A Nefarious Encounter

I recently got to sit down and watch the movie “Nefarious” for the first time. I’ve had it on my radar for a while and, as a fan of Sean Patrick Flanery, I knew I had to watch it. Now, like I’ve said approximately 8.2 million times before, I am traditionally not a fan of possession films, so I was a little wary of that going in. I knew, of course, the basic premise – that one of the main characters of the film claims to be a demon possessing a host body – but I risked it. And, boy am I glad I did. Talk about a thinker. In order for me to really discuss this movie the way I want to, I’m going to have to go ahead and say there may well be spoilers here, so if you haven’t watched the movie, go ahead and consider giving it a watch before reading on!

From the start, I was invested in the film and the subtle psychological tweaks the demon Nefariamus is able to make to the everyday life of those he uses. Just seeing that soft opening of the doctor adjusting his license before leaving his office and then seeing him go past the window… It honestly took me a second to make sure I saw what I thought I did. That really kind of set me up for the rest of the film. I had to know what was going on from there.

The basic premise of the movie, before I go on, is that a psychiatrist is called in to assess the mental status of a man awaiting the death penalty. The doctor has a handful of hours to talk with accused serial killer Edward Brady and determine if he is sane enough to be executed by the state. Simple enough, right? Well sure, until the inmate in question begins the conversation by saying he is actually a demon possessing Brady’s body (and the kicker from there is that he WANTS to be executed). From there the film takes several twists and turns and pushes the audience through countless instances of turmoil while we see Brady being mentally and emotionally put through the ringer – but is it really because of a demon, or is it a severe case of Dissociative Identity Disorder? That’s the thing to figure out.

Flanery’s acting skills are among the top in my opinion, and this role was one of the best of his I’ve seen. The facial tics and the manner of speaking he gives to both Nefarious and to Brady are awesome. I’m sure it’s not exactly easy to play multiple characters in the same frame, to literally code switch to a completely different personality and mannerism within the span of a few seconds, but he did it flawlessly.

The very nature of the movie was so back and forth and uncertain at times I felt like I was not only watching an amazing performance on film, but that Brady himself may well have been casting that charm over the good doctor as well. To say Brady/Nefarious was the best case of an unreliable narrator I’ve seen in a long time is an understatement. Returning to Flanery’s acting for a moment, though, I have rarely felt legitimately bad for a character like this before. The sometimes subtle, sometimes egregious things Brady goes through lend a lot of credibility to the idea that he is actually possessed – but also that the alternate identity within him could just show such an extreme hatred for the original identity that it would torture itself just to make him feel that same pain. Flanery’s portrayal of a man on the literal verge of mental and emotional break is something everyone needs to see, though. I would honestly put this movie on a list of films aspiring actors should watch in order to learn the craft and hone their emotions on camera/stage.

While a bit spoiler heavy, I won’t completely divulge the ending here. You’ll have to tune in for that (the movie is currently on Tubi and Peacock) and make your own conclusions. I do have to say, though, I came through the movie viewing from the perspective of a believer and a religious mindset and came to one conclusion. After speaking with a friend of mine who is of a different mindset I realized the multitude of interpretations one can come to here. Like I have said before, I am not one for possession films, but part of the genius of this movie is that you really have to pay attention and decide for yourself if that is even what’s happening here.

Because I am a completist at heart, once I realized the book that is mentioned in the movie is actually where the idea came from, I had to read it. The book, A Nefarious Plot, is a fairly fast read, and it can be fairly eye opening. The point of the book is to expose the horrible things humans, particularly Americans, do to one another and to humanity in general, especially from a religious point of view. It is written as though being a manuscript from the demon Nefarious and portends to explain basically how screwed up humans are and how far from God America has fallen. It is, for lack of a better term, religious propaganda, but I can also see the benefit of someone with a non-religious or alternately religious mindset reading it as well. It really does make you think about how crappy people can be to one another, regardless of politics or religion as a whole.

Anyway, if you can’t tell, I highly recommend at least watching the movie Nefarious. It will seriously put you through a mental ringer. Sean Patrick Flanery – you are amazing. No other way to put it. If you have watched the movie or if you decide to watch it based on my recommendation I would LOVE to know what you think. Be sure to comment and let me know!

The Exorcist

Happy Halloween, everyone!! I trust October has been a spectacularly spooky month for everyone, hopefully made all the much eerier thanks to this month’s book club read. William Peter Blatty’s “The Exorcist” has been fascinating and terrifying audiences for nearly half a century now, but the text itself is written in a fairly timeless manner that allows the spooks and scares within to still affect readers today. The subject of many controversies of both religious and moral natures, “The Exorcist” still finds a way to worm its way into the minds of those daring enough to delve into its demonic depths.

First and foremost I have to say that, as a horror buff, this book has long been on my list of must-reads. The fact that I got to read it in October, for my Halloween book club choice admittedly makes it even better to me. The way Blatty tackles the very difficult subjects of possession and its effects on those around the possessed are still admirable qualities of the book. The helplessness that seems to drip off the pages from both Chris MacNeil and Father Karras are enough to give the reader cause for tears with each new chapter. The fact that Reagan’s consciousness is completely absent for the majority of the novel is something that differs from other exorcism tales of similar caliber. I like that, rather than being made to feel sorry for her because she begs us to, we are made to feel sorry for her because she doesn’t get the option of asking. I think that was an incredibly wise choice on Blatty’s part.

The continuous allusion to Karras’s failed faith, and the hints that he had done or said something wrong that wasn’t explicitly laid out by those around him is one of the endearing qualities of the novel for me. I loved the constant struggle between his science and medicine-based training for psychiatry and his religious need to see the meaning behind things and try to save Reagan’s life – even her soul. One thing that has seen slight controversy and confusion for critics of the work is the reveal of what Karras’s guilt may stem from. It comes from the end of the novel, when the demon is pushing him and screaming at him, and it’s one word in a part of the novel that moves about as fast as a bullet car. “homosexual.” The demon tells Karras what he has feared throughout the entire novel; he is not worthy. He is, in fact, so corrupt that worms won’t eat his corpse. The fact that this has slipped by without scrutiny and analysis for so long, to me, is a testament to both the author and the readers. Blatty spun the web so well that we see Karras’s worth, despite his worry. Even the critics of a time when being gay was seen as incredibly taboo didn’t have much to say about this because Blatty made it obvious that this made Karras no less worthy, no less of a holy man. I am rather fond of that and applaud him for it. I would have liked to see a short scene with Karras finally feeling his worth, but of course that could be his death scene if one chooses to interpret it that way.

I like the research that was put into this book as well. So often popular culture spins exorcism as an easy thing to get. You just tell a priest you  have a demon and soon there’s holy water and pea soup everywhere. But that’s not the case. The Church (notice that organizational classification) has rendered exorcism as a very taboo last resort. There are definitely hoops that must be jumped through and proof that has to be gathered before priests will be bringing The Host into your house and trying to rend the devil from within. The fact the Blatty emphasized that heavily here, and even presented us with a knife’s edge that could have led to Reagan’s death had the church gone in the other direction are further reasons I respect his work to no end. I loved the use of other languages, mentions of both religious and occult texts, and the overall feeling of added stress the reader is given at having to follow this proof-gathering quest. Had Karras been able to walk in and say “yeah, let’s do an exorcism” I don’t think the book would be nearly the great piece of work it is today.

There were a couple of things I had problems with, of course. One thing that I’m sure many of you noticed ( at least I hope it wasn’t just me) was Blatty’s style. He was great at setting up a scene for the most part, but there were times when his execution fell flat. A lot of times in the novel I found myself wondering why such pointless dialogue and irrelevant detail made it into the scene. I don’t know if Blatty just wasn’t good at dialogue, or if that was just his way. I haven’t read anything else from him yet, so I may have to return to that question at a later date. I also would have liked some sort of clear resolution of the strange priest that appeared to Karras in his room before Merrin was approved. We get a very tense conversation for a strange, crutched man who ends in Karras being warned to leave the MacNeils alone and to beware of Sharon, and then he wakes up, leaving us to think the conversation was just a dream before he finds the cigarette in his ashtray. One obvious interpretation would be that it was a nightmare visit from the possessing demon in an attempt to scare him away, but why the strange fat priest, why the crutches, why have him smoke the same imported cigarette as Chris, and why the warning to beware of Sharon? Am I missing something? One more minor thing I have a slight confusion about; Pazuzu is mentioned by Merrin, the statue of Pazuzu is the forefront of the beginning of the novel, and the name comes up again, but I don’t recall the demon or even Merrin explicitly saying that Pazuzu is the entity tormenting Reagan. I only bring this up because it has somehow become all but canon with the novel and the culture surrounding it, but I never got the solid affirmation I expected.

Regardless of those things I do think this book is well worth the read. For any lover of horror or even just mystery, this novel will keep you on your toes. I know there are a lot of religious arguments against it, but I don’t know if I understand that. The book certainly doesn’t encourage witchcraft or seeking demonic possession. If anything it does the opposite. Maybe it’s just the fictional representation that can be interpreted as supporting the attempts at exorcism. I don’t know. Whatever the reason, follow your own inclination when considering whether or not to read the novel. I recommend it, particularly keeping in mind the faults I mentioned. As always, I look forward to everyone’s contribution and comments. Feel free to comment on any and all posts or send me a private message anytime (you can send me a message on the website, and you’re welcome to send Facebook messages or DMs on Twitter). I look forward to conversation and further book suggestions! Keep your jack-o-lanterns lit tomorrow night to protect yourself, and keep in mind that, for myself and many others, Wednesday means Christmas will take over everything!!

October book announcement

Good Monday, everyone. I know life is too much like a horror story these days, but it’s time to make that October book announcement. This month I wanted to focus on something terrifying, yet fictional. Something we can feel afraid of, but understand that, when we close the book, the terror ends there.

To do this, I chose the novel that inspired the movie that has long been called the more terrifying movie in history (not to mention the subsequent television series, which just began its second season); William Peter Blatty’s “The Exorcist.” The novel tells the story a young girl who is possessed by the demon Pazuzu who threatens not only her immortal soul, but those of her mother and the priests who attempt to save her. It is certainly not for the faint of heart.

This novel and its franchise has been scaring audiences for more than four decades and has inspired multiple sequels/retellings, as well as the sequel series and some of the most iconic cult horror scenes and references in pop culture history.

If demonic possession and terrifying scenes of religious desecration are too much for you, you may not want to sit this one out. As a Christian man, I understand if anyone wants to sit out. Fortunately the novel is fiction so, as a horror author, I’ll be checking it out for posterity and research.

As always, feel free to comment and message me your suggestions for future reviews. I look forward to speaking with everyone who participates! Expect this review to go up on Halloween, naturally, for fright’s sake. I hope you’ll join me in reading this scary novel, and I hope you enjoy!