Trying Harder

Hey there friends and fans!! I hope life has treated each and every one of you absolutely wonderfully of late.  Personally my adjustment to a new city, new job and new home has finally lead to a fairly adjusted schedule, at least for now. Hopefully things will continue to work out well.

As many of you may remember from earlier in the year, last weekend was the Appalachian Heritage Writers Symposium.  It was an amazing experience,  as always, and it inspired me even more to make a dedicated effort to my writing. With any luck this will work out well, since it seems that life may be calming down a bit and I will hopefully be able to set a schedule that will allow me to dedicate time each day, or at least each week,  to attempting to get something out there!

In addition to this general hope, I have decided that I am going to try a few new ways of advertising my work to anyone who may be interested, one if which I am hoping you’ll all participate in. I am starting a newsletter! I’ll be setting it up this week, and hopefully have the first one out by the weekend. I plan to make a post on here and on my Facebook author page giving the details on how to sign up for it. I plan to use it to give people an idea of what I am working on, where my works in progress are in the development and editing process and will even be giving some exclusive excerpts to those who subscribe!

My goal, in case I haven’t run it into the ground yet, is to have something in the process of publication by the end of this year. With the help of my friends and fans, as well as dedication and effort on my part, I know I can make that happen.  So I thank you all for your support and well wishes. You have no idea how much it means to me. I sincerely hope to have some new work to share with you all very soon!! Feel free to contact me and leave any and all comments you wish! I’m glad to be back!

Apology

I know it has been over two weeks since my last post, and I sincerely apologize for that, everyone. It has been a crazy couple of weeks for me.

I realized last night and this morning that today marks exactly one year since my first interview with the Bristol Herald. I can’t believe that! A year later and here I am! Also, I will be covering a discussion by Sen. MArk Warner today, and coincidentally he is the first big name interview I ever got when working for the Highland Cavalier as well! God’s blessings really are coming full circle today and I couldn’t be happier.

Since starting my new job with the Bristol Herald Courier I have gotten three cover stories, one of which was the headline and have made some very interesting new contacts.

In addition to this  I found a new place to live and have been consumed with a 40 hour a week job, an hour and a half long commute each way for me for some of the days, and moving everything from my old place to my new one while maintaining get enough time for sleep and sanity. Needless to say it has been incredible, stressful and truly rewarding.

I just wanted to post a little something letting you all know that I am very sorry I’ve been absent, and that hopefully I will have the move completed and have more free time soon so I can start blogging again. I am including a link to one of my favorite stories of the last two weeks in the hopes that you will all read and enjoy it! God bless!

http://bit.ly/1rqNOdG

Spring Renewal

I was thinking this morning about how blessed I have been and about the changes coming on me in a week or so and it hit me just how monumental the changes of my life have been these last couple of years.

Last year, 2015, I graduated from my university with a Bachelor’s Degree and a world full of potential. This experience was slightly bittersweet, seeing as how I owe my Alma Mater so much. While there I learned skills that have helped me beyond measure, was introduced to people who have become some of my best friends, and found books and other works of art that have had profound impacts on me (and my writing). I visited campus again today to speak with some of my former professors and it hit me  again just how much I miss the place, not necessarily for the work or the classes, but for the environment that I don’t think I will ever forget. I wholeheartedly believe that the environment of a liberal arts college is one that can’t be beat and is one of the most welcoming of all – but that’s a post for another time.

Finally, keeping up with the changes that Spring brings my family and I we come to the fact that one week from today (on my birthday I might add) I will be starting my new job, the next phase of my life. In addition to just changing professions, I plan on moving to a different location, which is only going to add to my excitement (and perhaps a little to our stress during the moving process – I HATE packing). But I couldn’t be more thrilled with the possibilities ahead of me! Also, as a special note for anyone who knows me; May of 2013 saw the release of Baz Luhrmann’s version of The Great Gatsby, just a month after I presented a paper at two undergraduate research conferences on the book (which just happens to be my absolute favorite!).

If the future continues to have such (hopefully good) profound and excellent bits of change and renewal for my family and I, then things should definitely remain exciting for us! So what about you guys? Have you found yourselves in the middle of great changes or on the receiving end of great blessings in the months of April and May, or during the time of Spring and early Summer? If so, feel free to leave details of your experiences below or message me with the details!

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Cutting the Red Tape

As you all know last week I made a post announcing my new job opportunity. I have received immense support and congratulations from you all and I couldn’t be more appreciative. One thing that is always a part of taking a step to better yourself and your family is the red tape associated with changing locations and jobs. I currently live around 45 minutes or an hour away from the office I’ll be working from, so I’m looking to relocate to make my commute a little shorter and I am definitely seeing the red tape show up with that process. Between trying to get our student loans on a solid repayment plan to getting pre-approved for a mortage, the obstacles are everywhere. When discussing what to blog about today, I decided to discuss a bit about that red tape in a way that is relevant to all of you as well (since it’s pretty much all we can focus on this week due to the mind-numbing stress of it all).

Red tape can come in many forms for an artist, and can be as simple as checking the format on a submission, or it can be as hard as nailing down the best time and place to have a meeting with someone interested in your work. Sometimes the red tape can be easily avoided, and other times it will wrap you up until you’re almost certain you’ll never get free of it. One such instance of this comes in the form of getting your piece ready for a certain venue. For instance, you may have a piece that you have written entirely in Arial Bold, your favorite font, only to find out that the publisher you are looking into will only accept pieces submitted in Times New Roman. This isn’t that big of a deal and is really a simple fix (control + A and change the font, for those of us who don’t do computers). In this case you’ve gotten through the red tape quite simply.

Other cases may find you scrambling a bit to get your work ready. The submission process can be one of these things. Less than a decade ago most journals and publications still worked in hard copy submissions, email submissions unheard of for some of them. Unfortunately  that is no longer the case. Most large publications now only accept online submissions either via email, through Submittable or some other platform. This in itself may not be all that difficult since most of us, even if we don’t write our pieces completely on the computer, will still have a back-up electronic copy ready to go whenever it may be needed. But what can be a problem is when the journal doesn’t specify how best to submit. Most do, granted, but there are those that don’t, and this can be a big issue. If we submit via email they may not get it, or may trash it as many journals who use other platforms tell you they will do with email submissions, or they may just not get it.

One of the worst cases of pre-publishing red tape that I’ve come across recently comes into play when you are using the tactic of simultaneous submissions, which can be both helpful and maddening at the same time. Simultaneous submissions means that you send the same piece with its respective cover letter to multiple venues in order to broaden your possibilities for publication. This isn’t a secret, of course, as most journals will flat out tell you that they accept simultaneous submissions as long as you tell them if the piece has been accepted elsewhere before they get to it. Of course, there are those who say that they don’t accept them, but honestly I don’t think that is going to really stop many of us in the long run, if you’re determined to get the work out there. The complication comes in when you look at the submission guidelines for the venues in question. I occasionally go on submitting sprees where I will look at a dozen or so venues and get pieces ready to send in, and sometimes that process can take hours, even if your work fits the basics of their specifications.

What I mean in this instance is the way you have to submit. The minor, but potentially devastating red tape. In my experience, most journals have their own way they prefer to get submissions. Most of the time this, in some way or another, involves having your piece attached to an email, often with no name or labels other than the title in the piece itself in order to maintain anonymity until chosen, while the body of your email gives you a chance to tell them your name and perhaps give a summary of the piece and why you think it fits, and a small bio. But there are the exceptions. I’ve come across editors who tell those interested in submitting to put their name and submission title in the subject of the email and copy and paste their piece in the body of the email, saying any messages received with attachments will be discarded without being viewed. Now, in the era of the ever hungry computer virus, I can understand that to a point, but when preparing multiple submissions, one little slip-up can result in a rejection or even having your submission overlooked by default.

The same goes with the red tape in life. If we forget to dot an ‘i’ or cross a ‘t’ our whole process could come crashing back down just for us to have to start all over again. Granted, the margin of error in things like a mortage application varies quite a bit than, say, a short story submission to The New Yorker, it’s all relative in its own way. In this day and age we definitely have to make absolutely certain that we have an eye for detail, because the red tape can sometimes be a bit confusing, but with the proper determination and the right amount of preparation you’ll be through it before you know it, sitting in a new house or opening your sample copy of the journal with your story as the center piece. Obviously I haven’t covered all of the possibilities here, so what other forms of red tape have you all encountered in your journeys, and how did you cut through it to make it where you are now?

In the meantime, if any of you have a topic suggestion, I ask that you definitely get it to me. Leave your comments below and happy writing!

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The Road to Greatness

Last week I made a post talking about what I would like to be remembered for. I asked for feedback from my readers and got some great responses as well, and it made me think about something that I’ve often had on my mind in regards to writing and the future. The simplest way to say it is this; I want to be great. Not just at writing, mind you, but that is the task at hand here. I want to be great, I want to wow people, and I want to create something that is not just going to be remembered, but something that is worthy of remembering.

One of my favorite movies (developed from an amazing book that I am just now getting my hands on) that addresses this best is Eddie and The Cruisers. Eddie Wilson was a man with a passion that few people could understand. It burned inside of him so hot and so strong that he literally couldn’t be happy unless he was letting it out in his music. He struck it big with an album and his band toured the East Coast for a while before things got a little hairy. The movie, obviously straying a bit, portrayed this by having The Cruisers cut an album with a different style of music than most people were used to in the 50’s, which the execs of their label flat out condemned. Eddie, driven mad by rage, left the studio and wasn’t seen again (spoiler alert), at least not until the second movie. Eddie left in a rage because his passion, the thing that he felt he was created to do, was being stomped on, his ideas being viewed as poor quality. Eddie felt immensely betrayed at being told his ideas weren’t good enough and he uttered a statement which always sends chills through me.

“If I can’t be great then there’s no sense in ever playing music again.”

Since I first put pen to paper I have felt this way about my writing. But during that time; during the writing, the stress, the feeling that I’ll never make it to the top of anyone’s slush pile long enough for my work to be considered, I’ve never taken the time to define exactly what ‘great’ is. To Eddie Wilson it was creating a sound unlike anyone has ever heard before. But what is it to me? After some deliberating and thinking, I think I have one potential tentative definition to strive for.

To me great is; having someone read my work and be inspired or moved by it. Having someone read one of my books and rethink what they thought they knew of the topic before finding my work. Having someone who considers one of my book to be one of their favorites. Maybe even someone who can’t stop thinking about words that I wrote, something that I created. To me that’s great. Of course a million dollar book deal, book signings in at least 5 major U.S. cities and a book tour where I get to read from and discuss my work after riding the top of the best seller list would also be great, I think the others hold a similar impact. At least for the person affected by the work.

That leads me to another instance of asking for all of you to tell me your own opinions on the matter. We all want to be great at our respective crafts, to have the satisfaction of knowing that we did our best and that our best is pretty darn good, but what exactly puts us over that line? So tell me, when you all think about what constitutes greatness in regards to your work, what exactly do you see? Are you presenting your art work to a group of a few dozen at a private show, playing music for a state leader, or are you sitting around the campfire telling scary stories to your children and knowing that the story will then be passed down to your grandchildren because the words were so powerful they stuck and became a solid foundation in your child’s memory? Leave a comment or, if that’s too open, send me a message and tell me what you think of when you think of greatness. What level do you think your work must reach before you will finally consider yourself having achieved greatness? And, furthermore, why?

As always, I hope you’ve enjoyed this post and I welcome all comments and questions. If any of you have a topic suggestion, I ask that you definitely get it to me. I would love to know that I’m talking about the things that you all want to hear more about. Leave your comments below and happy writing!

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How Will I Be Remembered?

That is a question I’m sure a lot of us have asked ourselves at least once. When you are an artist of any sort your biggest goal is to be remembered for the works you produce, the pieces you have given to the world through the haze of your own blood, sweat and tears. For others it may be a simpler answer. Maybe you want to be remembered for standing up for the rights of someone who couldn’t stand up for themselves, or for building the congregation to the most successful church in the state, or even something as simple as having the best peach cobbler this side of the Mississippi. Whatever your goal, it is yours. It is important to you. And that makes it important. That means you will usually do whatever it takes to make it happen, right? Of course. So my question for all of you is this; what do you want to be remembered for? When someone, be it family and friends or a complete stranger, thinks of you what do you want them to envision? I implore you to seek out that answer, make sure you understand it yourself and decide what the best way to make it happen is and post it below. I’m not asking for a play-by-play of the next twenty years of your life, but a standard goal and a brief method of ensuring you see success in that endeavor, if for no other reason than because writing it down will give it substance. It will make it seem much more real than just letting it float around in your head – and it may even give you motivation to take the first step, which is always the hardest, and make an effort to bring your future into the present. Who knows, you may even meet someone in the comments who can be of great help to you in the process. So sit back and think for a few moments on what you would like to be remembered for, post it in the comments and then, of course, go make it happen!

That being said, personally something I would generally like to be remembered for is my writing. If that is too vague, one thing I specifically would like to be remembered for is my version of the vampire legend. I want people to think of me and put me in the same rank as Bram Stoker and Anne Rice, among others. I want to know that my ideas didn’t fall dead, and that they are actually being embraced by those who read them. I feel like if at least one person can look at my work in this light then I have succeeded. That’s me, guys. Now let’s hear about all of you!

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Exciting Announcement

I do apologize, friends and fans, for my absence so far this week, but I have been preparing to make a very exciting announcement. As many of you know I have been working as a library specialist for the last seven or eight months and I absolutely love it, although it doesn’t give me much of an opportunity to exercise and better develop my journalism skills.

I have always been fascinated by journalism, but had no opportunity to actually put my interest to the test until my final year of college, during which time I was made Head News Writer of my college newspaper. This job made me realize just how much I loved being a news writer/reporter and it allowed me to truly branch out and hone my skills as a writer. Upon graduation, I continued to blog and to write, but didn’t have many opportunities for practicing formal journalism – until now.

I am ecstatic to announce that I have been offered a reporter position with the Bristol Herald Courier, one of the most renowned papers in my region and I have graciously accepted. I will tentatively be starting my new job in the next two and half weeks or so and I couldn’t be more excited. I hope all of you will be able to check out my work with this paper. I plan to continue blogging at least once a week (but hopefully twice) while doing this job, but during my training and getting used to the flow of that job, things may get a bit jumpy. I am very excited about the changes coming in the near future and I can’t wait to be able to write stories and share the news of the region with all of the readers of this awesome production! Thank you all for your patience while I adjust to this much anticipated change of pace!

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Awesome Opportunity

I know I have spoken to you all before about the Appalachian Heritage Writers Symposium, and I think it’s about time to mention it for this year, too. The event takes place on June 10 and 11 this year, and it promises great content and a great experience to all those interested in attending.

The keynote speaker this year is Sharyn McCrumb, an Appalachian writer who has tackled many topics during her career and has made quite a name for herself. The topics being discussed range from graphic novel design and fantasy writing, to the ever practical and useful topics of marketing and nonfiction writing and many things in between. This symposium, now in it’s seventh year, is one of the best writing events in my region and often has visiting writers from all over the country in attendance. We do, of course, typically hold the theme of Appalachian Heritage writing, but that isn’t all we focus on, either.

I have found that this symposium can be very useful and it has actually helped me develop my platform since my first year of attendance in 2012. I have seen a number of people leave the symposium with a lot of knowledge that they didn’t have before attending and have actually felt more encouraged with my own writing after speaking to the writers that attend. One of the most rewarding things about this particular event, in my opinion is that you are given multiple opportunities throughout the two days to have face-to-face and one-on-one interaction with these authors. Unfortunately with symposiums and events like this that isn’t always the case.

Another benefit of this experience is that, rather than being full of themselves and unkind, as some individuals in the spotlight tend to be, these authors are some of the friendliest people you will ever meet, often striking up a conversation with you before you even get the chance to start one with them. I have gotten to know most all of the Appalachian Heritage Writers Guild and most of the regular attendees of the symposium itself and I have to say that one of the reasons I find it so beneficial to keep attending is the level of camaraderie I feel whenever I go. This is a very important thing for an artist, especially one just starting out.

One thing that I also find very interesting about the event is that there is a writing contest (prizes included) that is all inclusive. As a matter of fact, you don’t even have to be in attendance to win! So if you find yourself unable to attend the conference, but would like to enter the contest, follow the link at the bottom of this post for more information.

So I want to invite you all to try and attend. I know some of you are quite far from Southwest Virginia, but I assure you it is worth the trip. I will attach a link to the symposium website at the bottom of this post for any interested in learning more about it. Of course, as this is an event with a set schedule and meals included (Ha! I left that part for those of you that stuck it out until the end! The food is very amazing every year, so that is always another benefit), so registration is required so they have a head count and know how much to purchase in terms of supplies, etc. Also, there is normally a gift bag upon entering that includes a folder for the event, at least one notebook and pen, and a copy of SWCC’s Clinch Mountain Review.  There is a book signing event at the end of the first day and more festivities that you’ll just have to attend in order to know about! If there is anyone who has any interest in attending but feels unable to pay for the experience, please contact me. I really hope to meet some of you at this awesome symposium!

https://appheritagewritersym.wordpress.com/

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Unicorns are Real

Yes, I know this statement brings a number of things to mind, and it may be one that some of you are already familiar with, but I wanted to make this title and write  few words on this seemingly silly topic because the message many of will get can be applied to a number of things, including potential success in virtually anything we really set our minds to.

Of course, I could turn this into a rant about how a great many creatures thought to be mythological have since been proven real and use that as an argument for the possibility of the existence of most other cryptids out there, but that’s another topic entirely.

My point for today is this; so many people throughout history have used the legend and the image of the unicorn to be silly and stand for something that is impossible, but the truth of the matter is that nothing is impossible. Granted, the creature being referred to as a unicorn by science was much more akin to a cross between a rhino and a woolly mammoth, as it stood around 6 feet tall and weighed in at approximately 8, 000 pounds. Personally I don’t think that guy is going to be flying through any clouds or running across any rainbows.

But I digress. The reason this information is important is simple; anything is possible. I usually try to coach you guys through a specific issue that can have a crippling effect on some artists, but today I’m just addressing the real basics. You need to have faith. There are so many people who have risen through the adversity that met them to be some of the most treasured and celebrated authors in history. Critics and agents alike have torn some of our favorite authors apart countless times, and they still get right back up and keep putting pen to paper because that’s just what you do. I’ll keep this short and sweet today, guys and just leave you with a simple reminder that I think we could all use sometimes.

Your ideas came to you, so no matter what anybody says you owe it to yourself and to the world to keep at it. People who never thought they would see success are changing the world every day. Keep writing that book and don’t ever give up on your self. Remember, unicorns are real and anything is possible

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Is It Still Mine?

Sometimes as artists we have a piece that resonates with us so deeply and becomes so precious to us that it takes a very long time to go from start to finish. Now, that’s not to say that this particular piece is going to be any better or worse than any other thing that we produce, but it is just more uniquely “us”, I think. One such instance of this comes from (of course) Stephen King and his work on the Dark Tower series. King got this idea decades ago and just recently published the final piece (at least for now) of the Dark Tower puzzle. The books, a series of 7 with a stand alone follow-up, tell the tale of Roland Deschain and his urgent attempt to right what is wrong with the world by find and fixing the Dark Tower. Each book is deeper and more dense than the last and, with the exception of the stand alone (which I own but haven’t yet read), each one is larger than the last. King has called this series his magnum opus and has actually found a way to weave most of his other pieces into the world of Roland and his Ka-Tet. At the beginning of each book there is a foreword, at the end an afterword, and in almost each one King explains that the world of Roland grows a little more every time he attempts to visit it, the story becoming more complex every time he begins to work on it.

This is what I’m talking about. Speaking from experience, my own magnum opus (Maverip and its prequel/sequels) have gone through more phases than I ever imagined when the idea hit me some 9 years ago. That’s almost a decade of work. Each novel has taken me more or less three years to complete so far (yes, that means I only have two of them fully ready for beta readers), and the ideas keep coming. I can look at the notes I made when the idea first hit me, can actually still remember the experience of the idea flowing through my brain while listening to music in the car riding through the mountains on a warm summer night, and I can see how much the piece has grown and changed without effort.

But what does that mean? Has my idea gone from one thing to another? Have I butchered my own work by adding to it and allowing it to change? As an author, when that big piece comes to you and rides the years in your brain, letting every single day of your life affect the outcome and progression, I can promise you that you will end up asking that question at least once. I have asked it of myself and my work more times than I care to admit. But it’s nonsense. As I’ve talked about countless times before, when a piece that is really alive comes to you, begging to be written, it will often times end up writing itself and using you as a tool. Your ideas will put themselves on paper with little or no effort from you, with the exception of punching the keys or holding the pen and flipping the page. This is when you know that you are meant for the work and that the work is meant for you.

So why should it scare us when the work guides itself in a different direction than we originally saw? The answers may differ from person to person, but in my experience they often come back to one simple and brutal concept; Failure. We are afraid that if we can’t guide the work along exactly as we thought when we first humored the idea then we will never be able to convince someone else to read it. This is crazy. Why should we be afraid of our own abilities? The ideas that come to us in such depth that they allow us to build an entirely new world based on our own concepts are not ones that will fail us. We need to have faith in ourselves, our talents, our abilities and our ideas. Basically, we have to give ourselves artistic freedom if we ever hope to have real and true success in whatever craft we have chosen. Personally I would love to discuss this more in depth with anyone who is willing, so I would like for anyone who has felt this fear or questioned their work in this way to leave a comment or send me an email regarding what inspired the feeling and how you handled it. I hope you’ve all found this useful!

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