The art of Art the Clown

Greetings, everyone! Hopefully November and the holiday season are treating everyone well. I have been immersing myself in some awesome nerdy celebrations, and horror films and the like. It has been quite a time. Most recently I have delved into the bloody tales of Art the Clown and his murderous antics, i.e. the Terrifier franchise.

I watched the first (technically second/third) Art film, Terrifier, a few years ago and enjoyed the character and his story. The silent antics of the killer clown, a horror trope that may honestly be slightly overdone, have been riding in the annals of my mind. Of course, Art’s complete silence, even in the face of pain and violence, set him apart from the other clowns in popular cinema. Art, to me, is more a mime turned rogue than a joke-loving clown, but either way his violent streak makes for quite an on screen tale. Once the sequel was announced, Art began to circulate more in the realms of nerddome that I frequent, so I knew I had to see it. I fulfilled that goal a few nights ago and have spent the days since ruminating on Art and the incredible, if lacking, story that he weaves.

We know nothing about Art’s history, his motives, his mindset, or his goals. In a similar motivation to the shark in Jaws, Art simply sees and kills. Throughout the two movies dedicated solely to Art and his mysterious journey through the night of All Hallows Eve we see him lock onto a female who is surrounded by friends and family, then he proceeds to destroy the entire group in increasingly creative, brutal and (let’s face it) moderately hilarious ways.

With Terrifier 2 the supernatural element comes into play in awesome ways, with an added dichotomy of good vs. evil, Heaven vs. Hell – if you’ve watched the movie you know what scenes I’m talking about. They were some of my favorites, honestly. I feel like this film truly captured the essence of deliciously evil and demented heartsick that is Art himself.

Needless to say, with my near obsession with Stephen King, my natural love of IT, and my own terrifying experience with a porcelain clown (check out this episode of my podcast to learn about that: https://anchor.fm/damean-mathews/episodes/Paranormal-Experiences-Part-2-e1pbdbp ) I am very drawn to the character of Art as a crazed horror output. Acting as a sort of anti-Pennywise, the mostly colorless and completely silent Art the clown paints a bland face on the idea of murder, but his creativity in acts of torture and slaughter bring about an interesting new spin on the clown story.

Art’s added Freddy Krueger-esque concept in this film brings about some new dimensions to his depravity, as do his new friend. Frankly, this film is an around B-movie delight, with an added element of modern gore. Personally, I don’t find the gore to be much higher the 80’s slashers like Hellraiser, but some people have apparently found it brutally harmful to their own wellbeing. Reports of people fainting and vomiting during screenings have circulated widely since the cinematic release. Granted, the same reports are released about most new horror films studios are trying to put good traction on, not to mention films like The Exorcist, which have been implanted in our minds as being truly horrifying since their release.

All that being said, I can definitely say if you are a fan of modern horror with something of an 80’s slasher twist, this movie may well be right up your alley. Art the clown is a villain that I truly enjoy and look forward to seeing more from. With the recent success of the film, Art will almost certainly be returning for another horrifying Halloween night. Writer/director Damien Leone has said he is interested in creating a trilogy, or even four solid movies filled with Art’s deliciously sadistic antics, so I’ll be keeping my eyes open for plenty more from the silent killer. Before I forget to mention it, I also want to make sure everyone watches through the credits. There is a long, intense, star-studded mid-credits scene that I absolutely loved.

Regardless of your preference on clowns, body horror, grossout cinema, or slashers in general, I say you might as well give Art a shot. Check out the films in the Terrifier franchise and see what this weird, deformed, angry villain is all about. After all, what’s life without a little fear? Let me know what you think about the films and the character, and keep your eyes open for more reviews!!

Photo credit obviously goes to the creators of the film. Art the Clown and the Terrifier franchise are in no way my own, and I hold no rights to the image used for the over photo.

IT

Good Thursday to all of you! As fall approaches with heavy, dried and dying hands, so comes the release of the new “IT” movie adaptation. King has actually released his review of the film, in which he says he was “unprepared for how good it was.” This gives me immense hope for the film and its impending sequel. Being a diehard fan of all things King (I even stuck it out through most of the final season of the atrocious “Under the Dome” adaptation) I had to make sure we all had a chance to re-read the masterpiece that started the truly terrifying clown trend. I hope you all covered your boats in paraffin and remembered to thrust your fists against the post, because by the end of this, we’ll all be seeing the ghost!

First and foremost, this book is awesome. The length of the novel is something that often intimidates nearly everyone who looks at it, but once you dive in the pages seem to turn with a mind of their own. As always, I was instantly drawn in by King’s almost nonchalant description of the terrible goings on in Derry. I feel like he fills the pages with all of the tragedy and evil, but it isn’t forced and it doesn’t seem out of place like the villains in some horror works. From the first time we get a mention of Pennywise a sense of almost manic dread falls over the text. From the very beginning we see the clown as a symbol of everything evil which, when it has a mind to, can utterly destroy anyone and everyone it sees. Of course, it typically goes after children who tend to fear more, believe more and harder, and have a much higher energy force (as described in countless other King works).

The first hard murder we learn of, Georgie’s, brings us face to face with the leader of the Losers Club and throws us in the thick of childhood problems, love, and a sense of complete isolation from those who should be protecting the kids. This is one element I absolutely adore. King does an immense job of bringing these kids into the center of their own fears and making them face it all with only each other to turn to. No adult in this novel, save Officer Nell, can be remotely helpful when the kids are in need. In my mind, this is indicative of the sense of helplessness and isolation most kids feel even today as they go through puberty and coming-of-age, which is why so many of them slip into depression and begin to go to drastic measures both to gain attention of their elders and to feel like something they do matters.

Watching the devastation that rips through each of them, bringing them closer together and pitting them against this ageless, formless relic of a demon is something that never gets old for me. The idea that the extravagant minds and wills of seven fearful and angry children are enough to tear this ancient being from the fabric of the universe is something I find incredible. To me it’s a testament to what our minds are able to accomplish in reality. We can survive so much trauma, fear, and heartache and still come back with a vengeance. This is something King never has trouble describing.

The sense of companionship in this novel is one of my favorite elements, as well. Knowing that these children have bared their very souls to one another, and are consistently putting their lives in each other’s and Bill’s hands is amazing. King does a great job giving each of the children a reason to want personal revenge against It and he does it without making any of them seem petty. Some would argue that Bill’s initial motivation, to get revenge for Georgie’s death, is a bit immature – but they are 12. Come on, people! But seriously, it is such an awesome concept to get inside each of their heads and see what truly terrifies them. And the idea of a creature that can take the form of whatever you are most afraid of is something that has been around for millennia, but never becomes less terrifying.

I think the writing style in this novel is incredible as well. The various sections of the book go from a third-person omniscient point of view where we can see everything everyone is thinking based on what the narrator wants us to know to seeing Mike’s first-hand account of his own end of the tale in his journals. I think this is the first book I read where I got such varying and alternating points of view. Granted, I first read it in the third grade, so I’m sure that had something to do with that.  It has definitely inspired my own work and how I approach a novel. To see an author use this sort of method is very liberating after watching so many novels pass by in the third person. Of course, that doesn’t make them of any lesser quality, it is always a breath of fresh air to get a fresh take every now and then.

The thing that really makes this novel exquisite for me is the absolute terror the monster brings. Nothing is safe. From the man next door, to an abandoned refrigerator, from your kitchen sink to the 30 foot tall plastic statue in the center of town – anything can and will be a vessel for It to terrify and/or devour you. I love that. I love the absolute helplessness that fills this novel to the brim. No matter where you go or what you do, the only people you can be sure aren’t doing It’s work for for It are your six 12 year old friends. Nothing could bring our young heroes and heroin to a more exalted state while simultaneously dropping them into the deepest, darkest pit of despair than knowing that they have no one else to turn to to save themselves and their town. They are completely and utterly on their own – except for The Turtle.

This tie in to classic world mythos and King’s own other worlds is impeccable. The icing on the proverbial cake. The fact that The Turtle, this celestial force that vomited out the universe is not only exceedingly familiar with the ancient evil that lives under Derry, but that it is also doing as much as it is able (however little that may be) to help the kids defeat It is awesome.

Finally, the description in this novel, as with other King works, is perfect. I always feel like I can see everything he is writing about as if it’s playing out in my mind like the coolest 35mm projector in the world. And I LOVE it. When the end of the book rolls around I can seriously see the huge spider being torn apart from the inside out by this mental and existential Ritual of CHUD the Losers are forcing it into. I feel like I’m in the cavern with them while the acidic web (another King trope) is falling down around them. I am one with them as they collectively lose their memories and are released from the curse It laid on them. I love the conclusion, with Ben and Bev finally together, Audra getting her soul back (that’s how I think of it) and Mike finally able to move on as well. It is a truly novel resolution to the 30 years of pain and suspense these heroic individuals have been trapped in.

All of that being said, I do have some questions. First and foremost, of course is one that has eluded even my own overly critical mind for more than a decade. If It only awakens once every 25-30 years, how can the guise of Pennywise, or Bob Gray, be seen and photographed numerous times in these periods of hibernation? Many of the photos and incidents that are described in the book take place while It should be asleep in its lair, including, if I remember correctly, the infamous shootout and the axe murder in the bar. Both times multiple people saw Pennywise in various locations. Granted, I don’t think King ever explicitly says “yeah, he’s always sleeping in these periods,” I feel it’s sort of implied.

The other main issue I had with the book was how fast the ending happened. I know some of you are probably groaning that I said a 1,000+ page novel was over too fast, but I feel like some of the lesser involved portions of the book could have been removed in order to give us that much more of a struggle in the end. Obviously a lot is happening, between changing perspectives and different characters and a universal voyage of consciousness with the ‘eater of worlds’ ( you didn’t think I’d make this without a Tim Curry nod, did you?), I would still like to see the final battle drawn out a little more. There was a bit of a race, which again I know was intentional, to get the battle over and find a victor in this decades long battle, but I would love a little more actual banter between the characters. I really want to see into the mind and heart of It, get more of an answer of what It is, where It came from, whether more of them exist, what It wants, etc… But, alas, I guess the remainder of that information will remain in King’s own head! Unless, of course, he can offer us a sequel… but that may be too hopeful even for me.

Anyway, what did you think? Are you a fan of “IT?” Did “IT” give you nightmares, or make you despise clowns in the worst way? What was favorite, or least favorite, part? Comment below, send me an email, whatever works best for you. Let me know your thoughts. And let’s share this far and wide in anticipation of the movie!!