Novel

October book announcement

/ Damean Mathews, Author / Leave a comment

Good Monday, everyone. I know life is too much like a horror story these days, but it’s time to make that October book announcement. This month I wanted to focus on something terrifying, yet fictional. Something we can feel afraid of, but understand that, when we close the book, the terror ends there.

To do this, I chose the novel that inspired the movie that has long been called the more terrifying movie in history (not to mention the subsequent television series, which just began its second season); William Peter Blatty’s “The Exorcist.” The novel tells the story a young girl who is possessed by the demon Pazuzu who threatens not only her immortal soul, but those of her mother and the priests who attempt to save her. It is certainly not for the faint of heart.

This novel and its franchise has been scaring audiences for more than four decades and has inspired multiple sequels/retellings, as well as the sequel series and some of the most iconic cult horror scenes and references in pop culture history.

If demonic possession and terrifying scenes of religious desecration are too much for you, you may not want to sit this one out. As a Christian man, I understand if anyone wants to sit out. Fortunately the novel is fiction so, as a horror author, I’ll be checking it out for posterity and research.

As always, feel free to comment and message me your suggestions for future reviews. I look forward to speaking with everyone who participates! Expect this review to go up on Halloween, naturally, for fright’s sake. I hope you’ll join me in reading this scary novel, and I hope you enjoy!

IT

/ Damean Mathews, Author / 2 Comments

Good Thursday to all of you! As fall approaches with heavy, dried and dying hands, so comes the release of the new “IT” movie adaptation. King has actually released his review of the film, in which he says he was “unprepared for how good it was.” This gives me immense hope for the film and its impending sequel. Being a diehard fan of all things King (I even stuck it out through most of the final season of the atrocious “Under the Dome” adaptation) I had to make sure we all had a chance to re-read the masterpiece that started the truly terrifying clown trend. I hope you all covered your boats in paraffin and remembered to thrust your fists against the post, because by the end of this, we’ll all be seeing the ghost!

First and foremost, this book is awesome. The length of the novel is something that often intimidates nearly everyone who looks at it, but once you dive in the pages seem to turn with a mind of their own. As always, I was instantly drawn in by King’s almost nonchalant description of the terrible goings on in Derry. I feel like he fills the pages with all of the tragedy and evil, but it isn’t forced and it doesn’t seem out of place like the villains in some horror works. From the first time we get a mention of Pennywise a sense of almost manic dread falls over the text. From the very beginning we see the clown as a symbol of everything evil which, when it has a mind to, can utterly destroy anyone and everyone it sees. Of course, it typically goes after children who tend to fear more, believe more and harder, and have a much higher energy force (as described in countless other King works).

The first hard murder we learn of, Georgie’s, brings us face to face with the leader of the Losers Club and throws us in the thick of childhood problems, love, and a sense of complete isolation from those who should be protecting the kids. This is one element I absolutely adore. King does an immense job of bringing these kids into the center of their own fears and making them face it all with only each other to turn to. No adult in this novel, save Officer Nell, can be remotely helpful when the kids are in need. In my mind, this is indicative of the sense of helplessness and isolation most kids feel even today as they go through puberty and coming-of-age, which is why so many of them slip into depression and begin to go to drastic measures both to gain attention of their elders and to feel like something they do matters.

Watching the devastation that rips through each of them, bringing them closer together and pitting them against this ageless, formless relic of a demon is something that never gets old for me. The idea that the extravagant minds and wills of seven fearful and angry children are enough to tear this ancient being from the fabric of the universe is something I find incredible. To me it’s a testament to what our minds are able to accomplish in reality. We can survive so much trauma, fear, and heartache and still come back with a vengeance. This is something King never has trouble describing.

The sense of companionship in this novel is one of my favorite elements, as well. Knowing that these children have bared their very souls to one another, and are consistently putting their lives in each other’s and Bill’s hands is amazing. King does a great job giving each of the children a reason to want personal revenge against It and he does it without making any of them seem petty. Some would argue that Bill’s initial motivation, to get revenge for Georgie’s death, is a bit immature – but they are 12. Come on, people! But seriously, it is such an awesome concept to get inside each of their heads and see what truly terrifies them. And the idea of a creature that can take the form of whatever you are most afraid of is something that has been around for millennia, but never becomes less terrifying.

I think the writing style in this novel is incredible as well. The various sections of the book go from a third-person omniscient point of view where we can see everything everyone is thinking based on what the narrator wants us to know to seeing Mike’s first-hand account of his own end of the tale in his journals. I think this is the first book I read where I got such varying and alternating points of view. Granted, I first read it in the third grade, so I’m sure that had something to do with that.  It has definitely inspired my own work and how I approach a novel. To see an author use this sort of method is very liberating after watching so many novels pass by in the third person. Of course, that doesn’t make them of any lesser quality, it is always a breath of fresh air to get a fresh take every now and then.

The thing that really makes this novel exquisite for me is the absolute terror the monster brings. Nothing is safe. From the man next door, to an abandoned refrigerator, from your kitchen sink to the 30 foot tall plastic statue in the center of town – anything can and will be a vessel for It to terrify and/or devour you. I love that. I love the absolute helplessness that fills this novel to the brim. No matter where you go or what you do, the only people you can be sure aren’t doing It’s work for for It are your six 12 year old friends. Nothing could bring our young heroes and heroin to a more exalted state while simultaneously dropping them into the deepest, darkest pit of despair than knowing that they have no one else to turn to to save themselves and their town. They are completely and utterly on their own – except for The Turtle.

This tie in to classic world mythos and King’s own other worlds is impeccable. The icing on the proverbial cake. The fact that The Turtle, this celestial force that vomited out the universe is not only exceedingly familiar with the ancient evil that lives under Derry, but that it is also doing as much as it is able (however little that may be) to help the kids defeat It is awesome.

Finally, the description in this novel, as with other King works, is perfect. I always feel like I can see everything he is writing about as if it’s playing out in my mind like the coolest 35mm projector in the world. And I LOVE it. When the end of the book rolls around I can seriously see the huge spider being torn apart from the inside out by this mental and existential Ritual of CHUD the Losers are forcing it into. I feel like I’m in the cavern with them while the acidic web (another King trope) is falling down around them. I am one with them as they collectively lose their memories and are released from the curse It laid on them. I love the conclusion, with Ben and Bev finally together, Audra getting her soul back (that’s how I think of it) and Mike finally able to move on as well. It is a truly novel resolution to the 30 years of pain and suspense these heroic individuals have been trapped in.

All of that being said, I do have some questions. First and foremost, of course is one that has eluded even my own overly critical mind for more than a decade. If It only awakens once every 25-30 years, how can the guise of Pennywise, or Bob Gray, be seen and photographed numerous times in these periods of hibernation? Many of the photos and incidents that are described in the book take place while It should be asleep in its lair, including, if I remember correctly, the infamous shootout and the axe murder in the bar. Both times multiple people saw Pennywise in various locations. Granted, I don’t think King ever explicitly says “yeah, he’s always sleeping in these periods,” I feel it’s sort of implied.

The other main issue I had with the book was how fast the ending happened. I know some of you are probably groaning that I said a 1,000+ page novel was over too fast, but I feel like some of the lesser involved portions of the book could have been removed in order to give us that much more of a struggle in the end. Obviously a lot is happening, between changing perspectives and different characters and a universal voyage of consciousness with the ‘eater of worlds’ ( you didn’t think I’d make this without a Tim Curry nod, did you?), I would still like to see the final battle drawn out a little more. There was a bit of a race, which again I know was intentional, to get the battle over and find a victor in this decades long battle, but I would love a little more actual banter between the characters. I really want to see into the mind and heart of It, get more of an answer of what It is, where It came from, whether more of them exist, what It wants, etc… But, alas, I guess the remainder of that information will remain in King’s own head! Unless, of course, he can offer us a sequel… but that may be too hopeful even for me.

Anyway, what did you think? Are you a fan of “IT?” Did “IT” give you nightmares, or make you despise clowns in the worst way? What was favorite, or least favorite, part? Comment below, send me an email, whatever works best for you. Let me know your thoughts. And let’s share this far and wide in anticipation of the movie!!

August Book Announcement

/ Damean Mathews, Author / Leave a comment

Hey there friends and fans! I hope August has treated you all fairly so far. It’s been a bit of a roller coaster month already for me, but hopefully things will climb to the top and stay there! As you all know, I am a HUGE Stephen King fan, so the fact that two King movies are hitting theaters in the next month is just making me absolutely giddy.

In light of that, I have decided that August’s book is going to be the absolute classic “IT”. This has been one of my favorite books since I first started reading it in third grade – which I have come to accept is very nearly 20 years ago, no matter how much it sucks to admit it. I love the weight within the book and the struggle these individuals go through, so I am immensely excited to do this book for my review. Hopefully this will give everyone a refresher course on the novel before the Sept. 8 release date of the first part of the movie, too!

Now, I’m aware this is a BEAST of a book, coming in at over 1,000 pages, so don’t hate me for doing this. It’s such a good book, and a very fast read, and it is more than worth taking the time to check it out, either the first time or as a refresher course. I hope you all enjoy the novel as much as I do, and I absolutely can’t wait to have the discussion!!

On other notes, I have been really enjoying my return to Wattpad. In not quite two weeks you guys have helped me get so many reads that I’ve placed as high as #626 in Wattpad’s horror category. Of the amount of authors on the site, that’s pretty cool! I appreciate all of the reads and all of the votes and I hope you’ll all check out both “The Dollhouse,” my new horror story or “Rain,” my detective-style noir piece. If you’re interested, you can find my Wattpad profile here; https://www.wattpad.com/user/DameanMathews.

There you go, folks! Look for the review to go up on or around the 31st, so there’s plenty of time to read! Let’s dive into “IT,” read some Wattpad and remember – we all float!

Free Novel Tie-in Story!

/ Damean Mathews, Author / Leave a comment
Happy Summer, everyone! I’ve toyed around with the idea of creating short stories that take place in the same universe as my novels for quite a while. Recently I was talking to an author friend of mine who has done this in order to bring people’s attention to his novels and help expand on the world he created. I decided it was time to give it a shot and it has been a great experience so far. I released this short piece as a first-look offer for those who have subscribed to my newsletter, but I’ve had such demand and reaction to the piece that I wanted to share it here as well. So here is the short semi-flash-fiction piece that will serve as a tie-in to my upcoming novel “Moonlight.” I’d love to hear what you think about the piece and whether it makes you interested in checking out the full-length novel as well. Make sure to subscribe to my blog and my newsletter (https://www.facebook.com/DMathewsBooks/app/100265896690345/) for exclusive deals and content and stay tuned to see all the latest news about “Moonlight” all other upcoming projects I’ll be sending your way!
Moonlight: Return
     The ground shifted slightly as something beneath the surface moved. The sound of splintering wood rose through the loose soil, followed by a dirty, blood covered arm. The hand opened and closed in the night air, the light of the full moon glinting off the matted fur as yellowed claws found purchase in the solid ground. The soil bulged slowly as the arm flexed, pulling its hairy body free, knocking over the carefully made marker bearing only the letter “T.”
     Red eyes glowed in the darkness as the beast rested on the dewy grass. The thing breathed deeply, wheezing gasps soon becoming a steady grunting growl as it worked its legs free of the ground. It rolled onto its side and looked into the night sky, its hairy body steaming as scratches closed up, the thing’s once shredded torso sealing itself again. It felt the itch of flesh on its head knitting back together, covering its exposed skull as a gaping wound healed in the moonlight.
     The sounds of the night stopped as the thing gained enough strength to stand on its shaky legs. Splintered bones and torn muscles were coming together again as the thing looked down and examined its body, relishing in its new freedom. One clawed hand raised to its chest, feeling three large white scars on its otherwise renewed body. It felt the slightly uneven beat of its monstrous heart behind one of the old wounds and memories came flooding back.
     The beast raised its head to the sky and let loose a long, mournful howl that drove flocks of night birds from their roosts. It breathed deeply again, listening at the sounds of animals running from the horror that had returned to the forest. It had a mission, it knew, but first it had to feed.

Inspiration and Determination

/ Damean Mathews, Author / Leave a comment

Good morning everyone! As you know, yesterday and Friday I was at the Appalachian Heritage Writers Symposium for yet another year. I’m glad to say that, as always, the whole thing wowed me to no end. I was able to sit in on great workshops by great authors ranging in topic from writing poetry to get the creative juices flowing to busting the myths of writing and the best way to work on getting an agent in this increasingly competitive field.

For two days I surrounded myself with other authors from all walks of life and, together, we all discussed the craft and what it takes to make it if writing is for you. I love it. Since attending this symposium I feel I’ve learned invaluable tips that have increased my prowess and allowed me to unlock my own abilities more and more each year. I am blessed each year to see that there are other people who, like me, are completely enamored with the written word and who have the same passion I do about writing. I love it.

This year, though, a lot of the workshops I attended had more to do with what to do after you’ve completed writing. As many of you know, I’ve decided to stop dragging my feet when it comes to Maverip. I’ve been working on this book for a collective 9 years. I’ve loved every minute of it, and I’ve made years worth of excuses as to why I haven’t put it out there just yet. I’ve decided, like I said earlier in the year, that I plan to combine what was originally intended to be three separate novels into one book with three parts. I plan to finish that opus this summer, and the symposium made me even more certain of that decision.

Seeing other authors who talked about having the same feelings of incredible inspiration countered, unfortunately, by days of doubt and near inability to push forward was inspiring in itself. As an author, or artist I know what it’s like to wake up and have to really push yourself to produce something or move forward with a project. That’s one place symposiums and events like this come in very handy. As always, I have to remind anyone who is struggling with this problem that one of the best ways to combat a non-productive day is to find something that truly inspires you. For me it can be music, nature, seeing someone else who had a positive experience with the craft or even going back and reading my own work and remembering how inspired I was at that time. Determination to succeed can also be one of the most powerful methods of moving forward with your work. No matter what, one thing that I always stress and something that is always pushed at these types of events is that you must never – EVER – give up. The worst thing you produce is still better than not producing anything at all.  Never let yourself fall to a lack of motivation or a negative notion. You are the only person who can produce your work, and the world deserves your work! If you’re feeling down or feeling stuck you have to remember that you have these ideas for a reason. It’s your gift, your purpose and you have to own it!

On another fun note, I was able to finally meet a fellow writer who I’ve connected with on social media. Mr. Tony Bowman, a fellow horror author, was at the symposium as well. Tony has five books under his belt so far and a great deal more that he’d like to write. His work is very good and I think many of you might find it interesting as well, so go check him out (http://thattonybowman.blogspot.com/).

So, after the symposium, I’ve decided that I am going to double down on my writing this summer and hope to have Maverip finished by the end of August at the latest. With this I also plan to develop a couple of related shorts that I will put out  either free or cheap to help make people aware of the novel. From there I plan to run through my first series of edits, and then proceed to find at least three strong beta readers. I would love to have some of you guys jump in here, if you’re willing. I need readers who will be brutally honest with me and tell everything they do or do not like. If that sounds like something you’re interested in just give me a shout and we’ll get it all set up. I hope you’re all enjoying “To Kill a Mockingbird.” That review will be up in a few weeks and we’ll move on to another book! I’d love to see more people get involved with this blog and the book club, so please share this as far and wide as possible and we’ll go down the road to publication together!

Mockingbirds, writers, and vampires!

/ Damean Mathews, Author / Leave a comment

Happy June, everyone! I’m pretty excited to get the chance to make this announcement, because this book is one of my all-time favorites. Some of you who followed my video book club a couple of years back may remember that I did a video on the book there, and I’ll probably cover some of the same talking points with this – although hopefully more in depth. Without further ado, let’s all put down the sun tan lotion and get ready to read “To Kill a Mockingbird!”

This is an absolute classic – a treasure, if you will. The themes of this book still ring so true today that it makes the piece hopelessly timeless. The morals Harper Lee intends to inspire in the reader here are just incredible. Honestly, there is little to nothing about this book that I don’t enjoy, so the discussion post for this work may be a little long in tooth, but I’m sure you all won’t mind!

I also want to remind you all that I will attending the Appalachian Heritage Writers Symposium this Friday and Saturday and I couldn’t be more excited! This has been one of my favorite things to do for the last half a dozen years or so, and every time I come out with a new outlook on the craft of writing in general and my own place in this great big literary world! Some of you may remember (I know I remind you at least annually) that I actually started this blog due to a lecture I attended at this symposium three or four years ago. It has been a great help and a great inspiration to me and my writing since I first stepped through the doors, and I look forward to what this year has to offer. I don’t think it’s too late to register, so if anyone is interested in attending a great symposium with some great regional authors, feel free to check out the details here; https://appheritagewritersym.wordpress.com

Last but not least, I have to tell you all that I have put myself into overdrive when it comes to getting Maverip ready for beta readers. I have decided that I am going to format the novel differently than previously planned, and I will be taking strides to get the project finished by the end of the year – if not the end of summer. If anyone is interested in being a beta reader for an awesome, intense vampire novel that calls back to the root of what makes a vampire a vampire, let me know and I’ll get your info ready for the day it’s complete!

Look for the Mockingbird review around June 28, friends and fans, and we’ll have a great discussion about this awesome classic. If you have any other suggestions feel free to leave them in the comments below, and if you’re interested in being a beta reader, hit me up!

You Know Your Work

/ Damean Mathews, Author / 1 Comment

This has been a bit of a crazy week on the writing front. I’ve been doing this for quite some time, as you all know, and it still has the ability to absolutely blow me away. The unexpected can be both good and bad, and this week I had both. I stumbled across a really great contest offer on Wednesday, and by the time I found it I had less than nine hours to format and publish a novel through a particular service.

Of course I tried it. The only real regulation was that the piece had to be at least 24 pages in print. Not too difficult, and easy to do. I went through the formatting process, created a book cover and was ready to go through with it, when the service pinged a message back my way telling me that my novel was three pages short of being able to have my title fit on the spine. Three pages. Ordinarily that wouldn’t be a problem, but for some reason it got to me.

I’ve worked on that particular title for more than a year and have gone through edits at least three times. I felt so great about it that I’d been querying agents with it and trying to look into the best way to get it on the market. But after all that time and work it still came up three pages short of being able to be identified from the side. I know it sounds silly, but it really got me discouraged. I’ve never been one to really worry about how long a piece is. I write and listen to the characters and the story itself and let them tell me when the end is coming. That’s what feels natural to me.

Don’t get me wrong here, the novel was well over the limit for the contest, and it’s not too short overall, but it does fall short of the generic industry length suggestions for the type of novel it is. As much as I  hate to admit it, that hurt a bit. I’ve written in the past about how easy it can be to get discouraged if you set yourself up to follow strict industry guidelines. Not to say that you shouldn’t listen to your agent and at least make an effort to make your book match length and style guidelines, but if it doesn’t work it doesn’t work. I had to remember that the hard way.

I beat myself up for hours. I could have gone ahead and pushed through the issue and given myself over to the possibility of ridicule (or winning), but the whole situation really made me look at the book and at myself as a writer. I felt like a bit of a failure. I spent over a year on this book, telling this unique tale that I was so proud of, and it came in at only 97 pages in print. How could that be a good book when the industry standard is at least 150 for most similar pieces, and usually at least three times that (if we’re looking at Stephen King up to ten times that length)? I stopped the formatting, stopped the editing and let the contest timer run out. I spent the rest of the day considering what it takes to be a writer, what the industry standards really mean, and whether or not my work is worth the effort. I honestly felt lower than low for a little while.

Then it hit me. I am a writer. I always have been a writer. I was meant to be a writer. What does it matter how long a book is? Can a standard formality really tell me that my work isn’t worth as much as a book that may have an extra 50 or so pages of material? If my story only calls for 97 pages to run itself through and wow an audience (my beta readers have seemed to enjoy it), then should I allow someone else’s book length determine the worth of my work? The answer isn’t just no, but Hell no. I was put on this earth to be a writer. I eat, sleep, drink, breathe and bleed literature. It is one of the biggest parts of who I am, and I don’t see that changing. So who has the right to tell me that my book is too short, or too long for that matter? The industry standard says that a book shorter than 70,000 words is too short ( my own comes in at just under 69,000) and any longer than 100,000 is too long. To clarify and put a bit of a spin on these numbers The Great Gatsby comes in at right around 50,000 words – 20,000 words less than “industry standard”, while Stephen King’s The Stand comes in at more than 470,000 words – four times the length that is considered the cutoff.

So tell me, if two of the greatest and most well-known pieces of writing of the last 100 years don’t fit “industry standard” how can my work be considered lesser quality for the same fault? Who is to say that any novel less than or greater than a certain length has less worth than others? Granted, I understand industry standard also has just as much to do with economic printing costs, etc.. It’s a harmful restriction to put on someone who is trying to get their writing to the world. When self-publishing is not the option you want to use, and agents won’t look at your work if it’s outside of their span, what options do you have?

For a new author trying to come on the scene, being told that you have to adhere to a certain length requirement can be devastating. Speaking from experience, it’s a bit of a shock to find out that a piece of work is in some way restricted based on its length. But that’s ridiculous. No one on this planet can tell you that your book has to be a certain length. When you are writing a work and you feel it flowing from you, through you, and it tells you its done – or it tells you to keep writing – that’s it. It knows. YOU know what is best. You absolutely can’t let anyone out there tell you that they know your work better than you do. That’s not to say you can’t accept constructive criticism. If someone tells you they think you could add this or add that, or take this out or take that out, it probably pays to at least momentarily consider it and not get upset – that’s the point of beta readers after all. But that doesn’t mean you have to do what is suggested. Again, no one in the world knows the story like you and no one else on the planet can tell the story the same way you can. The same goes for any type of art. When it is ready, you’ll know. There are literally people out there who have sold blank canvases as a statement – and they are loved for it. You know what a piece should be.

As an artist you are endowed with power over your work that no one else has. The idea came to you. The story is coming from you. The characters are developing within you. Without you none of it would be possible. If you ask me, that’s pretty darn special. So follow your gut, follow your heart. When the story feels done, maybe it is, even if it could fit on the back of a Cracker Jack box. If the story tells you it’s not done, but you’re looking at a piece that would put Gone With the Wind to shame, listen to it. It knows how long it should be. Never let industry standards or the expectations of others discourage you or make you feel any less incredible. You have the power of the story with you. It is entirely in your hands. If changes are suggested and you think they work, give it a shot. If you don’t agree with them, stand your ground. It’s your masterpiece. Any given piece can be your Mona Lisa. Treat it as such. Hell, what if someone had told da Vinci she should have been  blonde, or should have had glasses? Can you imagine one of the world’s most famous paintings looking any different than she does (except the Mandela Effect’s smile issue; but that’s another post).

Be happy with your talent. Use it to the best of your ability and don’t ever allow anyone else to belittle it. Your book might not fit what others expect, but isn’t that part of the point? No one can say how long a book should be. No matter how hard they try. It doesn’t work. Be confident in your ability. Don’t ever give up. I won’t say don’t get discouraged, because I know it happens, but understand why it happens. Figure out what is bothering you and figure out how to overcome it. That will help you improve more than you can imagine. The world deserves your book. There are 8 billion people on the planet, all with different personalities and desires. If someone out there is waiting on your  book to be published in exactly the way you first write it, is it fair to deprive them of that? Just do you. Be yourself. Follow your own desires and your own instinct. You won’t regret it in the long run.

What discourages you? What advice would you give others? Have you had a similar experience to mine? Leave comments and share this with others to help give someone out there the encouragement they need to do something great! Look for the review of “Powers of Darkness” on May 29! Enjoy your weekend and keep up the good work!

Sink Your Teeth Into This!

/ Damean Mathews, Author / Leave a comment

Hey guys! I hope everyone has been having an awesome Spring. So far it’s been pretty great for me. I have to admit that I’ve been having an amazing time at my new job. I get to see in depth, behind the scenes things that make the theatre run smoothly, and I’m very impressed. I feel very fulfilled with my job, and the fact that it gives me a solid schedule – which means I don’t have to scrounge for time to read at night! Isn’t that exciting? Anyway, I wanted to give everybody our May book club read, and I promise it’s awesome.

For this book, I chose another new (yet pretty old) release; “Powers of Darkness: The Lost Version of Dracula.” Of course I chose this! It’s a book that was originally written by Valdemar Asmundsson in the early 1900’s (it was translated and released by Hans de Roos). It was first thought to be just a translation of the original text from English to Icelandic, but after it was examined researchers realized it is actually a complete retelling of “Dracula” that features an altered story, changed names, new characters and bits of text that coincide with Bram Stoker’s original ideas and notes for his classic novel. I know this book might not be the type of thing some of you look for, but I assure you it promises plenty of amazing scenes. Unlike “Dracula”, this book isn’t just told in the form of letters and such, but is written in a slightly more standard style, with the majority being told through Harker’s (Thomas rather than Johnathon in this text) journal entries.

Unfortunately, some book stores view this book as slightly more scholarly that what they typically carry, so you may have to specifically request it if you want to buy it. Since it is such an interesting topic it can be a little hard to track down in libraries as well. I had to have my copy shipped from a library in New York so I could dive in. But it’s definitely worth it to a vampirologist and “Dracula” scholar in the 21st Century.

Either way, I look very forward to diving into this book and I hope you’ll all join me in this awesome experience! Feel free to follow me on social media (https://www.facebook.com/DMathewsBooks ) if you haven’t. Now that I have more time at night I have been writing a lot more, and I think I’ll start making more regular posts and discussion on my various pages. With luck there may also be some discussion from a special guest once this review goes up! I’m thinking it will go up around May 25. I know that doesn’t give a lot of time, but this book isn’t as long as “Dracula” and, based on what I’ve read so far, will likely be consumed pretty quick by most people. There are also some interesting forewords and commentary, including a great one from Bram’s great-grandnephew Dacre Stoker, throughout the novel that I find fascinating.

I hope you guys will be able to track the novel down and enjoy it! If you do have any trouble finding it, feel free to let me know. As a former librarian, I know some tricks of the trade that might be able to help. Ok guys, let’s dive in to a retelling of one of the greatest Gothic novels of all time!

The Circle

/ Damean Mathews, Author / Leave a comment

This book was incredible. The parallels between this and other dystopian thrillers are immensely weighty. At times it was like I was literally reading a prequel to 1984. I was very eager to dive into this book after seeing a trailer for the movie in theaters a few months or so ago (I know, I know, sue me), and I knew I couldn’t see the movie without first reading the book! I finished the novel well before the release of the movie, which comes out today, so there are no worries there. Enough small talk, though; let’s jump right in.

First and foremost, as I said before, this book almost read like it could be a prequel to 1984. The ideas of the Circlers and their almost incessant need to make everything known was incredibly ominous. I can’t count the times that I thought it was almost like watching the development of Big Brother. The cameras, the mandatory participation, all the way to the ending. That ending! Man!

We enter the story with Mae, who seems just as innocent as one would imagine; a small-town girl moving to this huge opportunity. We see that she (and some around her) understands just how much bigger than her The Circle really is. As Mae immerses herself in the work she is given, we see her start to open up a little, but she has many questions. There are many instances where people like Eamon Bailey and others make comments about knowledge and the fact that they feel everything should be known. Mae is very taken aback by this idea at first. It seems like she understands the importance The Circle has in the future of the world, but she also sees the importance of privacy and separation. This quickly seems to die out.

Mae keeps herself slightly distant from The Circle at first, not attending many parties, leaving campus a lot and generally letting herself live as if she was working a standard 9-5 job. She left The Circle behind when she left The Circle. This didn’t work for the company. They addressed this a few times before Mae was faced with a situation that really threw her out of herself. In the middle of trying to fit in and find herself in The Circle family, Mae has some sexual encounters with a young, shy man named Francis and a slightly older, mysterious and impossible to find man who only tells her his name is Kalden. These encounters do a little bit of work towards making Mae a closer part of The Circle and helping her focus on the job itself. But this work is nothing compared to what happens as her parents continue to deal with her father’s MS and associate with her ex-boyfriend, Mercer. She had slowly grown more accustomed to being more open and public with her life, but it was Mercer’s first big resistant moment that made it sink in for her. He more or less told her that she was a part of what was wrong with the world, saying The Circle was crossing too many lines and she needed to grow up and see the truth. She left her parents house that night and had the experience that lead to her becoming the poster-child for citizen transparency.

Mae getting arrested really broke something in her, I think. The fear she felt at knowing she could lose her position changed how she looked at everything, and Eamon Bailey helped push that through her head. He encouraged her to feel that showing everyone everything at all times was the best way to live her life. This way of thinking, needless to say, was a game changer.

Mae started wearing her camera and documenting everything, helping The Circle with its attempt at closing in on the world and consuming everything to be consumed. The story really gains so much weight at this point. Mae slowly becomes a different person. She goes from a girl who is mortified at the thought of one person seeing her perform a moderate sexual act to being perfectly fine with taking millions of followers into the bathroom with her. The Circle’s (for lack of a better term; or is this the best term?) brainwashing of Mae really culminates and reaches its most dangerous level when she speaks up and suggests developing the mandatory voting technology that is Demoxie. The very name of this program, to me, sounds like poison. Demoxie influences everyone around the world to make their voice heard, which, although a great idea, has consequences. In addition to recording the answers, The Circle has the power to record who answers, and how. Much like Mae was able to look and see who voted her as not being awesome in a demonstration of the technology (that in itself is an experience that really allowed us to see into the damaged psyche Mae has developed, or maybe just revealed, through the text), any government organization may have been able to convince The Circle to allow them to see how its citizens voted. For that matter, Circlers themselves have access to the information. Anyone who may have voted against a popular idea could thus be singled out for their voices.

The real life-changer for this comes when Mae is given control over the technology to look for people – any person – all over the world. The first instance is likely helpful. Circlers and audience members are able to help find a fugitive and bring her to justice. But then Mae decides to take the situation further. She decides she wants to look for Mercer, who had AWOL after deciding to go “off the grid” in an attempt to hide from Mae and The Circle.

This search would have been all fine and dandy, had she known when to call off the dogs. I literally cringed as I read how intense the unnecessary chase scene became after Circle followers tracked Mercer to a house in the woods. He fled in fear and anger as Circlers and Mae followed him with no explanation as to why. Mae used The Circle’s technology to literally chase Mercer to his death. He drove off a bridge because he became so desperate to find a way to get away from the power of The Circle. That moment was very powerful to me.  I feel like it represented everyone who has ever stood up to a government or an organization that has too much power. There is so much that can be said about that scene, that idea.

But Mae couldn’t see it. She was wounded by his death, but not enough. Kalden (who turned out to be Ty, the FOUNDER of The Circle) tried to get her to  help him shut the whole thing down before it became too powerful. But she wouldn’t have it. She couldn’t. She talked so many times of feeling the black tear in her mind, her soul, and by the end of the book she was convinced the tear, rather than representing the innocence and humanity that was being walled off, represented “not knowing”, which is something The Circle was strongly against, of course.

The final insight we really get into Mae’s mind is all it took for me to both lose the last of my respect for her character and make me want ten more books. Mae’s friend Annie has literally become comatose due to the stresses of The Circle (can we be sure it isn’t something Bailey or Stenton did on purpose?) and all Mae can think about is how she finds it an unbelievable injustice that she can’t see into her friend’s mind. She can’t read the thoughts of the woman who is lying on the bed in front of her. Obviously, my first thought here was the budding idea for the Thought Police, but I digress.

Overall, I thought this book was absolute genius. David Eggers did an amazing job, and I look forward to checking out other works from him. From the time I started reading until the last word, I was enthralled. That being said, this book isn’t exactly the type of thing I typically choose to read for pleasure. But it’s easily in my list of top books. Whether that’s top 50, top 25, or even top 100, I couldn’t begin to tell you. I’ve read so much that the list does change fairly often. But this one is there. The style Eggers wrote this book in is very conversational and matter-of-fact. I didn’t get hung up on any dialogue issues and I don’t recall anything that was over-exaggerated or unclear.

My biggest compliment and biggest complaint for the book would likely be the same. It was very open-ended. From the point we leave Mae, as she considers talking to the founders about finding a way to expose thoughts to the same transparency as everything else, I feel like anything could happen. We know that Kalden (Ty) is still a part of The Circle, but we don’t know where, in what capacity, or what punishment may have been applied to his position. In other words; we have no idea of his motives, or if the mention of his position is even correct. They may well have just told Mae that as a cover. If it is true, what’s to stop him from either continuing to attempt to coerce Mae, or find someone else to help him overthrow the totalitarian organization that grew from his brainchild? Even more, I still feel like there is some way Mercer could be alive. Maybe he jumped from the truck and clung to the bottom of that bridge until it was safe to walk away. Maybe Ty knows this and he’s going to work with Mercer to overthrow The Circle. One way or another, I do think there’s enough possibility to bring this idea back for another round. Come on Eggers, what do you think?

Regardless, this was a great book and it really makes you think about the dangers of continuing down the path of total technological control that we are going on. What did you think of it? Do you agree with Mae that knowledge should supersede privacy? Or should we cherish the privacy of the independent human? There are so many questions! And for that matter, there are so many things that I didn’t really have the space to address here (the terrible things this expansion of knowledge uncovered about Annie’s family, for one) that I would love to hear your thoughts on. Leave me comments or send me messages and let’s have some great discussion on this book! As always, share your ideas for future books at any time and let’s spread the club far and wide.

Life announcement and this month’s book!

/ Damean Mathews, Author / Leave a comment

Hey there friends and fans, I have to apologize for posting this so late, but it has been a crazy week. I know you all were expecting April’s book club announcement on Tuesday, but I was working on getting paperwork and everything in order so I could make another announcement. Many of you know that I have spent the last year as a county reporter for my local newspaper. During that time I have written stories on everything from local government meetings to the return of a once regionally extinct species of fish. I learned a lot during that time, but I have now accepted a position in another area that promises to be equally rewarding.

Beginning April 12 I will be a Communications Associate with the Barter Theatre. Those of you in the U.S have probably heard about the theatre, but for those that aren’t or haven’t; the Barter is the State Theatre of Virginia and has a very rich history in Abingdon. It was founded in the 1930’s and offered local farmers the chance to trade some of their excess vegetables in lieu of cash for a ticket to a play. It has always been a really amazing place to go and I am beyond excited to have the opportunity. In this position I will be doing a lot of social media marketing and interacting as well as working with advertising and general media information for the theatre. I’m excited to see what awesome things await! I hope some of you will be able to come visit the theatre and give me a shout ahead of time so I can say hello!

On another note, next week is also a big deal for me because I will be presenting my work “Lefty Smith and the Right-Handed Corn” at the opening night for this Spring’s issue of Jimson Weed, the journal I used to manage. This piece is one that I really enjoy, partly because it is my first published attempt at including local folklore in a short story. Of course this legend is completely fabricated, but it is still enjoyable to me. The event will be held on April 11 at 6:30 p.m. on the campus of UVa-Wise if anyone in the area wants to attend!

Finally, in the interest of keeping this post fairly short, I’ll tell you about this month’s book. I think the idea works very well, since the movie adaptation of this particular book comes out at the end of the month. After looking at a number of dystopian and semi-dystopian possibilities, I chose Dave Eggers’ “The Circle.” This book, published in 2013, follows the life of Mae, the newest employee of the ever-involved Circle. The book highlights Mae’s journey through an increasingly transparent life as The Circle breaks into every possible means of modern technology, even getting to the point where people are convinced to wear body cameras 24/7 in the interest of making their lives known to the public. The book explores a lot of themes, but heavily focuses on whether or not all of the convenience and involvement introduced by The Circle is actually an advantage or a problem.

As one more aside; the revamping of my collection is coming along nicely and I have decided to include some additional works, including some exclusive, never-before-seen work! I will hopefully have a rough version of this work ready in the next month or so, and I may well seek out some beta readers! If any of you are interested in that possibility, just let me know and we’ll get it figured out!

I think we’ll have a great month with this book and I look very forward to discussing the work! I apologize ahead of time if I post a little sparsely as I adjust to the change of employment, but fortunately I won’t have to deal with a 100+ mile move this time! I hope you all have had a great beginning of April, and I look forward with speaking to everyone about “The Circle,” the job, or anything else. As always, share this far and wide to get plenty of eyes on it!