“A Christmas Carol” by Charles Dickens

This book is simply a classic. Of all of the stories in literary history, this is one that almost everyone knows about in some fashion. Even people who have never read it may have watched one of the dozens of movie adaptations that have been made over the years. Dickens, while not necessarily intending to, created one of the most called upon and cherished Christmas tales in the history of the holiday. The story of Ebenezer Scrooge finding his humanity and embracing the true meaning and love of Christmas is a tale that has never died and has only grown in popularity. Let’s jump right in!

First of all, this book is obviously written in that impeccably detailed and British style that Dickens is known for. The picture of a dreary, foggy, yet remarkably beautiful London  Christmas brings us right into the picture. When reading this book I feel myself walking around in this world, being a third (fourth??) party observer that even Ebenezer and his spirit guides don’t sense, much like the visages of Scrooge’s life don’t sense him watching them. Doesn’t that kind of set the stage for an unending spiral of who’s watching whom? But that’s a different story.

Dickens describes Scrooge as a miserly old man, coining a description that has since become synonymous with anyone unwilling to look  on favor at his fellow man. Scrooge is only happy sitting in his frigid counting house keeping count of his money, only happy as he gains more and more to add to his purse. Never one to spend money, Scrooge is described as being so cold that “no warmth could warm or wintry weather chill him.” I don’t know about you, but to me that sounds like a man I would never want to meet. Scrooge’s reaction to being told Merry Christmas is one of the most familiar phrases coined in classic literature. Bah Humbug. The harsh nature of Scrooge’s character runs so deep when we first meet him, that he refuses to believe in Marley’s ghost as it stands right in front of him.

Watching Scrooge’s transformation in this short novel may one of the most rewarding parts of the piece. We see his heart soften as he experiences the truth of his life, the truth of Christmas. He is immersed in the true spirit of Christmas from his past and gets to see the happiness of those people he thinks have nothing to celebrate before being bombarded by the possibility of what awaits him should he not change his ways. The truth of the story is almost biblical in nature in that it gives Scrooge a look at the damnation that awaits if he does allow peace, love and compassion into his heart.

The lesson that money is evil is one of the largest messages Dickens put forth here in an attempt to show people that material desires can not bring you happiness. Scrooge must come to terms with that fact in the book, and he does in a great way. He overcomes everything that he has built, everything he has destroyed and he is well on his way on Christmas Day.

The style of this book is one that stands out among a lot of other, for me. Dickens writes very candidly about the occurrences here and he takes the time to do it in an incredible way. Dickens does an awesome job of tackling this somewhat risky subject matter in a way that captures the minds and hearts of countless generations. One of the things that I’m most drawn to is the sheer conversational manner of the piece and the way that Dickens breaks the fourth wall. Granted, at this time I don’t even think there necessarily was such a thing as the fourth wall.

The linguistic stylings of the book, of course, are classic Dickens and follow closely to his other works. One thing that I really love to consider about the book is the idea that it can be classified as a gothic novel. Ooohhh… I just felt the chill of countless literary minds screaming at me in disagreement. But take a look at the material. Some of the things that makes a work a gothic novel are a haunted or ghost/monster visited house or castle, romance or love, madness, ghosts, and the classic one-dimensional character. For most of these I really don’t even have to give an explanation. Obviously there are ghosts. That’s one of the main points of the work. Scrooge’s very large mansion (in which he only occupies one part) is visited by four of these ghosts. Scrooge himself experiences a wide variety of love and madness throughout the novel. He goes from being an angry old man, to falling in love with life and Christmas, to being considered mad by it. This can also be attributed to The Sublime Sickness (which is a term I coined and an entirely different topic) but is the reason for the story. This change does kind of lead us away from considering Scrooge as one-dimensional and static, but we’ll put that aside for the rest of the qualifications.

Regardless of whether or not you think it is a gothic novel, what do you think of this book? Is it something that you read (or watch) every year? Or was this the first time you’d actually read the tale of Scrooge’s trial (yes, I just moderately compared this to a Herculean tale, and that can definitely spark something in the comments – hint hint). I look very forward to hearing what you all think about this book, and I would love to know if you plan on making it or keeping it a part of your Christmas celebrations!

Finally, I’m hoping to get a lot of suggestions for my January book, which will start a whole new year of writing efforts. Expect that post after the first, of course. Make your suggestions in the comments or shoot me a message on any form of social media or via email. I hope you all enjoyed this book the way I did, and I hope you all had a great Christmas (or any and every holiday you celebrate!) and Happy New Year! Here’s to a great 2017 and a great year of awesome books and book discussion. As always, share this with anyone who will appreciate it and read on!

Book number two!

Hey there friends and fans! The first month of the book club went great! I had a great time reading “Horns” and you guys seem to have enjoyed the book, too.

I’ve decided to go with a timeless classic for December – not to mention a bit of a shorter work, since we’ll all be busier with the holidays. This month we’re going to be reading “A Christmas Carol” by the late, great Charles Dickens!

I’ve talked to a number of people over the years who say they’ve always meant to read this book, but just haven’t had the chance or haven’t been able to get themselves motivated to do it. Well, if that’s you, here’s your chance! This book has been performed on stage and made into so many movies that we all already know the story, but there is nothing like reading those words as Dickens wrote them.

I hope you’ll all join me in taking a deeper look at this amazing piece of literary history. My post on the book will go up on or around December 31. I’m considering making it December 30, so I don’t have to annoy you all on New Year’s Eve ,  so you’ve got just under 30 days to knock out this awesome book! Let me know what you think in the comments below or if you plan to read along with me, and share this with anyone who’d like to be a part of the club or the discussion for this book.

Huge Announcement and New Work

Hello friends and fans!! I’m coming to you live on my brand spanking new site, and it feels great! As many of you know I used to have a separate site from my blog that, although fairly successful, left something to be desired for me. After this year’s writers symposium I found myself in a state of improved ambition and confidence, as is usually the case, and I came home knowing that I wanted to make some changes and set some goals for myself .

I worked out some things that needed to happen, the first of which was to get a new website going for me and keep it going and updated regularly. So, here, with a whole new round of current headshots, the migration of my old blog and followers and the inclusion of a brand new newsletter (which I sincerely hope you’ll all subscribe to) I give you my new site! Take some time and browse through at your leisure, but not before taking a peek at one of the things I have been most excited about in recent weeks.

On the bottom of this post I am going to include my latest short story, completely free and exclusively for followers of my blog! I got this story idea while working on the presentation I was teaching at last year’s symposium and I let it cook for a while before jotting a version down.  After this year’s event I looked at it again and decided that I would update it and put it out to give you all the first chance to read it! The story itself draws from folk tale styles and local color writing in my area, and is honestly unlike anything I’ve done before.  I hope you’ll all take the time to read it and give me some honest feedback, because it may end up being part of a larger announcement and project soon. Anyway, I hope you all enjoy the story and the site and I’ll be writing again soon!

Lefty Smith and the Right Handed Corn

“I’ve seen some mighty queer things in my travels,” the old man said.

I nodded and smiled, agreeing with him without saying much. I didn’t really have any plans that I needed to hurry and fulfill, and somehow I thought I wouldn’t have been able to walk away even if I wanted to. I don’t know what it was about the man, but just hearing that phrase and seeing his strange brand of fashion and body language, I felt like I had to listen to him.

I settled into the seat across from him, looking over his tattered jeans and faded deep blue button down shirt that he wore over dirty, scuffed boots. I had seen him once or twice in the last ten years while I helped my father work the store, usually sitting around the woodstove right where he was now, where all of the old timers in five counties eventually end up at some point or another.

“Yep,” he said as I nodded for him to continue. “Some mighty queer things.”

The store was empty that morning and I could tell I was in for the long haul, so I reached to the pot on the stove beside of me and poured myself a cup of coffee, topping off his chipped mug as he held it out.

“I went to the deep South to lay claim to my heritage,” the old man said, his dark eyes meeting mine and seeming to pin me to my chair. “My father fought in the Civil War before moving north to Ohio. I made a straight shot to the Mason-Dixon line and stayed a night near the border of North Carolina before heading down to Georgia.”

“I camped out in a field under the stars on the border of Virginia, eating a bit of the road provisions I’d packed and passing out in no time, the sounds of the night always make for the best lullaby,” he added, a smile on his face.

“I woke up the next morning when the sun got just over the tops of the rows of corn to the east of me and began driving. Before long I came across a batch of cars and machinery set up in a field and stopped in to see what proved to be a lively county fair.”

I could tell the man was getting into the story, his right leg thrown over the left, his foot bobbing higher and higher the more he talked.

“At first everything seemed fairly normal,” he continued. “There was music, food, some games… and a whole lot of corn. I didn’t think much of that, since the fair was set up in the middle of the largest corn field I’d ever seen. The more I looked, though, the weirder it got. I noticed something weird about the people, too,” he said, leaning forward and looking at me with squinty eyes set deep in his wrinkled face, a mischievous grin exposing his age-worn teeth..

“Everyone I saw eating this corn was eating it with their right hand. Only their right hand. Skewers were stabbed into one end of the corn and everyone was gripping it with their right hand while their left dangled freely, occasionally coming to life to swat a pest or pick at a piece of fabric in their shirts. I was a bit confused, I admit. I thought maybe I’d just stumbled into a community of overly-ambitious right-handers who still viewed Southpaws a thing of the devil,” he laughed as he imagined the sight again.

“Being adventurous in my youth I decided, come life or limb, to test my theory. I walked amongst the din of conversation between old friends and neighbors and plucked my dime down and got my own steaming ear, slathered butter up and down over the golden kernels and sat down in the middle of everyone, my left hand gripping the stick so tight the knuckles were white.”

He leaned back and cackled, drinking deeply of his coffee while I sipped my own, finding myself more interested in this mystery than I cared to admit.

“I noticed a few of those closest to me stop eating and look at me in horror,” he said, clearly loving the opportunity to share his tale. “As I took my first tender, juicy bite I felt the butter run down my chin as the corn rolled around in my mouth like hot coals, burning everything they touched.”

“As I chewed I noticed a low murmur run through the crowd. ‘Lefty’, I would hear one whisper, to another or to themselves I couldn’t tell. Before long all other sounds had stopped and most every eye was on me. Halfway through my corn I looked up and smiled, asking my neighbor what was the matter. He only shook his head at first, eventually cracking out the one word I’d heard for about five minutes. Lefty.”

“I couldn’t describe my confusion if I tried. Were they commenting on my eating habits alone, or trying to insult me by being derogatory,” the old man said, his amusement showing on every part of his face.

“Laying my corn down on the table and wiping my mouth with my shirt collar, I spoke up in my own defense.”

“ ‘I apologize if I offended anyone with my eating, but I’m not actually left handed,’ I told them.”

“At first no one spoke. Then a man, a little shorter than most, sitting a little straighter than others, made himself known.”

“ ‘It ain’t a matter of being left handed, sir,’ he said. ‘We’re all just shocked that you don’t seem to care about the curse.’ ”

“ ‘Curse,’ I laughed, ‘I didn’t know about any curse. I was just driving through and saw the fair and thought I’d stop in.’ ”

“A dull roar went through the crowd as they collectively relayed that a stranger was breaching some curse they were scared of.”

“ ‘The curse ought not to be ignored,’ said the man. ‘Maybe if you heard the story and find out what happens to them that don’t listen you’d respect it more.’ ”

“What could I say,” the old man asked me, his story still thrilling him, his foot bobbing higher than ever as he drained his cup, shaking his head and continuing the tale when I held out the pot to offer him more.

“ ‘I’m a guest in your town,’ I told them, putting on my best southern charm just as my father had taught me, ‘and I’ll listen to anything you’d like to tell me.’ ”

“ ‘Good,’ the little man said. ‘It ain’t something we take lightly around here. I’ll get Tom Hunter to tell the story, since he’s most directly involved.’ ”

“ ‘Thank ye, Doctor,’ said a man no younger than 60 who looked to be nearly as wide as he was tall. ‘I’ll ask ye to listen kindly, stranger.’ ”

“ ‘Fact of it is, my grandfather was the third Hunter in line that owned this here farm. The town nearby was still sorta new, made of a buncha cast-offs from the Civil War. Fact is, this very field was the site of a major battle in the area. Nigh 200 lives were lost in this place. ‘F ya ask me it’s the blood in the ground what makes the corn grow so tall.’ ”

“ ‘But anyway. ‘Twas the night before the town’s first fair and my grandfather was out with the mayor and some of the church deacons, pickin’ corn for the event. Knowin’ they’d need a lot, the men worked late into the night, only stopping to empty their baskets into the wagon they had.’

“ ‘Long ‘bout one in the mornin’, way he told, they finished one row and was movin’ to another when they saw ‘im.’ ”

“ ‘Saw who,’ I asked the farmer, genuinely unable to hide my curiosity.”

“ ‘Lefty Smith. A veteran of the great war that hadn’t lasted a month after coming home. Mean as sin and twice as scary is what his own wife said about him. Lefty was called Lefty because he got his right arm blowed off in the battle. It was an infection in his blood what finally killed him off.’ ”

“ ‘He was dead?’ ”

“ ‘Been dead about 3 months,’ Hunter told me. ‘ Infection took him quick. But not before he got mean. Terrorized the whole dern town, he did. Started claimin’ everything left and right as bein’ his left-handed property. That’s where the curse come from.’ ”

“ ‘From the dead man,’ I asked him, doing my best not to let my skepticism show.”

“ ‘Yessir. My granddaddy and half the church was out in this very field, like I said. They was pickin’ away for the fair when it happened. They went from one row to the next and seen him standin’ there.’ ”

“ ‘Lefty?’ ”

‘Yessir, Lefty Smith, a haint if a haint there ever was, standin’ there munchin’ a ear of corn. Granddaddy said they stopped dead and Lefty looked at ‘em with that mean old look in his eyes, threw down his ear of corn and grabbed another off the stalk.’

“ ‘Listen here,’ he said to ‘em, pullin’ the shuck off with his teeth, ‘Y’all better not be givin away my corn tomorrow.’ ”

“ ‘Your corn,’ my granddaddy spoke up, ‘Lefty Smith you know this is my field. Has been for 30 years.’ ”

“ ‘Your field or not, Jeb Hunter, you keep away from my corn. You can take all the right-handed corn you want, but you mark my words – all the left-handed corn in this field is mine and any man I see eatin’ it will pay the price.’ ”

“ ‘What happened then,’ I asked Hunter,” the old man told me, seeing I was just as interested as I could imagine he had been.

“ ‘Well they ran,’ Hunter said with a laugh. ‘They hauled tail out of that field and spread the word about the curse. That was almost 50 years ago and I’ll tell you now, only a handful of people in that time has eaten any left-handed corn – and each time it’s ended bad.’ ”

“ ‘I do appreciate the warning, Mr. Hunter but I’ve finished over half an ear with my left hand and I haven’t seen any trouble,” the old man said with a cackle. “Do you know what he said?”

“I have no idea,” I told him.

“He looked at me real serious and said ‘well, how’d it taste?’ ”

“I told him honest that it was actually pretty delicious. Then he asked me if it was hot or cold.”

“ ‘Quite hot,’ I told him.”

“ ‘Did it burn your mouth,’ he asked.”

“ ‘As a matter of fact it did cause a little discomfort,’ I told him.”

“ ‘That was the curse,’ he told me without hesitation. ‘I bet Lefty just decided to take it easy on you seein’ as how you didn’t know about his left-handed corn.’ ”

“ ‘Well if that is the case, then I certainly appreciate Lefty’s generosity, and I’ll keep it in mind until I’m out of danger,’’ I told him.”

“I finished my corn with my right hand and was accepted as the newest member of the community. I was so respected, actually, that when I left it was insisted that I stop on my way back through. As I climbed into my car the mayor himself handed me another ear of corn for the road, which I happily munched with my left hand once I was well out of eyeshot of the superstitious new friends I had made.”

The old man sat back when he was finished and gave me the biggest, crookedest grin I’d ever seen.

“Any more evidence of the curse,” I asked him, unable to help myself.

“Sure,” he said with a wink, “I felt like I hadn’t taken three bites before I realized all the corn was gone off the cob, and I hadn’t had near my fill.”

 

There you go guys! I would really appreciate it if you would let me know what you think about the story. Send me a message or leave me a comment and now go check out the new site!!

Spring Renewal

I was thinking this morning about how blessed I have been and about the changes coming on me in a week or so and it hit me just how monumental the changes of my life have been these last couple of years.

Last year, 2015, I graduated from my university with a Bachelor’s Degree and a world full of potential. This experience was slightly bittersweet, seeing as how I owe my Alma Mater so much. While there I learned skills that have helped me beyond measure, was introduced to people who have become some of my best friends, and found books and other works of art that have had profound impacts on me (and my writing). I visited campus again today to speak with some of my former professors and it hit me  again just how much I miss the place, not necessarily for the work or the classes, but for the environment that I don’t think I will ever forget. I wholeheartedly believe that the environment of a liberal arts college is one that can’t be beat and is one of the most welcoming of all – but that’s a post for another time.

Finally, keeping up with the changes that Spring brings my family and I we come to the fact that one week from today (on my birthday I might add) I will be starting my new job, the next phase of my life. In addition to just changing professions, I plan on moving to a different location, which is only going to add to my excitement (and perhaps a little to our stress during the moving process – I HATE packing). But I couldn’t be more thrilled with the possibilities ahead of me! Also, as a special note for anyone who knows me; May of 2013 saw the release of Baz Luhrmann’s version of The Great Gatsby, just a month after I presented a paper at two undergraduate research conferences on the book (which just happens to be my absolute favorite!).

If the future continues to have such (hopefully good) profound and excellent bits of change and renewal for my family and I, then things should definitely remain exciting for us! So what about you guys? Have you found yourselves in the middle of great changes or on the receiving end of great blessings in the months of April and May, or during the time of Spring and early Summer? If so, feel free to leave details of your experiences below or message me with the details!

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The Road to Greatness

Last week I made a post talking about what I would like to be remembered for. I asked for feedback from my readers and got some great responses as well, and it made me think about something that I’ve often had on my mind in regards to writing and the future. The simplest way to say it is this; I want to be great. Not just at writing, mind you, but that is the task at hand here. I want to be great, I want to wow people, and I want to create something that is not just going to be remembered, but something that is worthy of remembering.

One of my favorite movies (developed from an amazing book that I am just now getting my hands on) that addresses this best is Eddie and The Cruisers. Eddie Wilson was a man with a passion that few people could understand. It burned inside of him so hot and so strong that he literally couldn’t be happy unless he was letting it out in his music. He struck it big with an album and his band toured the East Coast for a while before things got a little hairy. The movie, obviously straying a bit, portrayed this by having The Cruisers cut an album with a different style of music than most people were used to in the 50’s, which the execs of their label flat out condemned. Eddie, driven mad by rage, left the studio and wasn’t seen again (spoiler alert), at least not until the second movie. Eddie left in a rage because his passion, the thing that he felt he was created to do, was being stomped on, his ideas being viewed as poor quality. Eddie felt immensely betrayed at being told his ideas weren’t good enough and he uttered a statement which always sends chills through me.

“If I can’t be great then there’s no sense in ever playing music again.”

Since I first put pen to paper I have felt this way about my writing. But during that time; during the writing, the stress, the feeling that I’ll never make it to the top of anyone’s slush pile long enough for my work to be considered, I’ve never taken the time to define exactly what ‘great’ is. To Eddie Wilson it was creating a sound unlike anyone has ever heard before. But what is it to me? After some deliberating and thinking, I think I have one potential tentative definition to strive for.

To me great is; having someone read my work and be inspired or moved by it. Having someone read one of my books and rethink what they thought they knew of the topic before finding my work. Having someone who considers one of my book to be one of their favorites. Maybe even someone who can’t stop thinking about words that I wrote, something that I created. To me that’s great. Of course a million dollar book deal, book signings in at least 5 major U.S. cities and a book tour where I get to read from and discuss my work after riding the top of the best seller list would also be great, I think the others hold a similar impact. At least for the person affected by the work.

That leads me to another instance of asking for all of you to tell me your own opinions on the matter. We all want to be great at our respective crafts, to have the satisfaction of knowing that we did our best and that our best is pretty darn good, but what exactly puts us over that line? So tell me, when you all think about what constitutes greatness in regards to your work, what exactly do you see? Are you presenting your art work to a group of a few dozen at a private show, playing music for a state leader, or are you sitting around the campfire telling scary stories to your children and knowing that the story will then be passed down to your grandchildren because the words were so powerful they stuck and became a solid foundation in your child’s memory? Leave a comment or, if that’s too open, send me a message and tell me what you think of when you think of greatness. What level do you think your work must reach before you will finally consider yourself having achieved greatness? And, furthermore, why?

As always, I hope you’ve enjoyed this post and I welcome all comments and questions. If any of you have a topic suggestion, I ask that you definitely get it to me. I would love to know that I’m talking about the things that you all want to hear more about. Leave your comments below and happy writing!

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Awesome Opportunity

I know I have spoken to you all before about the Appalachian Heritage Writers Symposium, and I think it’s about time to mention it for this year, too. The event takes place on June 10 and 11 this year, and it promises great content and a great experience to all those interested in attending.

The keynote speaker this year is Sharyn McCrumb, an Appalachian writer who has tackled many topics during her career and has made quite a name for herself. The topics being discussed range from graphic novel design and fantasy writing, to the ever practical and useful topics of marketing and nonfiction writing and many things in between. This symposium, now in it’s seventh year, is one of the best writing events in my region and often has visiting writers from all over the country in attendance. We do, of course, typically hold the theme of Appalachian Heritage writing, but that isn’t all we focus on, either.

I have found that this symposium can be very useful and it has actually helped me develop my platform since my first year of attendance in 2012. I have seen a number of people leave the symposium with a lot of knowledge that they didn’t have before attending and have actually felt more encouraged with my own writing after speaking to the writers that attend. One of the most rewarding things about this particular event, in my opinion is that you are given multiple opportunities throughout the two days to have face-to-face and one-on-one interaction with these authors. Unfortunately with symposiums and events like this that isn’t always the case.

Another benefit of this experience is that, rather than being full of themselves and unkind, as some individuals in the spotlight tend to be, these authors are some of the friendliest people you will ever meet, often striking up a conversation with you before you even get the chance to start one with them. I have gotten to know most all of the Appalachian Heritage Writers Guild and most of the regular attendees of the symposium itself and I have to say that one of the reasons I find it so beneficial to keep attending is the level of camaraderie I feel whenever I go. This is a very important thing for an artist, especially one just starting out.

One thing that I also find very interesting about the event is that there is a writing contest (prizes included) that is all inclusive. As a matter of fact, you don’t even have to be in attendance to win! So if you find yourself unable to attend the conference, but would like to enter the contest, follow the link at the bottom of this post for more information.

So I want to invite you all to try and attend. I know some of you are quite far from Southwest Virginia, but I assure you it is worth the trip. I will attach a link to the symposium website at the bottom of this post for any interested in learning more about it. Of course, as this is an event with a set schedule and meals included (Ha! I left that part for those of you that stuck it out until the end! The food is very amazing every year, so that is always another benefit), so registration is required so they have a head count and know how much to purchase in terms of supplies, etc. Also, there is normally a gift bag upon entering that includes a folder for the event, at least one notebook and pen, and a copy of SWCC’s Clinch Mountain Review.  There is a book signing event at the end of the first day and more festivities that you’ll just have to attend in order to know about! If there is anyone who has any interest in attending but feels unable to pay for the experience, please contact me. I really hope to meet some of you at this awesome symposium!

https://appheritagewritersym.wordpress.com/

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Unicorns are Real

Yes, I know this statement brings a number of things to mind, and it may be one that some of you are already familiar with, but I wanted to make this title and write  few words on this seemingly silly topic because the message many of will get can be applied to a number of things, including potential success in virtually anything we really set our minds to.

Of course, I could turn this into a rant about how a great many creatures thought to be mythological have since been proven real and use that as an argument for the possibility of the existence of most other cryptids out there, but that’s another topic entirely.

My point for today is this; so many people throughout history have used the legend and the image of the unicorn to be silly and stand for something that is impossible, but the truth of the matter is that nothing is impossible. Granted, the creature being referred to as a unicorn by science was much more akin to a cross between a rhino and a woolly mammoth, as it stood around 6 feet tall and weighed in at approximately 8, 000 pounds. Personally I don’t think that guy is going to be flying through any clouds or running across any rainbows.

But I digress. The reason this information is important is simple; anything is possible. I usually try to coach you guys through a specific issue that can have a crippling effect on some artists, but today I’m just addressing the real basics. You need to have faith. There are so many people who have risen through the adversity that met them to be some of the most treasured and celebrated authors in history. Critics and agents alike have torn some of our favorite authors apart countless times, and they still get right back up and keep putting pen to paper because that’s just what you do. I’ll keep this short and sweet today, guys and just leave you with a simple reminder that I think we could all use sometimes.

Your ideas came to you, so no matter what anybody says you owe it to yourself and to the world to keep at it. People who never thought they would see success are changing the world every day. Keep writing that book and don’t ever give up on your self. Remember, unicorns are real and anything is possible

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Is It Still Mine?

Sometimes as artists we have a piece that resonates with us so deeply and becomes so precious to us that it takes a very long time to go from start to finish. Now, that’s not to say that this particular piece is going to be any better or worse than any other thing that we produce, but it is just more uniquely “us”, I think. One such instance of this comes from (of course) Stephen King and his work on the Dark Tower series. King got this idea decades ago and just recently published the final piece (at least for now) of the Dark Tower puzzle. The books, a series of 7 with a stand alone follow-up, tell the tale of Roland Deschain and his urgent attempt to right what is wrong with the world by find and fixing the Dark Tower. Each book is deeper and more dense than the last and, with the exception of the stand alone (which I own but haven’t yet read), each one is larger than the last. King has called this series his magnum opus and has actually found a way to weave most of his other pieces into the world of Roland and his Ka-Tet. At the beginning of each book there is a foreword, at the end an afterword, and in almost each one King explains that the world of Roland grows a little more every time he attempts to visit it, the story becoming more complex every time he begins to work on it.

This is what I’m talking about. Speaking from experience, my own magnum opus (Maverip and its prequel/sequels) have gone through more phases than I ever imagined when the idea hit me some 9 years ago. That’s almost a decade of work. Each novel has taken me more or less three years to complete so far (yes, that means I only have two of them fully ready for beta readers), and the ideas keep coming. I can look at the notes I made when the idea first hit me, can actually still remember the experience of the idea flowing through my brain while listening to music in the car riding through the mountains on a warm summer night, and I can see how much the piece has grown and changed without effort.

But what does that mean? Has my idea gone from one thing to another? Have I butchered my own work by adding to it and allowing it to change? As an author, when that big piece comes to you and rides the years in your brain, letting every single day of your life affect the outcome and progression, I can promise you that you will end up asking that question at least once. I have asked it of myself and my work more times than I care to admit. But it’s nonsense. As I’ve talked about countless times before, when a piece that is really alive comes to you, begging to be written, it will often times end up writing itself and using you as a tool. Your ideas will put themselves on paper with little or no effort from you, with the exception of punching the keys or holding the pen and flipping the page. This is when you know that you are meant for the work and that the work is meant for you.

So why should it scare us when the work guides itself in a different direction than we originally saw? The answers may differ from person to person, but in my experience they often come back to one simple and brutal concept; Failure. We are afraid that if we can’t guide the work along exactly as we thought when we first humored the idea then we will never be able to convince someone else to read it. This is crazy. Why should we be afraid of our own abilities? The ideas that come to us in such depth that they allow us to build an entirely new world based on our own concepts are not ones that will fail us. We need to have faith in ourselves, our talents, our abilities and our ideas. Basically, we have to give ourselves artistic freedom if we ever hope to have real and true success in whatever craft we have chosen. Personally I would love to discuss this more in depth with anyone who is willing, so I would like for anyone who has felt this fear or questioned their work in this way to leave a comment or send me an email regarding what inspired the feeling and how you handled it. I hope you’ve all found this useful!

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Preparing for Advancement

In addition to trying to always write helpful and inspiring blog posts for all of the budding artists out there, I occasionally like to let those of you who are fans of my work know a little about what’s going on in that part of my life. 2016 has treated me fairly well so far, allowing me to submit pieces to a number of different venues, some of which I am still eagerly waiting to hear back from. In addition to this, I have begun taking the first steps in preparing Moonlight, my latest novel, to send to an agent.

To be brutally honest that process somewhat terrifies me. In the past it has always made my heart stop when I sent works out, but this feels even more serious. Obviously it is, but I think many of you will know what I mean. I put blood, sweat and tears into this novel, and stayed up much later than I should for I don’t even know how many nights trying to write it, only to have to sort through the last few paragraphs in front of me the next morning to make sure I hadn’t jotted down some inexplicable jumble of nonsense. So far in this process I have been trying to work with beta readers, some of which have been much less helpful than I’d hoped, and have gone through three previous edits. I tell myself that I would love to have a few more opinions, but at the same time I wonder if that’s just me trying to put off the rest of the process.

Either way I really want to make an active attempt to get myself published and get my work out to a larger audience and use the gift that I feel God has given me. I have a feeling this process may be a long and arduous one, but I am more than ready to get it started. I have worked with small journals and publications for almost six years now, taking the route of self publishing when I felt the smaller venues weren’t getting me where I wanted to be. I think I chose this route, for one, out of curiosity, but also largely because there is a part of me that is terrified of allowing someone else the opportunity of breaking my work down and tearing it to shreds. But that’s the whole point isn’t it? Centuries later and we are still tearing Shakespeare apart and trying to find his meaning, his purpose, utilizing every tool we have to analyze his voice and his work.

Isn’t that what writing is all about; letting others read it? In addition to trying to get this novel figured out, I am still tweaking on my Maverip series and trying to make sure that it is getting completed and trying to make sure that I haven’t strayed away from my original plan and purpose for the works, which is something that I seriously worry about after having worked on the pieces for 9 years. Again, I know a lot of you will probably know what I mean when I say that. The longer you work on a piece, the longer it takes to get it finished, the more you will worry that the work has altered from what you originally intended and has instead become something very different. This isn’t always a bad thing, of course, but that is a topic for another time.

I will wrap this informative piece up by letting you all in on one of my more exciting accomplishments of recent weeks. I entered a writing competition around the end of December with high hopes. At the time of entry the reveal was set for January 16th. The 16th came, with a notification from the contest runners (the contest was Neoverse, for anyone interested) that the reveal was actually pushed back to February 29th due to the fact that they had actually received several thousand entries, a fact which blew me away. So i waited for another month, as patiently as I could, until February 29th came and went. I checked my email almost hourly that entire day, finally going to bed a little before midnight only to wake up the next morning with some exciting news. Out of several thousand entries the judges had narrowed their possibilities down to 5% of the entries- and I was on that list! I know that might not seem like a big deal to some, but it made my heart absolutely SOAR. So now I am waiting to see if my piece will be picked for a spot in the winner’s circle (which consists of 20 pieces) and will get published online and in print via Neoverse. I’m not sure when that particular announcement will be made, but rest assured, when I know so will all of you!

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Confidence in Your Craft

I’ve touched on this a few times in recent posts, and some of what I have to say is a repeat of previous statements, so I won’t take too much space to say it in today. One thing that artists of every kind need to remember is that confidence is very important to our craft. If you look at ourselves in the mirror every day and think about how terrible you are and how you are never going  to amount to anything then you’re probably sealing your own fate. In the same light it is equally harmful if we look at our work and get the mindset that we are the best there ever was and any one who doesn’t think so is obviously wrong. Going in to speak to a publisher with an attitude like that will pretty much guarantee you’ll get thrown out on your ear.

In reality the attitude that we need to have is that we, and our contribution to the craft, are unique and are the best that we can do. When you get a new story idea and you do your research and see that there aren’t any stories out there that are quite on the same page as your plan, then you should be able to move forward with the confidence that, at the very least, you are progressing on a path the few have been on before. Often realizing that will allow you the exact amount of confidence needed to put your best foot forward and get that work on paper.

I’ve mentioned before that one of the most inspirational quotes I’ve ever read says that the reason your story is so important is because it’s YOURS and no one else can tell it like you can. And that absolutely has immense validity. If you ever have doubts about this get someone to do a collaboration with you where one of you writes one section and the other continues it. Go back and forth like that and see just how different the story turns out from what you originally had in mind for it. It’ll blow you away.

Finally, one of the main reasons confidence is so important to artists is because, for many of us, art (whichever the medium) is what we truly feel we were put on this planet to do. When you feel in your soul that you were created for one large purpose the idea of thinking that you are going to fail at that purpose is what often drives some of us to drink or drugs. You can’t let yourself fall into the mindset that your calling is anything less than intentional. We all have been put here for a reason, and I honestly don’t think that reason is to fail. So why think that way? You just have to give it your all and work as hard as you can at whatever it is you are doing. After that, the going gets easier.

Pick yourself up, look at your work and realize that, no it might not be the best book ever written or the best painting to ever hit canvas, but it is absolutely the best that you can do and no matter how hard they tried, chances are that no one else could do it quite like you. Realizing the truth within those facts alone makes you more successful than you were before you started the project. So pick up your tools and get to work, people. We have a whole new world to build, and no one can do it like we can.

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