aware of the interesting impact Bram had on the world, but he didn’t dwell on it.

“I would think about it from time to time, but it didn’t really determine my path in life or change the way I behaved, “Stoker said.

His focus changed when he was contacted by Ian Holt in 2003 to discuss the possibility of a sequel to Dracula.

Dacre told me the decision wasn’t an easy one to make, but after talking with his family members, they all decided he would be the one to pursue the opportunity. The next six years saw Dacre diving into family records, museum records and talking to scholars who “knew more {about Bram} than I did” until the official release of Dracula: the Undead in 2009.

From there, Dacre saw a world that accepted and appreciated Dracula. The character, now having appeared in thousands of cinematic and literary locations in some way, shape, or form, is one of the most well-known figures in horror history. The 2009 novel explored the possibility of what may have come after the events of the original. Personally I find the tale filled with amazing possibilities and a great continuation of Bram’s text.

But, Dacre told me, he felt there was more. His mind had started working around the idea of what might have come before Jonathan Harker set foot in the Borgo Pass. He pondered the idea for a while, eventually realizing he wanted to tell the story, so he got in touch with co-author J.D. Barker to start the recently-released prequel, Dracul.

This tale is set before the events of Dracula, told once again in the infamous epistolary style that allows the reader insight into the characters own mind. This time, however, Bram himself, is one of our main characters. Dacre said that is important to him.

“It allows me to really let the world know what Bram Stoker is like.”

Dacre and I went on to discuss much of the research he has done for the books and the uncle he never knew. Since starting researching Dracula in 2003, Stoker has visited many places significant to the novel and his great grand-uncle’s life. He told me of walking the beaches Bram used to walk, sitting on rock outcroppings where Bram used to write, connecting with the memory of his uncle in new ways. Stoker discussed many of his discoveries about his family with an interest, his lecture going into detail in ways even my own mind didn’t anticipate.

If you ever have the opportunity to see the Stoker on Stoker lecture, absolutely treat yourself. If you are a fan of Dracula, you will absolutely love the lecture. Dacre is an amazing speaker, with a great mind and a love of his family’s history. Even if you aren’t familiar with the story of the novel’s author or either of the subsequent works the lecture will open new worlds of horror and interest. You can find more information about Dacre and his works, as well as tour information and bits of Stoker history at his website: http://dacrestoker.com/.

Being a lifelong fan of Dracula with an obsession with vampires, this was an opportunity I’ll never forget. I appreciate the chance to sit down with Dacre and discuss his family history and learn more about the Stoker legacy. I plan to analyze the information I have and have more discussions with you all about it! Keep your eyes open for more posts about Dracula, vampires, and literature! Have you had an experience with someone like this? Have you been able to discuss your literary idol with someone who can truly understand? Let me know!

The Shape of Water

Hey there, friends and fans! I have been wanting to watch The Shape of Water since I first saw the announcement about it. I was beyond disappointed to miss it in theaters, but I am ecstatic to say that I finally got to see it this week. I can very easily say that I am not at all surprised that it won and was nominated for so many awards. The film absolutely oozes sophistication and originality. I can honestly say it is one my favorite films of all time.

For those of you that aren’t familiar with the film, it’s a tale of a mute woman in 1960’s America who realizes the institution she works for is studying a creature that is basically a modern version of the Creature from the Black Lagoon. Directed by Guillermo del Toro, this film studies a number of themes including race relations, equality, sexuality, and personal identity. Our main character, Elisa, goes from a monotonous life with her friends and coworkers, almost invisible to the powers that be, to a bold and courageous woman, a hero to this creature that has otherwise known pain and judgement from modern man (aside from apparently being treated like a god by an unnamed Amazonian tribe that is).

I was enthralled from the start of this movie and I truly didn’t want it to end. I found Elisa to be an incredible person, with a nearly infallible character. Elisa’s entire experience with the creature was that he accepted her, he loved her, he made her feel whole and special for the first time in her life. As a mute woman, she was no stranger to mocking and disrespect, a tertiary character in the film repeatedly referring to her as ‘mutie’ and ‘dummy’ (a common colloquial term for those unable to speak in the past was that they were dumb or , if they also could not hear, deaf and dumb). So it was very important for her that this humanoid creature didn’t see her in terms of her difference, the explanation of which is one of the more endearing and heartbreaking scenes in the film for me. The themes of acceptance and equality steer this movie in a direction that couldn’t even have been hinted at in the trailers. From the homosexual neighbor, the African American friend, the mute orphan woman with an unknown background, to the otherworldly creature – each and every one of them is discriminated against in this world. Each and every one of them is met with opposition and stifled in some way throughout the film. And they band together. They stand in light of adversity and they win. They are each targeted by the ‘average, white, American male’ and they come out on top.

Persistence, decency, and love basically run the film’s two hour run time and bring us a tale that honestly warms the heart. From Elisa’s friendship with Giles, to her instant attempt at understanding with the creature, dubbed Amphibian Man by the film’s credits, the characters show us a bit about what it means to be human. Even the moderate humorous elements of the film stand to teach a lesson in humility and understanding.

I was intrigued to see the continued use of water itself and its own importance in Elisa’s life even before meeting the Amphibian Man. From her daily bath, to the boiling eggs, to the very image of rain itself, water is one of the most important elements of life and of the film.

I think the only thing that really threw me off about the film was the ending itself. I do like the open-ended nature of the story, but the transformation element is one that was a little odd for me.

Overall the film is an absolutely incredible work of art. It is a love story written for love stories themselves. Guillermo del Toro wanted to create a story and film stronger than anything, that could fill any space and be exactly what it needs to be – just as water is. And The Shape of Water is exactly that. With an amazing cast, an incredible message, and a story that will remain as timeless as its presentation, this film is one that will forever be in the annals of film history. The message of equality and the almost demand for justice for all those affected by prejudice of any kind could not have come at a better time in this world, either. In a political climate consistently pushed toward discrimination and judgement and a social tendency for the same, this film is beacon of light in the darkness that has plagued mankind. To me, the message is clear: we all need to come together in love and understanding and put an end to the meaningless squabbles that arise over minor differences. The separation and judgement that affects daily life in this world has to come to an end before we truly destroy teach other, ourselves, and what beauty remains in this world. Of course, until such a thing happens, this film and works of art that hold similar themes will remain of the utmost importance.

But what did you guys think of the film? Have you seen it yet? Did you read as deeply into it as I did, or was it just another movie for you? I’d love to know your thoughts. As always, I’m definitely interested in hearing about what you guys want to read about here or hear about in the podcast. Leave me comments or reach out to me on my contact page on my website. I hope you guys are enjoying the holiday season, and I wish you all the best in the last few weeks of 2018!

**The featured image of this post is an original image by Edgewise Art (https://facebook.com/edgewise.art/): I retain no rights to the image, nor did I have any part in creating it.