Mockingbirds, writers, and vampires!

Happy June, everyone! I’m pretty excited to get the chance to make this announcement, because this book is one of my all-time favorites. Some of you who followed my video book club a couple of years back may remember that I did a video on the book there, and I’ll probably cover some of the same talking points with this – although hopefully more in depth. Without further ado, let’s all put down the sun tan lotion and get ready to read “To Kill a Mockingbird!”

This is an absolute classic – a treasure, if you will. The themes of this book still ring so true today that it makes the piece hopelessly timeless. The morals Harper Lee intends to inspire in the reader here are just incredible. Honestly, there is little to nothing about this book that I don’t enjoy, so the discussion post for this work may be a little long in tooth, but I’m sure you all won’t mind!

I also want to remind you all that I will attending the Appalachian Heritage Writers Symposium this Friday and Saturday and I couldn’t be more excited! This has been one of my favorite things to do for the last half a dozen years or so, and every time I come out with a new outlook on the craft of writing in general and my own place in this great big literary world! Some of you may remember (I know I remind you at least annually) that I actually started this blog due to a lecture I attended at this symposium three or four years ago. It has been a great help and a great inspiration to me and my writing since I first stepped through the doors, and I look forward to what this year has to offer. I don’t think it’s too late to register, so if anyone is interested in attending a great symposium with some great regional authors, feel free to check out the details here;

Last but not least, I have to tell you all that I have put myself into overdrive when it comes to getting Maverip ready for beta readers. I have decided that I am going to format the novel differently than previously planned, and I will be taking strides to get the project finished by the end of the year – if not the end of summer. If anyone is interested in being a beta reader for an awesome, intense vampire novel that calls back to the root of what makes a vampire a vampire, let me know and I’ll get your info ready for the day it’s complete!

Look for the Mockingbird review around June 28, friends and fans, and we’ll have a great discussion about this awesome classic. If you have any other suggestions feel free to leave them in the comments below, and if you’re interested in being a beta reader, hit me up!

The Powers of Darkness: The Lost Version of Dracula

I loved diving into this lost piece of history. Dracula has long been one of my favorite works and one of my favorite literary characters. Reading this work and watching some of the more than 200 film adaptations of the character further inspired my love of vampires and helped me decide to be a vampirologist and Dracula scholar. From the first time I read Stoker’s novel I was pulled to Dracula with a vigor I’ve never been able to (or desired to) escape from. That fascination was renewed when I got my hands on a copy of Dacre Stoker’s co-written sequel that said the count hadn’t actually died after all. When I first heard this new retwlling had been discovered by Hans de Roos and others and was being translated and released I couldn’t believe it. For years I had dreamed of  even more workings of the menacing and misunderstood figure that has become synonymous with all things blood-sucker. After reading the book I have to say that I am both very pleased and still left wanting more.

Getting straight to the point I have to say that Valdimar Asmundsson wrote an incredible alternate version of the book that has become literary staple in the past century. Heading right out of the gate I was both shocked and intrigued to see that the book took a much more conversational tone than the original (granted, I’m sure at least some of that had to do with the translation from Icelandic to English). Originally Harker was strict, speaking … er, writing…. with professionalism and personalism. Here Harker, Thomas rather than Johnathon in this case, feels a bit looser to me, as if he’s less stiff than the original.

The blatant changes in Harker’s journey were fascinating to me, too. In the original novel it feels like Harker’s trip is swift and the people he encounters very stiff and cold. This version gave us a trip that felt almost casual rather than business in my opinion. Harker was hit hardest by superstition at the last leg of his journey in both cases, however. The people in the last village he stopped at all but begged him not to go to the castle they believed to house something wrong.

Harker’s stay at the castle dominates this particular version of the novel, taking up about three quarters of the piece. He is subjected to the same strange behavior from the count, right down to the destruction of his shaving glass and the often absent host that never eats. He explores the castle on his own, as before, but now he finds only one beautiful woman, rather than three illustrious vampiric wives. He is almost haunted by this woman, her power over his mind and spirit mentioned multiple times as he spends weeks in the castle with no escape. His only saving grace is the cross around his neck. Both the woman and the count are visibly turned away by this the cross, and he mentions multiple times that he believes the cross to be what saves him from an unknown, but surely terrible, fate.

The layout of the castle is another new piece of work, as are a number of new characters. Here Dracula and his “cousin” are in the castle with a deaf, mute (and once-blind) maid and a number of strange “ape-like” men who are only mentioned once outside of the demonic cathedral beneath the castle. I loved the scene where Harker first truly sees the evil inside his host. Young women are sacrificed by the count and his ape-men in this underground altar room and Harker finally stops denying that something is wrong.

I enjoyed the way the book picked up from this point. When Harker comes to the full realization that he has to get out, I kind of felt like I was on a roller coaster. I loved the way he continued to try to be impartial to Dracula and the way Dracula became even more fiendish to him. I was a bit disappointed by the big reveal of Dracula laying in the coffin, because even here there was no mention of what exactly Harker thought might be happening.

I liked the way the second part of the book is told in a standard novel format, as opposed to the journal/letter format of the original. It made the story flow a little smoother, in my opinion. I was really thrown off by how quickly and how entirely differently the story wraps up, however. It seemed to me like Asmundsson either just didn’t like the latter half of the original, or he got bored with his own retelling. Perhaps he was unable to finish filling in his own details and decided to publish the piece as is. I don’t know. The second part of the short novel felt more like a detailed outline than an actual part of a novel. We hear of the Demeter’s crash, we hear of Lucy (here Lucia) and her sleepwalking, but we are also given the representation of a drastically younger-looking count becoming a very social figure. Mina (here Wilma) and Lucia meet the character on multiple occasions, putting me in mind of the classic Bela Lugosi Universal flick, or one of the many others that borrow from a similar story line. Is it possible someone down the line might have had this version to look at and base one of the many cinematic versions on it? The ending of the book came very quickly. There was no great chase through the European countryside, no large final battle, no real threat to the main characters. They opened his coffin and killed him. It was simple, easy and clean. In a way I felt a little robbed of what could have been done with this new version of the classic monster.

Overall, I did like the book. I thought it was a very interesting retelling of a novel most of us know (whether we know we know it or not), and I think there is a lot of opportunity to work with this altered story line (Dacre, if you read this I’d love to be in on anything that could be in the future!) and character. I enjoyed the addition of more characters in the castle, and I do think I preferred the single mysterious woman to the three. It added a  heightened sense of fear in my opinion. One woman can hide much easier than three, vampires or not. I enjoyed this more cunning and commanding version of the count. I say more commanding because we actually get to see him command a large group of his “ape-men” through a very dark ritual and that in itself added another layer to the inert fear the character can inspire.

Of the things I was less than impressed with… There is a bit of a list, but I’ll only hit the high points. Before I do, however, there was one thing that I can’t decide if I liked or disliked. That is Harker’s seeming lack of ability to understand or unwillingness to admit what is going on. Where the word vampire is mentioned in the original, this version never suggests that his host may be a vampire. He does mention the idea that he fears they (Dracula and the mysterious woman) may want to suck his blood, but he doesn’t come right out and say the word. Even after watching this blood ritual in the altar room, seeing the ape-like men drink someone’s blood, he doesn’t make this connection. I’m torn about this because, on the one hand I think it almost makes Harker out to be a fool, that he either doesn’t get it or doesn’t believe what he is seeing. On the other, it reminds me of  one of my favorite vampire movies, “Near Dark.” This movie is one of the most under-rated I’ve ever had the pleasure of enjoying. It tells the story of a roaming group of vampires that have run-ins with the law, etc… It discusses their need to drink blood, the fact they never age and heavily showcases the damaging effects of the sun’s rays, but never once in the film is the word ‘vampire’ ever used. Clever tool, if you ask me.

I think the biggest thing I didn’t like with this book was how fast paced it moved after a certain point. The beginning was well thought out, well planned, and perfectly executed, but the latter half seemed to stumble over itself. Particularly the second part of the book, after Dracula leaves his castle. I feel like the author went through Stoker’s notes and novel with a marker and highlighted what he liked and made up some of his own work, but never took the time to put the real detail into it. I was very disappointed with the absence of the Renfield character. I feel he gave interesting insight into the effect Dracula can have on the brain. Personally, I also wonder just how much of Renfield’s tendencies Harker might have taken on while in the nunnery (or if Dracula sought Renfield because he wanted a similar servant to what he expected of Harker). The possibilities with that character are endless. Finally, I was disappointed in the fact that Dracula’s death was just there.  You’re reading the book, noticing it going faster and faster, and suddenly Dracula’s dead and the book is over. As much as I hate to say it, it did leave something to be desired.

I do have to say that the foreword, footnotes and all accompanying text was very helpful, very interesting and helped make the book that much more enjoyable. It does also help pose the question of whether or not there are other alternate versions of this age-old classic out there just waiting to be discovered (aside from the Swedish version which is being translated as we speak)….

Make sure to share your thoughts on this unique piece of literary history and share this with anyone you think might be interested. Make your suggestions for future books and let’s keep the book club going! Summer is here, the kids are out of school, and it’s time for those summer reading lists, so let’s say this month’s book is going to be your favorite summer reading list pick! Leave them in the comments or message me directly via email or social media. I look forward to hearing from everyone. Keep reading!




I have to apologize for my absence of late. I have been working hard at my research and trying to regain the full level of my inspiration by immersing myself in all things vampire. I have been reading Dracula and preparing to read its sequel and looking over legends and myths that give me the true essence of my work. In addition to this, I am looking very hard for a publishing deal and all of the required additions to put my first novel Maverip on the market and make it available to you all. I’m currently considering trying my hand at self-publishing/e publishing one of my early short stories, and if I do I will be sharing that link with you all on every venue I have. I hope you all can relate to my dedication to my work, and I hope you all understand. I’d love to hear from every reader to see how their work is going, how this blog has or has not helped, or anything else you would like to say. I promise to post more helpful tips as soon as possible, and I thank you all for bearing with me through my obsession. More is definitely coming soon, and I again welcome every bit of feedback you are willing to give. Thanks,


Killer stress

There are many things in life that can have negative effects on us. These things can range from the personal to the professional, and they can seriously damage our work if we aren’t careful. This post is about caution, as the one yesterday was, but in a different fashion. We, as authors, have to constantly be on the lookout for things that are going to kill our work. Personally I find the higher the stress level, the harder it is to write these days. Which, sadly is the exact opposite of what used to happen. When I first began writing it was the writing itself that helped lower my stress level, but now it seems that stress hinders me more than anything else. That is a very disappointing situation to a fifth year English major; stress is an essence of life, and if the one thing I was put on this earth to do is hindered by the one thing I have to do in order to be taken seriously  in that task then I am in a very tight spot. That’s a destiny that awaits all writers at some point in their lives; running into a spot that hinders all writing and makes your inspiration sporadic and trite. But there is always a way out, and this post is more relative to past posts in that it refers more to my post about inspiration. Because this post is a reference post it will be relatively short. The reason for this is because I am personally just getting over my own bout of writer’s block due to stress and am reaping the benefits of my return to my own creation. Maverip 2 is currently going very well, and I’m still looking for a publication deal for part 1 so you can all see the work I’ve done instead of having to just listen to me ramble about it. Tomorrow, I may post a bit of my work so you all can get an example of what I’ve done so it will sound less like I’m just sitting here blowing smoke in your faces. For now, enjoy whatever inspiration you are getting and write your hearts out like I’m trying to do. Thanks for sticking with me, and feel free to contact me with any comments, concerns, questions or feedback you have.

Completing my first novel

Today I think it would actually be beneficial to explain a bit about my biggest work; Maverip and its subsequent series. The work itself is one thing that I am most proud of in my life. It took three years to write the first novel in the series, and at the end of those three years I felt like I had finally accomplished something I could really be proud of. I spent three years on this work, not just writing and thinking, but researching. That was one of the most important parts of the novel. I had to look into the vast depth of vampire lore and rip it apart to find what I felt I needed. I have spent the last five years of my life immersed in a literal plethora of everything vampire, and I couldn’t be happier. I am one of the biggest vampire fans you will ever meet, and now I am basically an expert on nearly all things vampire too. But I’m not trying to brag here, that is farthest from my purpose. I’m just trying to really share the depth of my experience.

I spent three years with almost nothing but Maverip on the mind. I did and still do eat, drink and breathe vampire, and I wouldn’t accept anything less with my life. I love it. That is one reason I tell you all that you have to write about something that you are passionate about. It is the reason I became a writer of fiction, especially horror fiction with a specialty in vampires. It’s something I’ve always been nuts about.  That’s what makes it so easy to just dive in. Writing about it is just about the most natural thing in the world and the research has given me so much more added knowledge on something that I absolutely love.

In a manner writing this series has basically been less than work in any way and more of an immensely fun and incredibly life-changing event for me. When I ponder the work, its history and it future, I feel like it is something that will change the world. That is a feeling you just can’t help but love. I think about these novels and they make me realize how blessed and lucky I am to have the gift of being able to write as I do, and I am eternally thankful and grateful to God for giving me this gift and allowing me to attempt to share this series with the world.

Thus far the hardest part of this has been trying to find a publisher who will give me a good deal. Granted many people look at my subject matter and think that it will fall short of the expectations of some, I must assert that one of the biggest things I have attempted to do with this series is return to the true origins and roots of vampire tales. But that will come later, especially once the work has actually been picked up. Basically the point of this post has been to give an insight into my experience and to help you guys get to know a bit about me personally. I hope it has been interesting at least. My next post will include something that’s actually helpful, I promise. Thanks guys.